metzker de metzker ray (49 résultats)

Soft cover. Etat : Near Fine. Small quarto, pictorial card covers, flat uncreased copy.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. VERY GOOD hardcover in GOOD dust jacket, no marks in text; front panel of jacket is missing a small piece at top right corner. Book.

Paperback. Etat : As New. In shrinkwrap, but wrap has been torn in places showing very light wear at the exposed bits.

Etat : D'occasion - Bon état.

Hard cover. Etat : Very good. Etat de la jaquette : Very good. Great condition. Edges are shelf worn. Inside is clean and unmarked.

Paperback. Etat : Near Fine. Pages clean and binding tight, some light edge and corner wear, light shelfwear to covers. Inquire if you would like to make an offer.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Very good condition in dust wrapper.

Paperback. Etat : Fine. 1st. [16] pages, chiefly illustrations; 24 cm. Catalogue of an exhibition held at Laurence Miller Gallery,19 October to 3 December 1988. Firm binding, clean inside copy. Size: 8vo. Collectible.

hardcover. Etat : Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Etat : good. Fast & Free Shipping â" Good condition with a solid cover and clean pages. Shows normal signs of use such as light wear or a few marks highlighting, but overall a well-maintained copy ready to enjoy. Supplemental items like CDs or access codes may not be included.

Paperback. white glossy wraps w/ multiple black illustrations, black spine printing. 143 pp. profusely illustrated with bw plates. Issued in conjunction with a series of 1984-1986 exhibitions (Museum of Fine Arts, Houston, Nov. 17, 1984-Jan. 29, 1985, and various other cities) of photographs rendered by American photographer Ray K. Metzker (1931-2014). With an essay by Anne Wilkes Tucker, in addition to a chronology and bibliography. The exhibition checklist cites 190 pieces, and most, if not all, are pictured here. Good (Ex art library with sticker on the front cover and with library stamps and markings to ffep and colophon; wraps have some dampstaining at the top corners and edgewear/scuffing/smudging; textblock edges are lightly worn/scuffed/smudged; interior is clean but does have occasional smudging; binding is solid.).

Hardcover. White DJ with b&w-photo illustration under a clear Brodart DJ; black boards with silver lettering on the spine; 143 pp. profusely illustrated with bw plates. Issued in conjunction with a series of 1984-1986 exhibitions (Museum of Fine Arts, Houston, Nov. 17, 1984-Jan. 29, 1985, and various other cities) of photographs rendered by American photographer Ray K. Metzker (1931-2014). With an essay by Anne Wilkes Tucker, in addition to a chronology and bibliography. The exhibition checklist cites 190 pieces, and most, if not all, are pictured here. Good (Ex art library with sticker on DJ and rear pastedown, with library markings to half-title and colophon; DJ has toning/scuffing/smudging; boards are lightly shelfworn and edgeworn; textblock edges have some smudging; interior is clean; binding is solid.).

Softcover. white glossy wraps w/ multiple black illustrations, black spine printing. 143 pp. profusely illustrated with bw plates. Photo is of a PREVIOUS copy; this copy does NOT have ex-library markings or significant creases to spine; also this is a SOFTCOVER edition. Issued in conjunction with a series of 1984-1986 exhibitions (Museum of Fine Arts, Houston, Nov. 17, 1984-Jan. 29, 1985, and various other cities) of photographs rendered by American photographer Ray K. Metzker (1931-2014). With an essay by Anne Wilkes Tucker, in addition to a chronology and bibliography. The exhibition checklist cites 190 pieces, and most, if not all, are pictured here. VG- (scuffs, scratches & scoring to wraps. spine has a few light protrusions; appears to be from production/glueing not bumping; textblock & pgs firm/intact. rubbing to spine edges. corners rubbed; light diagonal crease to upper front corner.).

Etat : D'occasion - Très bon état.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. New York: Aperture, 1984. Quarto. Hardcover with a dust jacket. First edition. Black boards with silver lettering along the spine. There is the slightest bit of waviness along the top portion of the text block. Unclipped jacket has mild soiling to the rear cover. Book and jacket are both in very good condition.

First edition and first printing. Hardcover. 143 pages. Published in conjunction a twenty-five year retrospective, this remains one of the best monographs on Metzker with a wide sample of his brilliant black and white photographs. Features an essay by Anne Wilkes Tucker. Includes numerous black and white images, a biographical chronology, and a bibliography. A clean and tight near fine copy in black cloth boards and in a close to near fine dust jacket that is very lightly soiled and with a crease to the front flap.

Hardcover with dustjacket and plastic overwrap, 144 pages, very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Etat : Good. 8vo. 14 pp. Soft Cover. Very Good. Stiff illustrated paper wraps. Staple binding. Significant wear and rubbing on wraps. Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Paperback. SIGNED. First edition, first printing. Fine, virtually as new, paperback. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The first book by Metzker (1931-2014), a collection of images made at the beaches of Atlantic City, New Jersey, from 1968 to 1975. Photographs and introduction by Ray K. Metzker. SIGNED BY METZKER on the title page; no inscription. Unpaginated [56 pages]; 59 b&w illustrations; 9.5 x 8 inches. Biography.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title!

First edition and first printing. Hardcover. Text by Turner. While Metzker might be better know for his street photography this is an attractive collection of his landscape images. Includes 115 duotone illustrations. A fine copy in a fine dust jacket with some bumping to the bottom corners. Signed by Metzker on the half title page and uncommon thus.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 1st Printing. Signed. 148 pages. Published in 1999. Retrospective collection of landscape photographs. Now considered a contemporary art photography classic. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Softcover Edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. An austerely elegant production by Wendy Byrne: Oversize-volume format. Pale gray cloth boards with metallic-silver titles embossed on spine, as issued. Photographs by Ray K. Metzker. Essay, "Voyage of Discovery", by Evan H. Turner. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at the Philadelphia Museum of Art from November 18, 2000 through February 11, 2001. Presents Ray K. Metzker's "Landscapes". Natural landscapes by the photographer who is celebrated for showing the enigmatic beauty, formal elegance, and quiet desperation of the landscape called the city. Marks most of the images' very first appearance in book form. Whereas his street photographs have a fluidity and volatility about them (because the city itself does), Metzker's landscapes are unique and discrete visual experiences of stasis and constancy. Of course, the natural landscape changes, too, all the time. But as Evan H. Hunter points out in his brilliant Essay, they do so more slowly, at a much less hectic and sometimes glacial pace. Metzker's "dream landscape" is one that somehow captures or hints at this "time-stands-still" quality on film. His landscapes have their antecedent not in Robert Adams, but in the canonical work of the great Nature artist of Modernism, Claude Monet. "For me, to photograph is to wander with camera in hand, looking at everything along the way. What ultimately gives meaning and satisfaction to this act is discovering something I had not known, seen, or felt previously" (Ray K. Metzker). An absolute "must-have" title for Ray K. Metzker collectors. This copy is very prominently, neatly, and beautifully signed in black ink-pen on the half-title page by Ray K. Metzker. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 97 duotone and tritone plates, 44 illustrations. One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER RAY K. METZKER TITLES IN OUR CATALOG) ISBN 0893819115. Signed by Author.

Soft cover. Etat : Very Good. 1st Edition. First edition, oversized softcover, signed by the photographer, with multiple inserts. Signed on the title page (no inscription) with no other markings. Some scratches rubbing and edgewear to covers. Richly illustrated throughout. Laid in are the following: an 8 x 10 inch promotional photo (Composites: Philadelphia, 1966) with sticker and SFMOMA info to verso, SFMOMA press release (3 stapled leaves) and exhibition checklist (16 pages in stapled wrappers). Signed by Author(s).

Paperback. Square Quarto. Softcover. White glossy wraps w/ multiple black illustrations, black spine printing. Black end papers. 143 pp. profusely illustrated with bw plates. 29cm. Issued in conjunction with a series of 1984-1986 exhibitions (Museum of Fine Arts, Houston, Nov. 17, 1984-Jan. 29, 1985, and various other cities) of photographs rendered by American photographer Ray K. Metzker (1931-2014). With an essay by Anne Wilkes Tucker, in addition to a chronology and bibliography. The exhibition checklist cites 190 pieces, and most, if not all, are pictured here. Signed by Metzker and Tucker on the title page with a card reading "Complements of The Museum of Fine Arts, Houston" laid in. VG. Very light soiling to the white covers. Light bumping at corners. Checklist of the exhibition laid in at the rear. Binding is secure. Text block is clean and unmarked.

Hardcover. BW photo-illustrated DJ with white and yellow lettering; purple cloth over boards with white lettering; 94 pp.; richly illustrated; ephemera laid in. Admirers have called Metzker "an innovator who knows no rules." City Stills confirms this, with Metzker using progressive darkroom techniques and daring collage compositions to suspend concepts of time and place. Whether spliced negatives juxtaposing day anti night, or rapid-fire sequences of objects and people, Metzker's shots transform his subjects into visual patterns: a crowd of wary policemen becomes a study in texture and contrast -- shiny, black leather uniform jackets against smooth, white helmets. Other photographs demonstrate Metzker's magnificent command of light and shade: four figures wait pensively at a bus stop, as though caged in glass, staring boldly into a wedge of bright light; a lone woman stands outside a train station, engulfed in an ominous stripe of inky shadow, with only the white of her necklace and a folded newspaper as talismans to ward off the darkness. Whether the photographs capture people waiting to take action, or people already in motion, Metzker's technique estranges them from the lockstep rhythm of mundane activity and makes them stand still-just for a moment. The result is a series of photographs that demands a reinterpretation of the city, its streetlife, and its inhabitants. -- WorldCat. Good (DJ is edgeworn/scuffed/smudged; boards are edgeworn, and a chip is starting at the lower board edge; interior is clean with toning at the periphery; binding is solid.).

First edition and first printing. Hardcover. 143 pages. Published in conjunction a twenty-five year retrospective, this remains one of the best monographs on Metzker with a wide sample of his brilliant black and white photographs. Features an essay by Anne Wilkes Tucker. Includes numerous black and white images, a biographical chronology, and a bibliography. A fine copy in black cloth in a very near fine dust jacket. Signed by Metzker on the title page and surprisingly uncommon as such.

Wrappers. Etat : Good. 142 pages 176 black and white illustrations. [SIGNED] Signed by the author and curator, Anne Wilkes Tucker and the artist Ray K. Metzker on the title page. Foxing to some of the pages inside. Slight creasing to the paper spine.Soiling to the white covers and wear along the corners and edges. Illustrated wraps. Square format. Chronology and Bibliography. Checklist of the Exhibition laid-in. Signed by the Artist and Author. Book.

First edition and first printing. Hardcover. 224 pages. Published in conjunction a traveling exhibition. Features a foreword by director Julian Zugazagoitia along a text by Keith Davis. Includes 145 tritone and 1 color illustration, selected bibliography, and an appendix with Ray Metzker documents and statements. A very fine copy in gray cloth boards with black and white plate affixed to the front cover.No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap. Still one of the best books on Metzker.

Etat : Neuf.

Hardcover. Etat : gut. 2004. Urban American streetscapes, captured in black and white taken over a quarter century show Metzker pushing the technical boundaries of photography into an undefined formal realm well beyond the expected. Metker's shots transform his subjects into visual patterns and a study in texture and pattterns and are a manifestation of his command of light and shade Whether the photographs capture people waiting to take action, or people already in motion, Metzker's technique estrange them from the lockstep rhythm of mundane activity, and makes them stand still- just for a moment. The result is a series of photographs that demands a reinterpreptation of the city, its streetlife and its inhabitants. Detailangaben zum Buch - City Stills: Introduction by Laurence G. Miller. (Art & Design S.) EAN (ISBN-13): 9783791320021 ISBN (ISBN-10): 3791320025 Gebundene Ausgabe Erscheinungsjahr: 1999 Herausgeber: Prestel ISBN/EAN: 3791320025 ISBN: 3-7913-2002-5, 978-3-7913-2002-1 Autor des Buches: ray metzker, lucien clergue, metzger, miller, ray laurence, photography metzker Titel des Buches: city stills, ray metzker, city still, design city design, photography art art photography Titel: Ray K. Metzker - City Stills Verlag: Prestel Sprache: Englisch City Stills: Introduction by Laurence G. Miller. Art & Design S. Metzker, Ray K. In englischer Sprache. 108 pages. 300 x 240 mm.