select fables cuts designed de thomas (35 résultats)

Hardcover. Etat : Good. 1st Edition. All of our books without an ISBN number (normally pre-1970 in date) are described individually in detail. Books with an ISBN number (this one included) are all offered for sale in a good condition or better: some may be in very good, near fine, or fine condition. If the condition is critical to your decision to purchase, then please contact us and we will let you know our view of its condition. If the book is extremely heavy, we will need to contact you before completion of purchase to advise you of extra postage costs.

Etat : Very Good. 2nd edition. Cloth, dj, F/VG. [iv]+xl+332pp, b/w frontis, engraved title, b/w illustrations throughout, lettering to the dustjacket spine a little faded, otherwise a nice copy. A facsimile reprint of the 1820 edition of a collection of Fables which were illustrated by Thomas & John Bewick. 800 grams.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : VG+. Etat de la jaquette : VG+. Facsimile edition of the second edition of the 1784 volume.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Facsimile copy of Charnley's 1820 Edition.Near Fine in a Near Fine unclipped DJ.faded to DJ spine.

Red hardback cloth cover. Etat : Very Good. Facsimile edition. VG: in very good condition with dust jacket. Spine of jacket faded. Previous owner's inscription to fep. 230mm x 150mm (9" x 6"). xl, 332pp + ads. Illustrated with Bewick's wood cuts throughout.

Hardback in Dust Wrapper. Etat : Very Good. Etat de la jaquette : Very Good. Condition Notes: Gently faded at the spine of the dust wrapper. Previous owners' name to the first blank. Text complete, clean and tight otherwise.; Hardback. Dust wrapper over red boards with gilt titles to the spine; Measures 9" x 5¾" (1 kg); pp (xl) 332; Facsimile reprint of 1820 edition. Contains: Portrait to the frontispiece; Title page vignette; Woodcuts; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #184321 ||.

Hardback. Etat : VG+. Etat de la jaquette : VG+ pc DW. Facsimile Edition. Book and dustwrapper/dustjacket are in very good plus condition with very minor signs of wear and/or age. Dustwrapper/dustjacket is price clipped. In loose polythene protector.

Etat : New.

Paperback. Etat : New. Print on Demand. This book introduces the reader to artist Thomas Bewick, one of history's most famous wood engravers. The author provides a detailed description of Bewick's humble beginnings, his early talent, his years of apprenticeship, his partnership with Ralph Beilby, and his role in creating famous publications such as A General History of Quadrupeds and A History of British Birds. Additionally, the author creates a breathtaking catalog of Bewick's most famous and sought-after works, including The Wild Bull, The Whitley Large Ox, The Kyloe Ox, a zebra, an elephant, a tiger, and a lion. The book offers a deep dive into Bewick's artistic techniques and his use of woodcuts, which were a groundbreaking technique at the time. Furthermore, the author outlines several instances where Bewick's art was featured on the banknotes of the day. This book offers comprehensive coverage of the life and work of an artistic genius. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Taschenbuch. Etat : Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st Edition, Illustrated Edition. 1975 Frank Graham Hardcover 1st Facsimile Edition 1st Impression. Near fine clean tight binding in very good+ clipped dustjacket, slight fading to spine.

Hardcover. Etat : Good to Very Good Condition. Numberous illustrations. (illustrateur). Leather spine and corners Pebbled cloth front and back covers. Leather spine and corners are lightly rubbed along edges. Marbled front and back end papers. Small book plate on inside front cover.( Rodger Senhouse ) ) Fore edges marbled. 332pp. Content clean bright and sound. Pencil notes by previous owner on inside front cover and front flyleaf. This copy is in good to very good condition with no dust jacket as issued. Photos available on request.

Etat : Very good. Newcastle: Printed by S. Hodgson, for Emerson Charnley, and Baldwin, Craddock, and Joy, London, 1820., 1820. Very good. - Octavo, 8-3/4 inches high by 5-1/2 inches wide. Hardcover, bound in three-quarter dark blue leather and cloth, titled in gilt between raised bands on the spine. The edges are marbled. The covers are rubbed and stained with some of the leather chipped from the spine. xl & 332 pages, illustrated with a full-page frontispiece portrait and 4 additional portraits of Thomas Bewick and profuse textual wood engravings, mostly by Thomas & John Bewick. The pages are unusually clean and bright. Very good. First edition. The Memoir and Descriptive Catalogue, found on pages v through xxxi, are by John Trotter Brockett.

S. Hodgson. No date. Circa 1920. Large 4to facsimile of the 1820 large paper original first edition. Handsomely bound in half tan calf gilt, contrasting leather label. Lacks frontis. which was a portrait of the engravers. All other illustrations present. Title page slightly soiled and foxed, edges foxed otherwise a clean and sound copy in an attractive binding.

Hardcover. Octavo, iv, xvi, 332 pages. In Good condition. Half bound with black leather to the spine and corners bearing gilt decorations and raised bands to the spine. Lettering chipped from spine. Boards marbled with slight wear exteriorly and rubbing to the edges. Text block has moderate plus age toning to the edges. Previous bookshop's small sticker to the front pastedown. Frontispiece. Slight cracking to the hinges. Slight foxing/offsetting interiorly with few, slight markings. Illustrated. NOTE: Shelved in Locked Glass Case, Aisle 10 Endcap. 1376720. FP New Rockville Stock.

First edition. First edition. Portrait frotispiece of Thomas Bewick colored by hand, and woodcuts by Thomas and john Bewick, (mostly) hand colored. xl, 332 pp. 1 vols. 8vo. Hugo 428; Gumuchian 613; Osborne I, 7 Early boards, rebacked with later cloth and recased with later endpaper; corners chipped Portrait frotispiece of Thomas Bewick colored by hand, and woodcuts by Thomas and john Bewick, (mostly) hand colored. xl, 332 pp. 1 vols. 8vo.

First Edition. Select Fables: With Cuts DeSIGNED and Engraved from Thomas and John Bewick and Others, Previous to the Year 1784: Together with a Memoir and a Descriptive Catalogue of the Works of Messrs. Bewick, Emerson Charnley, and Baldwin, Cradock, and Joy, London, 1820, first edition, 332 pages, rebound in half leather and marbled boards, raised spine with gold-gilt compartmental decorations, light wear and scuffing to the board edges, some chipping to the spine label, else a tight vg copy with near fine contents and a pictorial engraving on virtually every page.

First edition thus, with preface dated 1820. 8vo, contemporary boards, rebacked some time ago and front hinge recently professionally refurbished. Spine with six compartments and two labels, nicely detailed, although in a somewhat later style. Bookplate of the eminent collector Boies Penrose II on the front pastedown and second bookplate of George & Laura Gifford on the front free endpaper. Rectangular rules around edges of boards, all edges marbled with matching marbled endpapers, edges of boards with fine minute marquetry-like decoration. Two early bookseller's labels on front pastedown endpaper, first one (presumably) from Matthews & Co., Bradford, and second one from Willis & Sotheran, London. The recent book "The Art of Thomas Bewick" by Diana Donald launched a reevaluation of Bewick, seeing him as an innovator within the framework of the age of invention. The book was reviewed in The New York Review of Books under the heading "England's Great Neglected Artist" in October, 2015.

First edition. A nice copy of this collection of fables with the attractive Bewick engravings. Frontis portrait of Thomas Bewick, title with engraved vignette. Half leather with marbled boards and gilt titles to spine. Slight rubbing to the edges. of the binding. Internally clean and tidy, with just a little darkening to the page edges. [4]; xl; 332 pp. 225 x 145 mm (8¾ x 5¾ inches).

Half-Leather. Etat : Good. Thomas and John Bewick (illustrateur). 1st Edition. A good copy of the large paper 1st edition in contemporary half leather binding. This edition was printed on thicker high quality paper. With frontispiece portrait of Thomas Bewick, 4 portraits of Bewick by different engravers, and numerous engravings to illustrate the Fables. Contents: frontispiece; title page with small ink signature to top dated 1824; advertisement; Memoir; Catalogue; portraits; table of contents; select fables - pp1-332. The binding has gilt-lined raised bands to the spine and marbled boards. Page edges lightly marbled. The binding has wear to corners and the top and bottom of the spine but is in very good clean condition. There are some faded areas to the foredge marbling. The original endpapers are present. The preliminaries and the frontispiece are very spotty, and the frontispiece has a small repaired section in the gutter. The final page has some marking and the final blank and verso to rep are also very spotty. Otherwise, contents are bright and clean with the occasional light mark. The original page marker is present.

Hardcover. Etat : Very Good+. 1st edition thus. Riviere & Son binding in half crushed chestnut morocco, marbled paper to boards. Raised bands, gilt decor, and gilt lettering to spine. Slight wear to board corners and edges; very mild sunning to spine. Top edges gilt, other edges untrimmed. 8vo (14.8 x 22.7cm). Hinges sound. Front endpaper starting at gutter. Endpapers in Double Marble pattern of red and gilt. 'Bound by Riviere & Son' binder's stamp to verso of front free endpaper. Very slight occasional scattered foxing. Frontis. port. and four further portraits of Thomas Bewick. Profusely illustrated with wood engravings, largely by Thomas and John Bewick. First edition thus. As the bookseller and publisher Emerson Charnley explains in his opening Advertisement, Bewick himself had 'no interest whatever, in the work now submitted to the public', which is a version of the Select Fables first published in 1784: Charnley purchased the blocks from this work, 'as well as many others engraved by the Messrs. Bewick' (Advertisement p. ii) in 1818 or 1819, and 'issued the hybrid Select Fables of 1820' without Bewick's involvement (Tattersfield p. 621). As Gordon N. Ray reports, 'Bewick deplored this well-produced volume, which to his mind could only serve "to feed the whimsies of bibliomanists," but he tolerated its publication. Though some of the engravings hardly rise above chapbook level (a number of them are copies), the book is useful as a record of his work before he achieved his mature style'. The cuts for Select Fables are notable amongst Bewick's early work: 'the engraving here began to show real accomplishment in design and the handling of texture, light, and shade' (ODNB). A handsome Riviere & Sons binding. Tattersfield TB 2.574; Ray 52. Robust packaging. Tracking can be added to overseas orders on request. Used books are exempt from USA tariffs. Size: xl, 332pp.

leather_bound. Bewick, Thomas (illustrateur). First edition. 332 pages. 21.5 x 14 cm. Illustrated wood engraved frontispiece Thomas Bewick,336 wood engraved vignettes by the Bewicks. GORDON N. RAY 52: notes "Bewick deplored this well-produced volume, which to his mind could only serve `to feed the whimsies of bibliomanists,' but he tolerated its publication. Though some of the engravings hardly rise above chapbook level (a number of them are copies), the book is useful as a record of his work before he achieved his mature style." Basically clean throughout save for some toning to first few and last leaves. Raised bands, spines panels decorated in gilt floral motifs, gilt cover border panels. Armorial bookplate of Samuel Harford Samuels and modern one of William Tarum Fehsenfeld. Contemporary tree calf, red leather spine label lettered in gilt, marbled endpapers. All edges marbled. Fine.

Together with a Memoir; and a descriptive Catalogue of the Works of Messrs. Bewick. xl, 332 pp. Illustrated throughout from wood-engraved vignettes. Large 8vo, old half green morocco and marbled sides; t.e.g. First edition. Frontispiece and endsheets foxed; some scattered light spots to text; spine a little sunned and scuffing to the leather; tight and sound.

Hard Cover. FIRST EDITION. Quarto. Royal thick paper copy. [2], xl, 332 pp. Engraved portrait frontispiece of Thomas Bewick, vignette to title page and quartet of portraits of Bewick to pp. xxvi-xxxi; illustrated throughout with engraved head and tail-pieces. Superb full bottle-green levant morocco bound by Riviere, with five raised bands, gilt titles to spine, heavy gilt foliate decoration to compartments, and triple gilt-ruled border to boards with embellished corners and central gilt floral cartouche. All edges gilt; marbled endpapers and gilt dentelles. Boards very slightly scuffed. Armorial bookplates of Lord Battersea and the Duke of Gloucester, to front paste-down and ffep respectively. Scattered light foxing, mainly to endpapers, otherwise contents are crisp. A handsome copy in excellent condition. Companion volume to Fables of Aesop, produced by Emerson Charnley from blocks he purchased from Thomas Wilson of York, with no input from the engraver. "Mr Bewick has no concern or interest whatever in the work submitted by the public" and though he accepted a copy for his own library following some acrimonious correspondence, the work was far from satisfactory to Bewick himself. This is an outstanding copy in a superb binding, with the added provenance of being from the library of Prince Henry of Gloucester. Prince Henry (1900-1974) was the third son of King George V and Queen Mary, and the younger brother of Kings Edward VIII and George VI. Tattersfield, Nigel: Thomas Bewick The Complete Illustrative Work, pp., 622-5.

Hardcover. Etat : Very Good. Nicholson, Isaac [1789-1848] (illustrateur). 5.5 x 8.5 Inches. Contemporary calf re-backed with newer spine, raised bands. Inner edges dentelle. xl, 332 p.p. Frontispiece of Thomas Bewick, with several head and tail-piece woodcut engravings. Armorial ex libris bookplate of I.G. Schorsch. Boards scratched and rubbed, with circular stains to rear. Small chips to calf at head of front and rear joints. Corners slightly bumped, with heavy wear. Rubbing to bottom edges, where dentelle is faded. Light offsetting from engravings, with sporadic foxing. Some trimming, but text unaffected. Stain to edges of facing pages 124-125. Frontis and title page heavily foxed, but otherwise in very good condition. Thomas Bewick [1753-1828] was an engraver and illustrator, well known for his use of wood engravings. In 1784, him and his brother John were employed by local printer "to engrave a number of woodcuts, for different publications in which he was engaged. Many of them were inserted in.a volume entitled 'Select Fables' in 1784.These cuts.engraved my Messrs. Berwick were afterwards purchased by Hall and Elliott, the printers of the Newcastle Courant Newspaper.after remaining with them for several years, was sold to Messrs. Wilson, of York, printers who had in their collection various other cuts.by the Bewicks.Thus accumulated, amounting to upwards of twelve hundred in number, was offered to, and bought by, the publisher of the present volume." [Advertisement, i-ii]. Many of the tailpieces in the book were also done by wood engraver and illustrator Isaac Nicholson [1789-1848], a former apprentice of Bewick's. Each fable is followed by a reflection and lesson.