Painters workshop par constable (34 résultats)

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

PAPERBACK. Etat : Good. 0486238369 Light cover wear. Some margin notes and underlining. Fine to use. Retail 4.50.

PAPERBACK. Etat : Good. 0486238369 Cover creases. Pages are like new. No highlighting. No underlining. Retail 2.75.

Paperback. Etat : Very Good. The Painter's Workshop This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Trade Paperback. Etat : Very Good. 5.25" X 8.5." 148 pages. A clear introduction to the craft of painting, concentrating on the media that painters have used from the Middle Ages to recent times: Wax, pastel, watercolor, fresco, tempera, and oil. Light shelf wear. Owner's bookplate on ffep.

Paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Etat : Very Good. Dover, New York, 1979. Softcover, 148 pp. With black & white photo illustratons. An introduction to painting techniques in multiple mediums. With black & white photo illustrations. Near fine.

Paperback. Etat : Good. Reissue Edition. 5.5 X 0.5 X 8.75 inches; 148 pages; B&W illustrations. Light rubbing, fading, and creasing on the covers. Minor yellowing on pages. Good condition otherwise. No other noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. First Edition. Sturdy, attractive, tightly bound hardcover, clean, if toned, minimal rubbing to extremities. Bound simply in brown cloth over boards, gilt lettering to spine, head and foot bumped, else with a clean, bright interior. Bright and shiny dust jacket, illustrated, little worn, but price-clipped, protected by a plastic coat. The author tries to increase the layman's enjoyment of paintings by showing her the technical as well as the aesthetic means by which the artist right into the artist's workshop in terms of methods and materials, techniques and markets. xiii [1], 2-148 pp. + xxvii fine black-and-white plates.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Trade Paperback. Etat : Very Good. 148 pp. Solidly bound copy with moderate external wear and crisp pages. Occassional pen markings on text. Slightly slanted and creased spine. Synopsis: A distinguished art historian discusses the materials and techniques used by painters since the Middle Ages. The author believes that a basic element in understanding a work of art is a knowledge of the materials used to produce them. This book deals with the process by which a painting comes into being - workshop organisation and equipment, the physical structure of a painting, painting processes, the preliminaries to making a painting, and the contributions of restorers to painting. Major techniques used by artists in each great period of art, such as the study of light by the Impressionists, are discussed as well as the various changes which time and the hand of man may make in the appearance of a painting. John Clift (Cover Design) (illustrateur).…

Etat : Good. 1954. No edition remarks. 148 pages. Pictorial dust jacket over brown cloth. Black and white illustration plates. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has light edge wear with minor tears, chipping and creasing.…

Hardcover. Etat : Clean & Unmarked. Etat de la jaquette : Very Good. A very nice clean & straight copy. Price-clipped dust-jacket has some mild wear along edges. Overall quite a handsome copy. 148 pp.

hardcover. Etat : very good. Illustrated with 24 plates. Small 4to, cloth, d.w. London: Oxford University Press, 1954. Very good.

148pp + plates. Black & white frontis + 24 plates which follow text. Ex-library, spine & cover edges sunned, covers scuffed, interior clean/tight: VG-/no dj.

Hardcover. Etat : Good. Etat de la jaquette : Fair. Worn and torn dust jacket has some loss and is in a protective sleeve, some foxing to the tanned page edges. Shipped from the UK in recyclable card packaging.

Etat : Good. 1954. No Edition Stated. 148 pages. Red & illustrated dust jacket with white lettering over brown cloth. B&W illustrations throughout. Clean pages. Notable foxing and tanning to endpapers and page edges. Previous owner's name to front endpaper. Mild wear and bumping to spine, board edges and corners, with sunning to spine and board edges. Clipped dust jacket. Moderate wear, tear and loss to edges and corners. Notable tanning to spine and edges, with soiling to DJ.…

Hardcover. Etat : Good. Etat de la jaquette : Good. EX LIB WITH USUAL STAMPS,CARD POCKET,FIRM BINDING,NO WRITING,LIGHT READING WEAR,GOOD JACKET,CLIPPED IN PLASTIC PROTECTOR,FIRST EDITION ASSUMED.

Royal octavo, pictorial dustwrapper, a little soiled and price-clipped, original cloth, pp. xiii + 148 + plates. Name erased from front free endpaper, top edge slightly dust-stained. 'Though the fact may not yet be widely recognized, the layman's enjoyment of paintings is increased in proportion to the scope of his knowledge of the technical as well as the aesthetic means by which the artist produces the works which achieve the status of masterpieces. Mr. Constable takes the reader into the painter's studio and discusses the ways and means used in the several periods of art history from the Middle Ages down to recent times. He deals with such matters as the artist's materials and techniques, the process by which a painting comes into being, the study of light by the impressionists, and the various changes which time and the hand of man may make in the appearance of a painting, and those due to the restorer. .'.…

1st edition. Burgundy cloth with gilt titles on spine; front hinge split and neatly repaired; dust jacket price clipped. Used - Good. Good hardback in Good dust jacket.

First Edition. Review copy. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Boards slightly discoloured in patches. Notes in pencil to the rear dust-flap. Remains well-preserved overall. Physical description; frontispiece, xiii, 148 p., xxiv p. plates ; 25 cm. Notes; Includes index. Bibliography: p. 137-139. Subjects; Painting Technique. 1 Kg. …

First Edition. Review copy. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Boards slightly discoloured in patches. Notes in pencil to the rear dust-flap. Remains well-preserved overall. Physical description; frontispiece, xiii, 148 p., xxiv p. plates ; 25 cm. Notes; Includes index. Bibliography: p. 137-139. Subjects; Painting Technique. 1 Kg. …

Hardover. Etat : Good. Etat de la jaquette : Good. Constable, W.G. The Painter's Workshop. Oxford University Press. London, 1954. Hardcover. 8vo. Burgundy cloth. xiv, 148 pp. 24 b/w plates. Burgundy cloth has some wear to the bottom edge. Staining to ffep., pencil notations on front endpaper, modern bookplate on front pastedown. Some loss to dustjacket at the top of spine, smudging to back of jacket. Good.…

1st edition. Brown cloth boards, gilt lettering to spine under illustrated dustwrapper. 9.75ins x 7ins, xiii, (i), 148pp plus frontis and 24pp plates. VG / VG.

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN.…

Etat : Very Good. Second impression hard back binding in publisher's original finely grained claret cloth covered boards, blocked and lettered gilt back. Quarto. 10½'' x 8¼''. Contains (xiv), 148 pp followed by 24 plates. Fine condition book in Very Good condition price clipped dust wrapper. Member of the P.B.F.A. ART [Technique & Materials].…

Cloth. Etat : Good. Etat de la jaquette : Good. 148 pages and 24 full-page plates in black and white. Maroon cloth, gilt titles to spine, pictorial dust-jacket. A little damp-staining to covers, disguised by dust-jacket which is a little edge-worn. Rear endpaper has corner torn but missing portion tipped in. Takes the reader into the painter's studio and discusses the ways and means used in the several periods of art history from the Middle Ages.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. HARDBACK IN JACKET 1954. Clean & tight. No inscriptions. Jacket spine top has a 6cm tear. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref O51. The Painters Workshop by William George Constable.…

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN.…