robert morris continuous project altered (9 résultats)

paperback. Etat : Good. Paperback--marking on pages--cover slight wear.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0262631636.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Softcover, 326 pages, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 326 pages, very good condition; light rubbing to dj with 2-inch tear to upper right corner; no internal marks. Foreign shipping may be extra.

paperback. Etat : Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

Softcover. Etat : Gut bis sehr gut. Limitierte Ausgabe. B : Leporello, 18 pages, limited edition: 1200 Ex - Robert Morris entire Oeuvre is a single work on a continuous project altered daily. 1 With this reference to Morris' 1969 piece Continuous Project Altered Daily (Fig. 7a-7b),2 Thomas Krens summed up the complexity of the artist's production in his preface to the catalog of the 1994 Morris retrospective held at the Solomon R. Guggenheim Museum. In fact, Krens was renewing the artist's own allusion to CPAD. Indeed, the previous year, Morris had given this title to an anthology of his writings published since the 1960s.3 In its title and its conceit, the 1969 piececompleted and shown over the course of twenty days in March in the warehouse of the Leo Castelli gallery in New York had foregrounded the notions of perpetual motion and permanent calling-into-question that the artist and the commentator both designated as the essential ferments in Morris' process. CPAD, considered one of his emblematic experiments of the 1960s, and categorized as process art, earth art, or anti-form,4 had acquired by the mid 1990s the additional value of being a pragmatic work, a veritable metaphor of Morris' complexity.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First Edition, 1993. 326 pages. Book measures 7.25 x 9.25 inches. An October Book. A collection of Morris's seminal essays from the 1960s-1980s, which address wide-ranging intellectual and philosophical problems of sculpture, raising issues of materiality, size and shape, anti-illusionism, and perceptual conditions. Illustrated throughout with B&W photos and illustrations. Black cloth. Very Good in Very Good dust jacket which shows light rubbing. No chips or tear to dust jacket. Binding is solid. Previous owner signature to front endpaper. A nice copy of an uncommon October Books, especially scarce in hardcover.