narrative figuration (136 résultats)

Soft Cover / Couverture Souple. Etat : Near Fine/Excellente Condition. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / in-8o. Book.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft Cover / Couverture Souple. Etat : Near Fine/Excellente Condition. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / in-8o. Book.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Etat : Fine.

Gebunden. Etat : Neu. Neu -This book celebrates Narrative Figuration, an art movement that arose in France in 1964 in the context of the Paris exhibition MythologiesQuotidiennes (Daily Mythologies), organized by the artists Bernard Rancillac and Hervé Télémaque, and critic Gérald Gassiot-Talabot. Some 34 artists participated with the goal of challenging modern Pop Art aesthetics, and propagating changes in society. Elements from English and American Pop Art were mixed with images from advertising, comics, film, and photography, and images from earlier eras of art history were integrated into new and surprising contexts. Among the artists who participated were Eduardo Arroyo, Ren. Bertholo, Gianni Bertini, Öyvind Fahlström, Peter Klasen, Jacques Monory, Antonio Recalcati, Jan Voss, and others. Narrative Figuration continued through the 1970s with members such as Valerio Adami, Gilles Aillaud, Henri Cueco, Erró, Gérard Fromanger, and Peter Stämpfli. Today there is renewed interest in this movement. 288 pp. Englisch.

Softcover. Etat : Très bon. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Etat : New. Similar to Pop art in its criticism of consumer society and rejection of abstraction, Narrative Figuration emerged in Europe and the United States in the 1960s. This catalogue of an exhibition held in Paris in 2008 contains introductory essays assessing the movement, and hundreds of images by artists such as Jacques Monory, Peter Klasen, Jan Voos and Eduardo Arroyo, accompanied by concise notes on their work.

Etat : Good. Paperback, illustrations in colour, unpaged, small 4to.

Soft cover. Etat : Fine. No marks. Signed by Taittinger.

Couverture souple. Etat : Très bon. Broché, 256 pages, paru en 1967 chez Musée des Arts Décoratifs/ Musée du Louvre, très bon état général.

Hardcover. Etat : Fine. 1st. Pictorial boards, 335 pages, colour illustrations; 28 cm. English Edition. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. Lots of Political Pop in this great catalogue. *** "A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York Pop Art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l'Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Err , Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, St mpfli, T l maque and Voss, to name a few. Edited by Jean-Paul Ameline, who curated the Figuration narrative, Paris, 1960-1972 exhibition, held at the Grand Palais in 2008, this catalogue includes all its key works, with commentary and analysis by curators and art historians specializing in a movement that left an indelible mark on 1960s Europe." - Publisher. Size: 4to. Collectible.

Couverture souple. Etat : Tres bon. SNOECK GENT collection , 2024. 1 volume broché(s) format In-4 très bon 135 pages.

Etat : Neuf.

Etat : Sehr gut. Unpaginiert, illustriert,28 x 22 cm, Broschur. Geringfügige Gebrauchsspuren, sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 450.

Couverture souple. Etat : Bon. Catalogue de l'exposition. Galeries nationales du Grand Palais Paris 16 avril au 13 juillet 2008. Reproductions en couleurs. 21,5x26,5 cm. 46 p. Broché. Bon état. Intérieur en bon état. in-4°.

Hardcover. Etat : As New. A superb unread hardback copy, still sealed in the publisher's shrink wrap.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Etat : Brand New. 236 pages. French language. 8.43x5.35x0.79 inches. In Stock.

Etat : NEW.

Wrappers. Etat : Very Good. 215 pages. Paperback exhibition catalogue. Texts in French. [SIGNED] Inscribed by the author to the previous owner on the half title. Vertical creasing to the spine, slight cocking to the binding, and light rubbing to the covers and edges. There are no other internal markings, and the binding is tight and solid. Bound in stiff illustrated paper covers and published on the occasion of the exhibition held La Seyne-sur Mer, Bergen, and Reykjavik from 2000-2001. Inscribed by the Author.

Hardcover. Etat : Used - Very Good. Andrew Ladis begins his book with Giorgio Vasari's famous story of Giotto's O, in which the artist drew a perfect circle freehand, baffled Pope Benedict XI's foolish messenger, and demonstrated his artistic brilliance to those qualified to understand. The fundamental premise of Ladis's work is that the Arena Chapel, like Giotto's mythical O (or tondo), must be understood as a complete, unified whole. He tells us, 'the cycle of murals in the Arena Chapel has a depth that underpins the whole, an unpretentious profundity manifested in a formal order, and as in the case of the O, one must have the wherewithal to discern Giotto's achievement beyond the directness and emotional power of the narrative.' Ladis does not write about the program from the more expected standpoints of patronage or audience, or via extensive analysis of archival source material. Instead, without discounting the former approaches, Ladis considers Giotto's conception of the Arena Chapel in terms of biblical exegesis, a central geometry, and what he sees as the program's carefully planned symmetry. He urges the viewer to abandon the temporal narrative and follow 'visual cues that encourage readings that transcend narrative time,' and so he moves through a discussion of Giotto's frescoes, offering new insights about particular passages and continually considering how the meaning of each section resonates with others throughout the chapel. A discussion of the murals by Giotto in the Arena Chapel of Padua, Italy. The artist's work is considered in terms of its relationship to the structure of the poetry of Dante, biblical exegesis, geometry, and symmetry. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.

Etat : Neuf.

AUTOGRAMMKARTE (blanko, postkartenformat) mit Jahr, Unterschrift signiert 1996.

Rilegato. Etat : new. Edited by Ameline J. and Schubert J.Translation by Lee J.English Text.Milano, 2017; bound, pp. 336, col. ill., col. plates, cm 25,5x28. Nel corso degli anni Sessanta, nasce negli Stati Uniti e in Europa un nuovo genere di figurazione. Mentre a New York la pop art offre uno sguardo nuovo su un'America in pieno tumulto, a Parigi i pittori francesi, italiani, spagnoli, portoghesi, tedeschi e islandesi cominciano a ispirarsi alle immagini della pubblicità , del cinema e della stampa. Riuniti nel movimento di figurazione narrativa, questi artisti muovono una critica severa alla nuova societàgovernata dal consumo. Testimoni impegnati, molti di loro prenderanno parte alla contestazione politica sfociata nel Maggio '68 in Francia. Diventati figure di riferimento, oggi sono stati riscoperti da musei come il Centre Pompidou che hanno dedicato loro sempre più mostre. Grazie alle acquisizioni di grandi opere, la collezione della Fondation Gandur pour l'Art di Ginevra offre probabilmente uno dei panorami più completi delle opere di Adami, Aillaud, Arroyo, Erró, Fromanger, Jaquet, Klasen, Monory, Rancillas, Schlosser, Stämpfli, Télémaque e Voss. A cura di Jean-Paul Ameline, commissario della mostra «Figuration narrative, Paris, 1960-1972» che si è tenuta nel 2008 al Grand Palais, questo catalogo ne presenta le opere principali, studiate e analizzate dalle schede redatte da conservatori e storici dell'arte esperti di questo movimento che ha segnato gli anni Sessanta in Europa. Libro.

Etat : D'occasion - Très bon état.

hardcover. Etat : New. 1st.

hardcover. Etat : Very Good. Hardcover, no dust jacket. Bound in matte pictorial paper over boards. Cover is neat and clean. Corners are square. Binding is tight and secure. Pages are crisp, clean, and bright. 199 pages. Medieval Institute Publications. Copyright page dated 2018. A very good copy. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it's properly described. Please contact us with questions or if you would like to see photographs.

Somogy, 2005. In-4 carré broché de 159 pages. Nombreuses reproductions. Bon état.

in-4, broché, 107 pages. Texte anglais et chinois. Bon état. NOTA BENE : Les questions et commandes seront traitées dans les 48h, toutes les expéditions reprendront début juillet. Merci !