opening field de duncan robert (32 résultats)

Etat : Good. Used book that is in clean, average condition without any missing pages.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.3.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.3.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.3.

Paperback. Etat : Good. Unmarked trade paperback. A remainder hole is pinched in the front cover.

Soft cover. Etat : Very Good. 1st Edition. APPEARS VERY LITTLE READ. Minimal wear to soft cover book. Front cover shows children hand in hand dancing, green design background. Pages are clean and tight. Name on f.e.p. 2nd printing.

Trade Paperback. Etat : Very Good. 2d Ptg. Thinner trade paperback, glossy white wrappers with children dancing around a design in blue and green on front wrapper, 96 pages. Light creases on pp. 1-23. Light crease at top front right, tiny light surface wear spot at top back right. Very Good.

Etat : good. Signs of wear and consistent use.

Etat : acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

paperback. Etat : New. In shrink wrap. Looks like an interesting title!

Paper Back. Etat : Very Good. First Printing. 96 pp. Original paperback printing. Title page designed for the author by Jess Collins. Photos available upon request. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Etat : Near Fine(-). First printing (stated). White octavo, 96 pages; 21 cm. Out of Print. Poetry, American. Series: Evergreen original. Contents: Often I am permitted to return to a meadow -- The dance -- The law I love is major mover -- The structure of rime I -- The structure of rime II -- A poem slow beginning -- The structure of rime III -- The structure of rime IV -- The structure of rime V -- The structure of rime VI -- The structure of rime VII -- Three pages from a birthday book -- This place rumord to have been Sodom -- The ballad of the enamord mage -- The ballad of Mrs. Noah -- The maiden -- (The propositions) -- Four pictures of the real universe -- Evocation -- Of blasphemy -- Nor is the past pure -- Crosses of harmony and disharmony -- A poem of despondencies -- Poetry, a natural thing -- Keeping the rhyme -- A song of the old order -- The question -- The performance we wait for -- At Christmas -- Proofs -- Yes, as a look springs to its face -- Yes, as a look springs to its face, -- A poem beginning with a line by Pindar -- The structure of rime VIII -- The structure of rime IX -- The structure of rime X -- The structure of rime XI -- A storm of white -- Atlantis -- Out of the black -- Bone dance -- Under ground -- The natural doctrine -- The structure of rime XII -- The structure of rime XIII -- Another animadversion -- The inbinding -- Mirrors -- A process -- Returning to roots of first feeling -- After reading Barely and widely -- Ingmar Bergman's Seventh seal -- Food for fire, food for thought. Extremely gentle wear to spine head and foot, extremely mild rubbing to edges and corners, light and small crease to rear cover, faint soiling to covers, else Near Fine(-).

First edition. 96 pp. Near fine in illustrated wrappers. Title page cover art by Jess. Young 1103.

Etat : good. This book is in good condition, with minimal signs of wear and tear.

Paperback. Etat : Fine. Jess Collins (illustrateur). First Edition. An Evergreen Original. From the library, albeit unmarked, of Columbia College author/scholar and Story Workshop creator John Schultz and his wife, the author/professor Betty Shiflett. A clean, unmarked and bright copy.

First edition, first printing With its wonderful title page designed by Jess Collins. Very close to fine and bright stiff wraps with strong spine and clean text. Quite attractive all around.

First edition. 96 pp. Fine in glossy illustrated wrappers; a trade paperback original. Title-page design by Jess. Duncan's first book with a trade publisher. Bertholf A11.

First edition. 96 pp. Very good in illustrated wrappers. A trade paperback original. Title-page drawing by Jess. Dated (Dec. 1960) and elaborately INSCRIBED by Duncan on the half-title page within an ink drawing.

Uncorrected proof. 96 pp. Fine in wrappers with promotional label pasted to front cover. Bertholf A11k.

Softcover. Etat : Near Fine. First edition. Pictorial wrappers. Light wear to cover, else near fine. An Evergreen Original, E-275.

Softcover. Etat : Near Fine. First edition. Near fine trade paperback with very light rubbing to back wrapper.

Softcover. Etat : Fine. First edition. Trade paperback. Fine in illustrated card covers. Evergreen Original, E-275.

First edition. 96 pp. Very near fine in illustrated wrappers. A trade paperback original. Title-page drawing by Jess. SIGNED by Duncan opposite the title page with a simple drawing.

First edition. 96 pp. Very good in illustrated wrappers; a trade paperback original. INSCRIBED by Duncan, 'for Ellen and Warren [Tallman] / at my book party' on the half-title with a full page illustration of a tree. Tallman's brief working notes throughout. Bertholf A11.

Hard cover. Etat : Good. Etat de la jaquette : Good. In the rare poetry case on the second floor! First UK Edition! The jacket is shelf worn and slightly rubbed from the top and bottom edges. The bottom corner edge of the cover is slightly bumped. Binding is tight and inside is clean and unmarked.

Softcover. Etat : Fine. Etat de la jaquette : Fine. Uncorrected proof of the first English edition. Fine wrappers and fine dustwrapper.

Soft cover. Etat : Very Good. P.B., vg bit soiled and some spine wear, SIGNED and dated 1979 with a large ink flourish.a meadow? a field? (S). Signed by Author(s).

Softcover. Etat : Very good. First edition. Only published in paperback. Diane Di Prima's copy with her ownership signature at the top of the half-title page. Di Prima and Duncan were friends and both significant poets in the San Francisco Renaissance and Beat poet scene. Di Prima wrote of her friendship with Duncan:"Robert used to come and hang for days, he'd move into my house in Marshall in the '70s, and bring his French mysteries that he was teaching himself idiomatic French from, and his notebook, and he'd stay for days. And he always came to Christmases with the kids, because Jess doesn't like holidays, and so I'd have to say mid-'70s, through '75 on, he was there many weekends, many mornings . . . . Eating fried herring from the bay for breakfast." A very good copy with rubbing, well loved and read.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First English edition. Pencil signature of an American poet, fine in fine dustwrapper. Program for a Duncan reading laid in. Signed by Duncan. A lovely copy. The English edition is uncommon signed.

First U.K. edition. Octavo. 96 pages. Fifty-three poems. Review slip loosely inserted.Fine in very good indeed, slightly nicked dustwrapper slightly darkened at the spine.