object idea (67 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Good. Crease on cover and a few pages*.

Etat : Good. Good condition. Good dust jacket. (Art Criticism) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Etat : Good. Pages slightly tanned. Small triangular piece missing from top right corner of front end page otherwise Good. NOT A FORMER LIBRARY BOOK.

Hardcover. Etat : Good. Etat de la jaquette : Very Good. Jacket torn in spots Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Mylar protector included. Dampness has seeped into more than just the cover. Binding is moderately loose. Some pages are falling out. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Etat : As New. Unread book in perfect condition.

Etat : New.

Hard. Etat : Very Good. No Jacket. 1st. First edition. Hard cover. Published NY: Simon & Schuster, 1967, first printing. 8vo., 250pp. Very good.

hardcover. Etat : very good(+). Etat de la jaquette : very good. First. 250 pages. Small 8vo, brown cloth with gilt lettering, top outer edge of pages dyed black, d.w. (edgeworn, sunned). New York: Simon and Schuster, (1967). First edition. A very good (+) copy in a very good dust wrapper.

paperback. Etat : Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Trade Paperback. Etat : Fine. Etat de la jaquette : No Dust Jacket. A Fine copy of this oblong paperback exhibition catalogue, photo-illustrated in color throughout. Book.

Cloth. Etat : Near Fine. Etat de la jaquette : Very Good. First Edition, First Printing. The book is near fine with slight edge wear and previous owners name on full title page in a very good dust jacket with some edge wear, three one inch closed tears at bottom edge on front and a one inch closed tear at bottom edge on back.

Hardcover without dustjacket as issued, 128 pages; very good condition; light edgewear to covers; no internal marks. Foreign shipping may be extra.

Etat : New. In.

PF. Etat : New.

Etat : New. Num Pages: 338 pages, 1 black & white illustrations, biography. BIC Classification: UKPC. Category: (G) General (US: Trade). Dimension: 230 x 155 x 20. Weight in Grams: 528. . 2013. 1st ed. paperback. . . . .

Etat : New.

Gebunden. Etat : Neu. Neu -Der Bildhauer Damián Ortega ( 1967 in Mexiko-Stadt) hat für diese Publikation eine Auswahl von Zeichnungen zusammengestellt, mit denen er Skulpturen und deren räumliche Installationen konzipiert hat. Er fasst diese Zeichnungen und Entwürfe unter den Titel Supervivencia de la Idea, also das Überleben der Idee, zusammen. Damit wird deutlich, dass Damián Ortega dem Medium Zeichnung, hier im Besonderen den Entwürfen für monumentale Inszenierungen, eine große, wenn nicht gar größere Bedeutung zuspricht als den ausgeführten Werken. Mit diesen Zeichnungen werden die Projekte veröffentlicht und zugleich das Copyright für eine Idee angelegt. Ortegas Auswahl von Projektzeichnungen aus den Jahren 1991 bis 2007 gewährt deshalb nicht nur retrospektiv eine Übersicht über die Entstehung und Konzeption zurückliegender Projekte, sie dokumentiert auch ein Archiv von Ideen, die erst zur Ausführung gelangen werden, wenn die Zeit reif für sie ist.Ausstellung: Preis der Nationalgalerie für Junge Kunst, Hamburger Bahnhof und daadgalerie, Berlin 14.9. 4.11.2007 128 pp. Englisch, Spanisch.

Etat : New. Num Pages: 338 pages, 1 black & white illustrations, biography. BIC Classification: UKPC. Category: (G) General (US: Trade). Dimension: 230 x 155 x 20. Weight in Grams: 528. . 2013. 1st ed. paperback. . . . . Books ship from the US and Ireland.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 302 pages. 8.75x5.75x0.75 inches. In Stock.

Soft cover. Etat : Very Good. Exhibitin cataloge from Welsh gallery. Light wear only to book, pages are clean & bright, binding is tight. Dispatched from the UK same or next working day.

Hardcover. Etat : Very Good. 1st Edition. Contents: On collecting photography / Mehmet Dalman -- From the beginning to the middle but not yet the end : the Tosca Photography Fund Collection / Zelda Cheatle -- 'A certain dark uncertainty' : discovering Josef Sudek's book maquette / Martin Barnes -- Alexandr Rodchenko, Khleb (bread), endpaper, c.1930 / Simon Baker -- The 'sinister' photograph : Manuel Álvarez Bravo's Parábola óptica, 1931 / David Campany -- Jacques Henri Lartigue and The discovery of India / Geoff Dyer -- In retrospect / Eve Arnold -- Everything the matter : photography in the art of Helen Chadwick / Louisa Buck -- Andreas Gefeller : Supervisions / W.M. Hunt -- Living in hell and other works / Tom Hunter -- The hidden promise / Broomberg and Chanarin -- Photography : object to idea / Mark Haworth-Booth -- The photographs. 208 pages : illustrations (some color) ; 27 x 29 cm. 'Limited edition of 1000 copies'. Slight shelf wear and fading to cover, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Etat : Good. Broadside, 10.5 x 5.5 cm., Oblong. Very Good. Illustrated. Black ink on beige paper. In 1965, Penelope & Franklin Rosemont co-founded the Chicago Surrealist Group, following a trip to Paris where they met André Breton. Franklin Rosemont played an important role in popularizing the work of poet Breton. Rosemont was also a noted labour historian and publisher. The newly-formed Chicago Group combined their creativity with radical political activity, and staged a number of interesting events. Rosemont insisted that the organization of a surrealist exhibition could only be undertaken by surrealists themselves.Much of the group's work was published in Arsenal/Surrealist Subversions and has been republished in collections. Collection from Mel Gordon associate Editor at The Drama Review.d in collections.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st. Cloth, 250 pages; 22 cm. Topstained black. Firm binding, clean inside copy. Expected browning. Stated First Printing. Dust jacket, with moderate edgewear, protected in a mylar cover. *** An excellent collection of articles by Brian O'Doherty, with perceptive writings on Pop, Minimalism, and Conceptual Art. Size: 8vo. Collectible.

Etat : (good/fair). 1953 434 pages illustrated dust jacket.

Etat : New. Satisfaction Guaranteed or your money back.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. A fine new copy 384pp plus 96 pages of colour plates (=480 pages). Here are sixteen peer-reviewed essays by leading historians exploring the 'iconic' aspects of the medieval book, the many ways in which books were presented as ideas and symbols in medieval art and literature, and the ways they can be understood as objects rather than simply containers of texts and illustrations. The authors of the essays are: Julian Luxford, Nigel Ramsay, Susie Nash, Lucy Freeman Sandler, Kathryn A, Smith, Jenny Stratford, Laura Cleaver, T. A. Heslop, Marlene Villalobos Hennessy, Jessica Barker, A. S. G. Edwards, Magnus Williamson, Martha Driver, Don C. Skemer, Clive Burgess and Margaret Connolly. Comprehensive indexes of manuscripts and authors, books and places.