Space time artistic practice (26 résultats)

Langue : anglais
Edité par I.B. Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : Kennys Bookstore, Olney, MD, Etats-UnisKennys Bookstore
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Etat : New. First book to examine how the theories of Gotthold Ephraim Lessing have affected individual artists and their works. Editor(s): Lippert, Sarah. Series: International Library of Modern and Contemporary Art. Num Pages: 304 pages, 30 integrated bw. BIC Classification: ABA; HPN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 138 x 25. . 2017. hardcover. . . . . Books ship from the US and Ireland. …

Langue : anglais
Edité par I.B. Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandeKennys Bookshop and Art Galleries Ltd.
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Etat : New. First book to examine how the theories of Gotthold Ephraim Lessing have affected individual artists and their works. Editor(s): Lippert, Sarah. Series: International Library of Modern and Contemporary Art. Num Pages: 304 pages, 30 integrated bw. BIC Classification: ABA; HPN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 138 x 25. . 2017. hardcover. . . . . …

Langue : anglais
Edité par I.B. Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : Strand Book Store, ABAA, New York, NY, Etats-UnisStrand Book Store, ABAA
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Hardcover. Etat : Very Good. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. …

Langue : anglais
Edité par Bloomsbury Publishing PLC, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Langue : anglais
Edité par Bloomsbury Publishing PLC, GB, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-UniRarewaves.com USA
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Paperback. Etat : New. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore.…

Langue : anglais
Edité par Bloomsbury Publishing PLC, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Langue : anglais
Edité par Bloomsbury Visual Arts, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Etat : New. In English.

Langue : anglais
Edité par Bloomsbury Visual Arts, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandeKennys Bookshop and Art Galleries Ltd.
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Etat : New. 2024. Paperback. . . . . .

Langue : anglais
Edité par Bloomsbury Visual Arts, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Langue : anglais
Edité par Bloomsbury Visual Arts, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Etat : New. 2024. Paperback. . . . . . Books ship from the US and Ireland.

Langue : anglais
Edité par I.B. Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
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hardcover. Etat : Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Langue : anglais
Edité par Ava Pub Sa, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Paperback. Etat : Brand New. 272 pages. 9.22x6.14x1.00 inches. In Stock.

Langue : anglais
Edité par Bloomsbury Publishing PLC, GB, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Paperback. Etat : New. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore.…

Langue : anglais
Edité par I.B. Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
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Etat : New. In English.

Langue : anglais
Edité par I.B.Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : moluna, Greven, Allemagnemoluna
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Etat : New. First book to examine how the theories of Gotthold Ephraim Lessing have affected individual artists and their works.When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in .

Langue : anglais
Edité par I.B.Tauris Sep 2017, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : AHA-BUCH GmbH, Einbeck, AllemagneAHA-BUCH GmbH
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Buch. Etat : Neu. Neuware - When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind Or will conceptions of temporality, spatiality and artistic competition continue to unfold This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore.…

Langue : anglais
Edité par Tauris Academic Studies, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Hardcover. Etat : Brand New. 314 pages. 8.75x5.50x1.00 inches. In Stock.

Langue : anglais
Edité par I. B. Tauris, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
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Hardcover. Etat : New. International Library Of Modern And Contemporary Art; 5.5 X 0.62 X 8.5 inches; 272 pages.

Langue : anglais
Edité par Bloomsbury Publishing PLC, London, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
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Paperback. Etat : new. Paperback. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Langue : anglais
Edité par Bloomsbury Visual Arts, 2024
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture souple
- impression à la demande
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Langue : anglais
Edité par Bloomsbury Visual Arts, 2024
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- Couverture souple
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Langue : anglais
Edité par Bloomsbury Publishing PLC, London, 2024
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Paperback. Etat : new. Paperback. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Langue : anglais
Edité par Bloomsbury Publishing (UK), 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
- impression à la demande
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HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Langue : anglais
Edité par Bloomsbury Publishing PLC, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
- impression à la demande
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HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Langue : anglais
Edité par Bloomsbury Publishing PLC, London, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
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Hardcover. Etat : new. Hardcover. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. First book to examine how the theories of Gotthold Ephraim Lessing have affected individual artists and their works. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Langue : anglais
Edité par Bloomsbury Publishing PLC, London, 2017
Série : Livre 19 sur 21 - International Library of Modern and Contemporary Art
- Couverture rigide
- impression à la demande
Vendeur : CitiRetail, Stevenage, Royaume-UniCitiRetail
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Hardcover. Etat : new. Hardcover. When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. First book to examine how the theories of Gotthold Ephraim Lessing have affected individual artists and their works. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …