Miscellany type (38 résultats)

HARDCOVER. Hardcover edition. 287pp+256pp, quarto volumes. tight binding, clean throughout, Very Good volumes minor cover wear, in mylar covers, Very Good-.

hardcover. Etat : Like New. Like New. 1994. Twentieth Anniversary Broadside Portfolio. Limited to 200 Printings. American Printing Historical Association. Folio. Wheat colored fabric over hardcover clam-shell box. Leather cover label attached. containing a four-page printed introduction by Michael Peich, a printed broadside listing participants and 29 broadside contributions by different presses. A Type Miscellany, Twentieth Anniversary Broadside Portfolio - designed by Jerry Kelly with preliminary pages printed by The Stinehour Press. Contributions made by Dwight Agner, Mark Argetsinger, Lowell Bodger, John DePol, Morris Gelfand, Darrell Hyder, Steve Miller, Henry Morris, David Pankow, Gaylord Schanilec, Neil Shaver, Michael Tarachow and others.…

Hardcover. Etat : Fine. 1st Edition, Limited Edition. DESCRIPTION: Folio size 35.5H x 26W cm, 125 pp. One of 460 standard "C" editions bound in quarter tan/orange cloth with patterned paper over boards, total edition of 530 copies. Matching slipcase in pale yellow paper with matching tan top and bottom cloth edges, A compendium of types found and used at the Whittington Press in all shapes, styles and sizes, interspersed with sepia illustrations from Eric Gill, Robert Gibbings, Edward Ardizzone, Miriam Macgregor, etc. , all printed on Zerkall mould-made paper. Separate partial sheets containing paragraphs in various types from Kelmscott, Ashendene, Eragyny, Vale and Essex House presses laid in. Announcement on salmon-colored paper for the Whittington Press Open Day - 7.ix.19 also laid in. Book is protected with a clear archival Grafix Dura Lar dust wrapper._____CONDITION: Faint 5x8 mm aqua blue smudge on front cover (see last photo) otherwise entirely fine. Slipcase in fine condition._____NOTE: Domestic shipping cost with USPS media mail is $20 due to folio size and weight of this book. International shipping cost to Canada and the United Kingdom is $110 using USPS International Priority Mail. It is prohibitively expensive due to folio size and weight and international collectors are STRONGLY advised to purchase this edition from booksellers in the U.K. or on the Continent to make this a cost-effective purchase.…

Hardcover. Etat : Near Fine. Illustrated. Limited edition: this copy is number 182 of 530 copies. Fine in a near fine slipcase.; 125 pages.

Hardcover. Etat : Fine. No Jacket. 1st Edition. 125pp + vii prelims. Introduction by John Randle. Twenty-one sections explaining the origins and design of popular types - presented for the general reader as well as for the printer. Contains extensive examples of type with lightly tipped in samples of work from the Whittington Press. Printed in a numbered edition of 530 copies. This is copy #233. Brown cloth quarter binding with gilt embossed titling to spine. Decorated paper covered boards. Yellow and red sewn headbands. Orange top page edges. Untrimmed fore edge. Brown cloth edged slip case with light cream paper covers. Laid in is a promotional card inviting the reader to request a copy of the publisher's current catalogue. This is a heavy volume (2kg) and will require additional postage costs. In fine condition. Howard Phipps (illustrateur).…

Hardcover. Etat : Near Fine. Limited Edition. 1990, Limited Edition - 530 copies, this being one of the 460 copies quarter bound in buckram and printed covers. Instead of being numbered this is a "contributor's copy" - for Lesley/Hellmuth Weissenborn. Large Quarto. 10.5" x 14" approx. [viii], 125pp. With wood engravings and other illustrations in sepia throughout by Eric Gill, Robert Gibbings, Edward Ardizzone, Miriam Macgregor, etc. Introduction by John Randle. Twenty-one sections explaining the origins and design of popular types - presented for the general reader as well as for the printer. Bound in publisher's quarter buckram, printed paper sides, gilt title to spine. Binding secure. Clean and bright. Housed in the card slipcase, some minor markings and shelf-wear. Otherwise a 'Fine' copy. Heavy - shipping to be advised. …

4to. quarter cloth, printed paper-covered boards, slipcase. iv, (iv), 125, (2) pages. First edition, limited to 530 numbered copies, of which this is one of the 460 trade copies bound thus. A fine copy in fine slipcase. A magnificant type specimen book which has been designed to be enjoyed as much for its content as its typographical displays. The basis for this book is the large collection of monotype faces held by the press, which includes Bible Centaur and all the other monotype faces originally held by the Oxford University Press. Each one has been elegantly displayed in a variety of different sizes and a deliberate attempt has been made to show the rarely-seen larger sizes. The texts are extracts from books or articles published by the press and are accompanied by an original illustration. Printed in two colors throughout this is one of the finest private press books of the year and an inspiration to any typographer. quarter cloth, printed paper-covered boards, slipcase. Whittington Press (illustrateur).…

Soft cover. Etat : Good. 1st Edition. First edition of this attractive publisher's advertisement. Slim 8vo. Unpaginated [30pp]. Sewn decorated card wrappers, lettered in red at the upper wrapper. With a colour frontispiece and various engravings, decorations and reproductions, mostly unaccredited but including a handsome John Nash woodcut. Wrappers a little rubbed, marked, chafed and spotted, and with a touch of occasional internal margin spotting. Quite a nice bright copy of an uncommon item. [A light item, UK postage will be reduced].…

A broadside alphabet from Miscellany of Type. Single sheet 620 x 400 mm. A broadside in Very Good condition.

Type specimen broadside designed by Morris Gelfand at his Stone House Press which acts as a bit of a history as well. John De Pol illustrated several books, broadsides, and keepsakes for the press, mainly in the 80s and 90s. An attractive printing. 13x10" printed in 3 colors on laid paper. Illustration by John De Pol. Few edge bumps and wrinkles, stray marks to verso else near fine. …

Hard Cover. Etat : Very Good. Limited Ed. Hardback, cloth spine over decorated paper covered boards, with slipcase. 35.5cm x 26cm. viii, 127pp. Wood engravings and other illustrations in sepia throughout by Ardizzone, Gill, Gibbings, Gwenda Morgan, Howard Phibbs, Miriam Macgregor, and others. Twenty-one Monotype designs, including a tipped-in example of Centaur, with notes by Randle & John Dreyfus on each, the texts are from earlier Whittington Press publications. Number 81 of 530 copies. Slipcase marked, small mark on edge of spine. Minor foxing to first blank and colophon page only. A heavy book, additional postage may be required for orders outside the UK. …

John Randle, in his introduction, writes, ÒUnlike most other type books, this one is intended to be enjoyed for its content as much for its typographical displays, on the principle that the subtleties of the various faces are best discovered by reading and coming to appreciate them almost unconsciouslyÉÒÉthis bookÕs purpose is toÉcelebrate that typographical renaissanceÉby showing the Monotype faces held at the Whittington Press. The choice of faces, while fairly comprehensive, is inevitably also subjective, and rather than show a little of every size of every faceÉthe plan has been to showÉwhole or half pages [that] show off [Stanley] MorisonÕs legacy in its true glory." Folio. [4], viii, 126, [1, blank] [+1, colophon] pp. Illustrated with numerous wood-engravings, sketches, and three tipped-in full-color plates. Wood engravings by Howard Phipps, Robert Gibbings, Olive Kennedy, and others. Printed on Zerkall mould-made paper. Quarter reddish brown linen buckram spine over patterned boards with gilt spine. A fine, bright copy in a slightly soiled, near fine board slipcase. One of 530 copies, of which 460 copies were bound as this one.…

Etat : Good. Brown cloth quarter binding with gilt embossed titling to spine. Decorated paper covered boards. Yellow and red sewn headbands.

Hard Cover. Etat : Near Fine binding. Folio. [4], iv, [4], 125, [2] pp., illus., facs. Limited edition, number 379 of 460 copies from the regular edition. The full edition was 530 copies. As issued, in cloth-backed, patterned paper over boards; 3 tipped in broadsides as issued; in publisher's slipcase. This copy with additional folded broadside specimen sheet: "This magnificent series of 96-point Caslon Swash Capitals. . ." laid in; subscription card as well as manuscript note on Whittington stationary card signed by Randall thanking the recipient of the book. A beautiful copy in trivially rubbed slipcase. Randall employs 21 typefaces using between 3 and 10 sizes per face, to create this specimen book in which he presents the faces using published selections that are printed in incrementally smaller type. Faces include: Baskerville, Bodoni, Caslon, Centaur, Garamond, Perpetua, Times Roman, and more. Illustrations throughout by Gwenda Morgan, Eric Gill, Robert Gibbings, Edward Ardizzone, and others.…

First edition. Folio. 125 pp. Fine in printed paper-covered boards with cloth spine. Fine publisher's slipcase. No dust jacket, as issued. One of 430 (of 460) numbered copies.

Hardcover. Etat : Fine. Copy number '109' of an edition limited to 530 copies of which this is one of 430 copies quarter bound in brown buckram over printed paper covered boards (other than 30 presentation copies similarly bound). Gilt lettering to the spine and top-edge tan stained. Printed on Zerkall mould-made paper using specimens of 21 Monotype typefaces in several sizes with a tipped-in specimen of Centaur type. Housed in the original buckram edged, paper covered board slipcase. Folio, [4, blank] [half-title] [blank] [title-page] [publisher] i-iv [3, contents] [blank] 125 [blank] [colophon] [5, blank] with illustrations by artists including Miriam Macgregor, Howard Phipps, Gwend Morgan, Robert Gibbings, Hellmuyth Weissenborn and Edward Ardizzine. A book in Fine condition in a Fine slipcase. 55 copies were quarter bound in Nigerian Goatskin and printed covers with a separate portfolio of broadsides of types and ornaments; 15 copies were full bound, with the separate portfolio.…

Soft cover. Etat : Near Fine. 1st Edition Limited. 200 copies, 29 loose broadsides with 4 page preface in fine clamshell box. A few broadsides have rough edges as having benn hastily returned to box by a previous owner (certainly NOT this bookseller!) but the collection does contain the often elusive Henry Norris Bird & Bull broadside, and more uncommon thus.…

29 broadsides of quotations relating to printing and typography, printed by various contributors, several with wood engravings by John DePol. One of 200 copies printed for the American Printing History Assocation's [APHA] 20th anniversary. Introduction by editor Michael Peich. Designed by Jerry Kelly. Title page, introduction and contributor list printed at the Stinehour Press. Folio, preliminary pages and broadsides housed in original grey linen clamshell box, red morocco title label lettered in gilt to upper cover. A very good copy. "A shared interest in type has brought together this collection of broadsides; for, without type, there would obviously be no American Printing History Association.the group assembled here nicely represents the current state of fine printing in APHA's twentieth year" (Michael Peich). Contributing printers include Press of the Nightowl, Michael and Winifred Bixler, Harold Berliner, Lowell Bodger, Haybarn Press, Michael Tarachow, Bowne & Co. Stationers, Aureole Press, Stone House Press, Oliphant Press, Sun Hill Press, Kelly/Winterton Press, Coffee House Press, Red Hydra Press, Robert Minsky, Bird and Bull Press, Cary Library Press, Aralia Press, Bullnettle Press, Irish Pig Press, Turkey Press, Brevier Press, Midnight Paper Sales, Yellow Barn Press, Greenwood Press, Stinehour Press, Pentagram Press, W. Thomas Taylor and Greenhouse Review Press.…

Hardcover. Etat : Fine. Folio. vii, 125pp. A collection of articles and type specimens about 21 different typefaces ranging from Baskerville to Walbaum, each of them illustrated with wood engravings by Robert Gibbings, Edward Ardizzone, and several others. The body of the book is, then, a visual and textual exploration of the techniques of type, and a consideration of those techniques as extensions of aesthetic theories of the look of a book. This emphasis on design as a matter of technological, practical, and aesthetic principles is especially apparent in the complementary portfolio, which contains twelve distinct examples printing various images, typefaces, and watermarks of various papers, both marbled and not. Included are papers made for the Kelmscott Press, a broadsheet with 96-point Caslon, hand-colored illustrations, a wood-engraving by Miriam Macgregor, and marbled sheets by Colleen Gryspeerdt. The whole, with portfolio and full binding, is an admirable historical survey of 20th-century page design, useful as a printer's reference, pedagogical compilation, and typographical archive. Bound in full orange leather over boards with inlaid light-orange "A." Additional portfolio housed in quarter-leather chemise with patterned paper over boards. All stored in dropback box. A beautiful book which continues the tradition of fine printing we have come to expect from the Whittington Press. Very fine. One of fifteen especially deluxe copies, full bound and with separate portfolio.…

Limited edition, this being one of 55 copies quarter bound in Nigerian goatskin and printed covers from a total edition of 530. Quarter Nigerian goatskin and patterned paper boards, with a similarly bound portfolio of specimen pages, folio, 37 cm, slipcased. 125 pp, ills plus separate portfolio containing 12 items An appealing and attractively-produced book. This is one of 55 "B" specials (there were also 15 full morocco "A" specials) which include a portfolio of broadsides of types and ornaments. From the introduction: "Unlike most other type books, this one is intended to be enjoyed for its content as much as for its typographical displays, on the principle that the subtleties of the various faces are best discovered by reading and coming to appreciate them almost unconsciously, rather than by learning that Caslon has a scalloped A, or Baskerville an unclosed g. .So, if this book will be picked up by the reader with no interest or concern in the differences between Fry's and Monotype's Baskerville, or who is left cold by the delightful extravagances of Garamond's italic, but who nevertheless continues to turn the pages, nothing will give its compilers greater pleasure.But this book has a more serious purpose too. The typographical renaissance inspired by Stanley Morison in the 1920s, and made real by the technical resources of the Monotype Corporation, left the world of printing with a typographical heritage unique in its five hundred year history - in its diversity, its soundness of design, its scholarship, and its sheer technical brilliance. It gave printers a hitherto undreamed of selection of typefaces to choose from, and was the basis of the era of sound typographical design that ended abruptly when hot metal and letterpress gave way to filmsetting and offset-litho in the 1970s. Suddenly, the laws handed down by God and Stanley Morison were found to be mutable. Character spacing, kerning, and alignment had until then been Fixed in Time, having been Verified in Proof (to use Beatrice Warde's phrase) and passed down to the Monotype operator in the form of solid bronze and steel artefacts, honed to an accuracy of one ten thousandth of an inch. Now, at the press of a key, all these could be changed, even the weight of a bold, or the angle of an italic. The dismal results of this versatility can be seen in most printing produced today, particularly in bookwork." The type specimens included, each of which is shown in a good selection of point sizes, are: Baskerville, Bell, Bembo, Bodoni, Caslon, Centaur, Cochin, Fournier and Barbou, Garamond, Gill Sans, Goudy Modern, Lutetia, Modern, Perpetua, Plantin, Poliphilus and Blado, Romulus, Scotch Roman, Times Roman, Van Duck, and Walbaum. The portfolio contains an interesting mix of material: 1. Kelmscott paper made by Batchelors for William Morris; 2. Heraldic watermark by Van Gelder for Lord Aldenham; 3. Broadsheet showing 96-point Caslon; 4. Broadsheet for The Brethren of the Art Workers Guild; 5. Whittington Show Poster, 2 September 1990; 6. Typographic Fountain; 7. Two Mirrors (hand-coloured by Carmen Voss); 8. Turkish Carpet (in two colour schemes); 9. Pretty Clothes; 10. Mr Berry's Garden, wood-engraving by Miriam Macgregor; 11. Four Marbled papers by Colleen Gryspeerdt; 12. Three previously unpublished illustrations for A Boy at the Hogarth Press by Richard Kennedy. Copy No. XLIX. Fine set in the publisher's slipcase, the paper surface of the slipcase being unobtrusively split along one edge.…

The broadsides include items from the Press's collection of handmade papers acquired from the Oxford University Press, and four items assembled by Erik Voss. They include marbled paper samples for the Press of Colleen Gryspeerdt a hand-colored illustration by Carmen Voss, a signed Miriam Macgregor wood-engraving, and three blocks designed for Richard Kennedy's A Boy a the Hogarth Press, which are printed here for the first time. Quarto. [12], 125, [3] pp. Printed on Zerkall mould-made paper in a variety of faces and colors. Displays over twenty types. Woodcut illustrations by Richard Kennedy, Miriam Macgregor, Gwenda Morgan, Hellmuth Weissenborn and others. Three tipped in handmade paper samples. Quarter-bound in Nigerian Goatskin over patterned boards. This is one of fifty-five copies in this special binding, containing a separate portfolio of broadsides of types and ornaments. A few minor spots to spines, otherwise a fine copy in slipcase. One of fifty-five copies of this special edition, out of a total edition of 530 copies.…

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date: Unknown Publisher: the English Church Bookstore Folio: 16 Pages: 2412 24 surface cover after do.Four Satisfaction guaranteed,or money back.

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Publisher: the Emperor Guangxu Book integrated printed the bookshops lead flat body version of the word. Printing time: 1884 Folio: 32 open bamboo mold company. based Textual Research of 1-2. and the arts. Chronicle. MiscellanyFour Satisfaction guaranteed,or money back. …

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Publisher: of Emperor Guangxu Book integrated printed bookshops lead flat character version. Printing time: 1884 Folio: 32 open hand (exchange test. the arts. Chronicle. Miscellany. woven). foot (sink test. and the arts . Chronicle. Miscellany. woven). abdomen (the Textual Chronicle. Miscellany). dirty (sink test. General. arts. Chronicle. Miscellany. woven)Four Satisfaction guaranteed,or money back. …

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Publisher: of Emperor Guangxu Book integrated printed bookshops lead flat character version. Printing time: 1884 Folio: 32 open the nascent Ministry (Chronicle. Miscellany. woven) year old part (the Textual Chronicle). three-year-old to Friday -year-old Chronicle. aged 51 to 60 years old (Chronicle. Miscellany)Four Satisfaction guaranteed,or money back. …

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Publisher: of Emperor Guangxu Book integrated printed bookshops lead flat body version of the word. Printing time: 1884 Folio: 32Four Satisfaction guaranteed,or money back.…

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Publisher: of Emperor Guangxu Book integrated printed bookshops lead flat character version. Printing time: 1884 Folio: 32 open Zhejiang Ministry of the arts. the choice of sentence. Chronicle. Miscellany. West Lake Department of exchange test. and the arts.Four Satisfaction guaranteed,or money back. …

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Publisher: of Emperor Guangxu Book integrated printed bookshops lead flat body version of the word. Printing time: 1884 Folio: 32Four Satisfaction guaranteed,or money back.…

26/460 COPIES (from an edition of 530 copies) printed on Zerkall mouldmade paper throughout in black and a variety of autumn colours through the browns to orange, all heightened with a selection of illustrations from earlier Whittington books and inserted type facsimiles, pp. viii, 127, folio, original quarter terracotta cloth, backstrip lettered in gilt, patterned paper boards, touch of rubbing at extremities, top edge orange, others untrimmed, cloth and board slipcase, near fine. This copy with the additional signature of the book's printer, John Randle, at the colophon. '.this book's purpose is to in some way celebrate [the] typographical renaissance that ended twenty years ago by showing the Monotype faces held at the Whittington Press. The choice of faces, while fairly comprehensive, is inevitably also subjective. the plan has been to show, particularly in the little-seen larger sizes, whole or half-pages to show off Morison's legacy in its true glory. The texts are extracts from books or articles published by the Press since it started in 1971' (Introduction) Typefaces: Baskerville, Bell, Bembo, Bodoni, Caslon, Centaur, Cochin, Fournier & Barbou, Garamond, Gill Sans, Goudy Modern, Lutetia, Modern, Perpetua, Plantin, Poliphilus & Blado, Romulus, Scotch Roman, Times Roman, Van Dijck, Walbaum. (Butcher 105). …

Broadside. Etat : Fine. Limited Edition. One of 200 copies printed. Titlepage and Introduction (by Michael Peich, editor) by The Stinehour Press; list of contributors' sheet, and 29 individual broadsides, each measuring 10 x 13 in. letterpress printed, with print device, typographic blocks, and a variety of fonts. Hosed in the publisher's linen cloth clam-shell box with a red leather title label on the front stamped in gilt. A Fine copy. // List of Contributors: Dwight Agner - Press of the Nightowl / Mark Argetsinger - Printed by Michael & Winnifred Bixler / Harold Berliner - Harold Berliner Printer / Lowell Bodger - Lowell Bodger Typographer / Ed Colker - Haybarn Press / John DePol - Printed by Michael Tarachow / Barbara Henry - Bowne & Co. Stationers / Tim Geiger - Aureole Press / Morris Gelfand - Stone House Press / Ron Gordon - Oliphant Press / Darrell Hyder - Sun Hill Press / Jerry Kelly - Kelly/Winterton Press / Allan Kornblum - Coffee House Press / Steve Miller - Red Hydra Press / Richard Minsky / Henry Morris - Bird and Bull Press / David Pankow - Cary Library Press / Michael Peich - Aralia Press / Asa Peavy - Bullnettle Press / Mary Phelan - Irish Pig Press / Harry Reese - Turkey Press / Stephen O. Saxe and Julia Boltin - Brevier Press / Gaylord Schanilec - Midnight Paper Sales / Neil Shaver - Yellow Barn Press / Jack Werner Stauffacher - Greenwood Press / Roderick Stinehour - The Stinehour Press / Michael Tarachow - Pentagram Press / W. Thomas Taylor - W. Thomas Taylor Printer / and Gary Young - Greenhouse Review Press.…