Edité par University of Texas Press, 2010
ISBN 10 : 0292728859 ISBN 13 : 9780292728851
Langue: anglais
Vendeur : Anybook.com, Lincoln, Royaume-Uni
EUR 32,32
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780292728851.
Edité par University of Texas Press, 2010
ISBN 10 : 0292728859 ISBN 13 : 9780292728851
Langue: anglais
Vendeur : Anybook.com, Lincoln, Royaume-Uni
EUR 32,32
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780292728851.
Edité par University of Texas Press, 2010
ISBN 10 : 0292728859 ISBN 13 : 9780292728851
Langue: anglais
Vendeur : Best Price, Torrance, CA, Etats-Unis
EUR 19,28
Autre deviseQuantité disponible : 2 disponible(s)
Ajouter au panierEtat : New. SUPER FAST SHIPPING.
Edité par University of Texas Press, 2010
ISBN 10 : 0292721706 ISBN 13 : 9780292721708
Langue: anglais
Vendeur : Books Puddle, New York, NY, Etats-Unis
EUR 71,46
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : New. pp. 200.
Edité par University of Texas Press, 2010
ISBN 10 : 0292721706 ISBN 13 : 9780292721708
Langue: anglais
Vendeur : Majestic Books, Hounslow, Royaume-Uni
EUR 72,06
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : New. pp. 200.
Edité par University of Texas Press, 2010
ISBN 10 : 0292721706 ISBN 13 : 9780292721708
Langue: anglais
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
EUR 75,20
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : New. pp. 200.
Edité par U. Of Texas Press Trade Paperback, Austin, TX, 2010
Vendeur : Nightingale Books, Stoughton, MA, Etats-Unis
Edition originale
EUR 21,94
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierHard Cover. Etat : Fine. Etat de la jaquette : Fine. 1st Ed. Still in shrink wrap. Illustrated with over B&W photographs. Entertainment, Theater.
Edité par University of Texas Press, 2010
ISBN 10 : 0292728859 ISBN 13 : 9780292728851
Langue: anglais
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
EUR 22,13
Autre deviseQuantité disponible : Plus de 20 disponibles
Ajouter au panierEtat : New.
Edité par University Of Texas Press, 2010
ISBN 10 : 0292728859 ISBN 13 : 9780292728851
Langue: anglais
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
EUR 33,46
Autre deviseQuantité disponible : 2 disponible(s)
Ajouter au panierTaschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres.Guiding this project is the concept of 'slip-sync.' Riffing on the commonplace lip-sync phenomenon, 'slip-sync' refers to moments in the films when the punk performer 'slips' out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity.Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.