principles art history problem de wölfflin heinrich (102 résultats)

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Etat : VeryGood. Shows minimal signs of wear and previous use. Can include minimal notes/highlighting. A portion of your purchase benefits nonprofits! - Note: Edition format may differ from what is shown in stock photo item details. May not include supplementary material (toys, access code, dvds, etc).

Etat : good. Fast & Free Shipping â" Good condition with a solid cover and clean pages. Shows normal signs of use such as light wear or a few marks highlighting, but overall a well-maintained copy ready to enjoy. Supplemental items like CDs or access codes may not be included.

Etat : acceptable. Fast & Free Shipping â" A well-used but reliable copy with all text fully readable. Pages and cover remain intact, though wear such as notes, highlighting, bends, or library marks may be present. Supplemental items like CDs or access codes may not be included.

paperback. Etat : Good. Corners are slightly bent. Used - Good.

Paperback. Etat : Used: Good. Different Cover Art. A good copy with a tight and square binding. Text is clean. Previous owner's initials are written on side edge. Used book store name is stamped on first front end paper. Softcovers are good but have light edge wear. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery.

Paperback. Etat : Fine.

Paperback. Etat : Very Good. Later Edition. Minor shelfwear. Size: 8vo - over 7¾" - 9¾". Book.

Soft cover. Etat : Good. Originally published in Germany during the 1920s, this now-classic study surveys the works of 64 major artists in terms of style, quality, and mode of representation. A brilliant contribution to the methodology or art criticism, it features 120 black-and-white illustrations of works by Botticelli, Durer, Holbein, Rembrandt, Velasquez, Vermeer, and others. Trade edition; no stated publishing history so presumed first edition, first printing thus. This is a used book. Pages are clean and bright with no markings, notes, or highlighting. Covers show only minor shelf wear; front cover shows crease in upper corner. No owner's marks or bookplates, not ex-library. Binding is tight and square, but book is "bent" with significant wave to the text block. Corners not bumped. A good reading copy.

Trade Paperback. Etat : Good. All books are clean and unmarked unless stated.

Paperback. Etat : VG-. Reprint. 237pp. Wear wraps, light soiling.

Paperback. Etat : Good. No Jacket. Examines the style and method of representation in painting, sculpture, and architecture and sets the standards for defining historical transformations Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Moderate edgewear on the boards. Binding is moderately loose. Some pages are falling out. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Paperback. Etat : Fine.

Soft cover. Etat : Very Good. Book is clean and tight. Bookstore label on the inside. Some highlighting/underlining.

Paperback. Etat : Good.

Etat : New.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Good.

Pb. Etat : G. Reprint. 237pp. Extremities rubbed & faded; top of spine chipped. Footnotes & index. OK reading copy.

sewn PAPERBACK, cover price $4.50, some very lightly done pencil marks on a few pages, a circled phrase, an interlinear notation, hard to even find them, otherwise still very good, with light wear to cover edges and corners. blue marker stripe across bottom foredge. WÖLFFLIN, HEINRICH. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York: Dover Publications (1950), no date, probably around 1980, 1980, xvi, 237pp., . Translation of: Kunstgeschichtliche Grundbegriffe - What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism. Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage. - CONTENTS: Introduction : The double root of style: The most general representational forms ; Imitation and decoration -- Linear and painterly : General ; Drawing ; Painting ; Sculpture ; Architecture -- Plane and recession : Painting ; Sculpture ; Architecture -- Closed and open form : Painting ; Sculpture ; Architecture -- Multiplicity and unity : Painting ; Architecture -- Clearness and unclearness : Painting ; Architecture -- Conclusion : External and internal history of art ; Forms of imitation and decoration ; The why of the development ; Periodicity of the development ; The problem of recommencement ; National characteristics ; Shifting of the centre of gravity. 9780486202761 ISBN 0486202763.

Softcover, 238 pages; good condition; light wear to covers; scattered pen underlinings.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Etat : Fine. Oversized trade paperback, later (1970s) printing, xvi + 237 pages including "150 [black-and-white] illustrations"; very gently read, if at all, spine and covers flat/uncreased, some tiny traces of shelf wear, very clean and unmarked throughout, pages fresh and white.

PAPERBACK. Etat : Good. B000K1QJ8G First 60 pages have underlining. Light cover wear. Edge wear. Book is in decent shape. Retail 2.00.

Hardcover. Etat : Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

, Wölfflin, Heinrich, 1864-1945. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York, Dover, no date, around 1970, xvi, 237pp., sewn PAPERBACK, original price $2.00, very good, but clear lamination flaked off on covers. Dover T276. Translation of: Kunstgeschichtliche Grundbegriffe.

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780486202761.

Softcover. Reprint. Very Good- with no dust jacket; Wear at edges. Edges curled. Pen notes on front free endpaper. Couple of pages have undelrining ; Trade PB; B&W Illustrations; 237 pages.

paperback. Etat : Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.