principles art history problem development de wölfflin heinrich (101 résultats)

Etat : good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Soft cover. Etat : Very Good. Book is clean and tight. Bookstore label on the inside. Some highlighting/underlining.

Paperback. Etat : Good.

, sewn PAPERBACK, cover price $2.50, good used copy, some wear, but clear lamination flaking off and chipped away from covers. WÖLFFLIN, HEINRICH. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York: Dover Publications, no date, around 1970, xvi, 237pp., . Translation of: Kunstgeschichtliche Grundbegriffe - What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism. Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage. - CONTENTS: Introduction : The double root of style: The most general representational forms ; Imitation and decoration -- Linear and painterly : General ; Drawing ; Painting ; Sculpture ; Architecture -- Plane and recession : Painting ; Sculpture ; Architecture -- Closed and open form : Painting ; Sculpture ; Architecture -- Multiplicity and unity : Painting ; Architecture -- Clearness and unclearness : Painting ; Architecture -- Conclusion : External and internal history of art ; Forms of imitation and decoration ; The why of the development ; Periodicity of the development ; The problem of recommencement ; National characteristics ; Shifting of the centre of gravity. 9780486202761 ISBN 0486202763.

Pb. Etat : G. Reprint. 237pp. Extremities rubbed & faded; top of spine chipped. Footnotes & index. OK reading copy.

sewn PAPERBACK, cover price $4.50, some very lightly done pencil marks on a few pages, a circled phrase, an interlinear notation, hard to even find them, otherwise still very good, with light wear to cover edges and corners. blue marker stripe across bottom foredge. WÖLFFLIN, HEINRICH. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York: Dover Publications (1950), no date, probably around 1980, 1980, xvi, 237pp., . Translation of: Kunstgeschichtliche Grundbegriffe - What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism. Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage. - CONTENTS: Introduction : The double root of style: The most general representational forms ; Imitation and decoration -- Linear and painterly : General ; Drawing ; Painting ; Sculpture ; Architecture -- Plane and recession : Painting ; Sculpture ; Architecture -- Closed and open form : Painting ; Sculpture ; Architecture -- Multiplicity and unity : Painting ; Architecture -- Clearness and unclearness : Painting ; Architecture -- Conclusion : External and internal history of art ; Forms of imitation and decoration ; The why of the development ; Periodicity of the development ; The problem of recommencement ; National characteristics ; Shifting of the centre of gravity. 9780486202761 ISBN 0486202763.

Softcover, 238 pages; good condition; light wear to covers; scattered pen underlinings.

PAPERBACK. Etat : Good. B000K1QJ8G First 60 pages have underlining. Light cover wear. Edge wear. Book is in decent shape. Retail 2.00.

, Wölfflin, Heinrich, 1864-1945. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York, Dover, no date, around 1970, xvi, 237pp., sewn PAPERBACK, original price $2.00, very good, but clear lamination flaked off on covers. Dover T276. Translation of: Kunstgeschichtliche Grundbegriffe.

Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.55.

Soft cover. Etat : Good. 237 pages. Reprint edition of M.D. Hottinger's English translation (1932) of book first published in German 1915. Includes author's prefaces to 6th and 7th editions (1922, 1929). Four-page list of illustrations, which are b&w art reproductions and photos, throughout. Trade paperback (6-1/8" x 9-1/4"), light soil/foxing/wear to wraps including rubbing along spine, faint foxing to fore-edge and end papers. Underscoring and/or marginalia in pencil on fewer than 10 pages. Laid in is a page of typed out excerpts from Gombrich's Norm and Form, on Wölfflin.

Etat : Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Etat : Good. No DJ, undated. Blue cloth cover is split along spine, worn edges. Pages are bright and unmarked, good binding, clean plates.

Paperback. Etat : Good. Unmarked text. Some edge wear and price blacked out on cover. Translated by M.D. Hottinger from the 7th German edition. 237pp. 150 illustrations. The author analyzes the work of 64 major artists, as well as sculpture and architecture. Ranges from Botticelli, van Cleve to Durer, Holbein, Rembrandt and Vermeer. Measures 6x9.25 inches. 239p.

Paperback. Etat : Good. 1st Edition. Non-returnable. Light pencil underlining and marginalia throughout.

hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Trade Paperback. Etat : Near Fine. Illustrated (illustrateur). Reprint. New York: Dover, 237 pp. Illustrated in black and white, printed on acid-free paper. New, unread trade paperback. Light shelf wear. Near fine condition.

Etat : New. SUPER FAST SHIPPING.

Hardcover. Etat : Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Etat : Good. Good condition. No Dust Jacket No date stated, though at least 7th edition and published 1932 or after. Owner's name on front pastedown. (art, art history).

Etat : New. SUPER FAST SHIPPING.

Hard Cover. Etat : Very Good. No Jacket. "The English translation, first published in 1932, is made from the Seventh German Edition." Former owner's name in ink on half title page.

Etat : New. SUPER FAST SHIPPING.

7th Edition. Previous owner's signature. Poor copy in the original stiff-card wrappers; edges somewhat dust-dulled and nicked. Spine worn. Text remains clear and without blemish. Physical description: xvi, 237 pages : illustrations ; 24cm. Subjects: Art history. 1 Kg.

Imperial octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Fair. No Jacket. The boards are worn and marked.Previous ownership inscription.Well bound.Fair copy.[R.K]. Our orders are shipped using tracked courier delivery services.

Encuadernación de tapa blanda. Etat : Bien. Subrayados a bolígrafo rojo en las primeras 14 páginas del libro.

Couverture souple. Etat : Très bon. #Broché : 237 pages #Parution : janvier 1929.

Hardcover. Etat : Near Fine. Etat de la jaquette : Good. Blue cloth. Tips of corners show faint wear if you look close enough, slight cock to spine. otherwise very clean and very sharp, with a tight binding and clean pages. Dust jacket has an uneven one inch chip at head of spine, smaller chip at bottom, small chips and wear to other corners, some modest overall toning not as heavy as spine. still a somewhat presentabe jacket, now protected in an archival cover. Photos on request.