miró de miró joan prévert jacques ribemont dessaignes (9 résultats)

Soft cover. Etat : Near Fine. Etat de la jaquette : Near Fine. Joan Miró (illustrateur). Twelve full color plate lithographs (one foldout). Color lithographed pictorial wrapper/dust jacket over stiff wrappers. Lithographs on front and rear covers. Numerous black & white depictions. NEAR FINE condition (very slight wear to edges). 219 pages.Pages are bright clean.Shelf 1200-420.

Etat : Good. Small 4to. Pictorial wraps, a ltiitle soiled. 220 pp. LACKING the lithographs by Joan Miró and pages 3-7. Cramer, no. 39. Mourlot , nos. 162-163.

8° Broschiert. Etat : Gut. Broschierter Einband mit illustriertem Schutzumschlag sowie zusätzlichem Cellophan-Schutzumschlag, 24 x 20 cm, leichte Randbräunung, etwas berieben, oben und unten bestoßen, die Klebebindung mittlerweile sehr empfindlich, einige der ersten Seiten gelöst oder teilgelöst. Der Band enthält ursprünglich 10 Lithographien von Miro, wobei die Motive auf Deckel sowie Rückendeckel sowie die Titelvignette inkludiert sind. Eingebunden ist hier noch eine der verbleibenden anderen. Die Paginierung setzt erst mit Seite 9 ein, hier wurden vermutlich weitere Lithos herausgetrennt. Stichworte: Joan Miró, Grafik, illustrierte Bücher, Lithographie 219 S. Französisch 740g.

Softcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. Softcover in full wraps.Text by Jacques Prevert. This Miro title is an embarasment of riches published by Maeght includes ten original lithographs incuding the title page vignette as well as front and rear panels of the dust jacket, there are 4 double-page fold out lithographs and 3 single-page. 100 additional reproductions throughout, some in color. Small square 4to (measures 9.25" x 8"), lithographed pictorial wrappers. Paris: Maeght Editeur, 1956. A near fine copy in a near fine dust wrapper. ; 219 pages.

paperback. Etat : fine. Etat de la jaquette : near fine. Miro, Joan (illustrateur). First. Including the title page vignette & front/rear panels of the dust jacket, there are 10 original lithographs (9 in color; with 4 double-page and 3 single-page). Over 100 additional reproductions on glossy paper, some in color. 219 pages with text in French. Small square 4to (measures 9.25" x 8"), lithographed pictorial wrappers (very slight edgewear). (Paris): Maeght Editeur, 1956. A fine copy in a near fine dust wrapper.

paperback. Etat : near fine. Miro, Joan (illustrateur). Including the title page vignette & front/rear panels of the dust jacket, there are 10 original lithographs (9 in color; with 4 double-page and 3 single-page). Over 100 additional reproductions on glossy paper, some in color. 219 pages with text in French. Small square 4to (measures 9.25" x 8"), lithographed pictorial wrappers (slight edgewear, touch of foxing on interior of wrappers and endpapers). (Paris): Maeght Editeur, 1956. A near fine copy in a near fine dust wrapper.

Miro (illustrateur). First edition. Small 4to., 219 pp. Color lithographed pictorial wrapper over stiff wrappers. Illustrations and plates. Light shelf-rubbing to extreme edges of wrapper with slight creasing. With the slightly chipped and rubbed original clear acetate over-wrapper. Very good. Includes seven original lithographs, four of them double-panel foldouts, in addition to the color title-page vignette and the lithos on the front and rear of the wrapper.

Soft cover. Etat : Fine. Etat de la jaquette : Good. (Paris): Maeght Editeur, 1956. Publisher's paperback binding with original transparent dust-jacket preserved. 219 p. 10 original lithographs (9 in color; with 4 double-page and 3 single-page.) A small loss of plastic at rare transparent dust-jacket near the spine at the front cover (please see piture). Previous owner's signature at first end-paper. A complete and well-preserved copy.

First edition, first printing, presentation copy, inscribed by Miró and the authors to the French philosopher and intellectual Georges Bataille, with a printed card ("Hommage de l'Éditeur") loosely inserted. The three Surrealists have inscribed the first blank: "à georges [sic] Bataille, son ami, l'alli Prevert", together with a small drawing of a man, perhaps a self-portrait; "Cher Bataille, en toute amité de G. Ribemont-Dessaignes", embellished with a sketch of a leaf; and "avec la vieille amité de, Miro [sic]!". The founder of numerous journals and literary groups, Bataille was a key figure in surrealist circles, despite his dislike of surrealism's self-proclaimed founder André Breton. He wrote extensively on eroticism, mysticism, and the irrational, and his friendship was a source of inspiration for Miró, who "diplomatically and artistically navigated between two branches of surrealism - Breton and Bataille - while venturing into commercial galleries and creating theatrical scenery" (Oistenau). Bataille appears in Miró's artwork, including Musique, Seine, Michel, Bataille et Moi (1927), and Bataille's 1929 article "Le Gros Orteil" ("The Big Toe") prompted Miró to fill a large notebook with images of the digit. Cramer 39. Valery Oistenau, "Joan Miro: Painting and Anti-Painting 19271937", Brooklyn Rail, 2 Nov. 2008. Quarto. With 160 colour and black-and-white illustrations after artworks by Miró and 8 original colour lithographs, of which 3 fold out, and 2 original lithographs on the dust jacket. Original stiff drab card wrappers. With lithographic dust jacket. Housed in a custom grey card chemise and slipcase. Edges toned, slight lean to spine; spine of unclipped jacket toned, edges a little rubbed, short closed tear at foot of front panel: a near-fine copy in like jacket.