statements de lawrence weiner, Ancien ou d'occasion (7 résultats)

Soft cover. Etat : Very Good. This is a reprint of "Statements" the reprint name "Statements Collection Public Freehold" collects public domain statements from Lawrence Weiner s 1968 Declaration of Intent in both English and French; a small paper pocket stapled volume; edition size is unlimited; Laser Printed; 64 black font against white pages, booklet size: 5-5/8 x 8-1/4 in. (21 x 14.5 cm.); originally it was Lawrence Weiner"s very first artist book, it contains twelve general and twelve specific text-based statement pieces, . Though apparently neutral descriptions, these statements ring of instruction, or at least an invitation to realize their projected works, be it with stakes, nails, limestone, linoleum, plexiglass, enamel, or any of the many artist materials they employ."; in VERY GOOD COND.

Softcover, unpaginated; good condition; covers have lots of white abrasiuons; all pages still tightly bound in this very fragile publication; no internal marks. A landmark artist book and conceptual art document. Foreign shipping may be extra.

pp. (64). Limited to 1,000 copies. Weiner's first artist book. Contains twelve 'general' and twelve 'specific' examples of the pioneering conceptual practitioners text-based statements. [Ref. Dieter Schwarz. Lawrence Weiner Books 1968-1989. Catalogue raisonn, p.11; Printed Matter. Die Sammlung Marzona in der Kunstbibliothek. The Marzona Collection at the Kunstbibliothek, p.167; Lippard - Six Years: The dematerialization of the art object, p.37]. Publisher's wrappers. Very minor rubbing to spine edge, otherwise a fine copy.

Printed Wrappers. Etat : Very Good. First Edition 1/1000. np (64pp), no illustrations. Designed by Lawrence Weiner. In a protective clear acetate dustwrapper. Published by Seth Siegelaub in an edition of one thousand copies in 1968, "Statements" is Lawrence Weiner's very first artist book. It contains twelve "general" and twelve "specific" of the pioneering Conceptual practitioner's text-based statement pieces. A most handsome example (entry number one of the artist's books in Dieter Schwarz' "Lawrence Weiner: Books 1968-1989: Catalogue Raisonné") of this exceedingly uncommon item limited to one thousand unnumbered copies showing the slightest bit of wear, soiling, and abrading to the extremities of its grey wrappers. Artist's Book.

Soft cover. Etat : Fair. 1st Edition. Fair copy bordering on good. Interior tight and unmarked. 2 1/2 inches of chipping vertically along fore edge of spine. Light scuffing to front cover and someone drew a line through the printed price of $1.45 at bottom right of front cover and handwrote 75c over it in blue ink. Inch of rubbing/wear vertically to back edge of spine.

Paperback. Etat : Good. No Jacket. First American Edition. Good condition. Some edge wear, rubbing on the covers, and a break in the spine at the title page. No page loosening. Size: Mass Market.

[64] pp. 8vo, orig. printed semi-stiff covers. New York: The Louis Kellner Foundation & Seth Siegelaub, 1968. First edition, a fresh copy of this iconic artist's book by Lawrence Weiner (1942-2021), considered his first; edition of 1000 copies. "The production of this artist's book by Weiner was financed by the Louis Kellner Foundation, an elusive organization for which Siegelaub had developed an inconclusive charter the year before. After students at Windham College destroyed the site-specific installation he had made there (Staples, Stakes, Twine, Turf) because it blocked their access across the campus lawn, Weiner formulated the famous declaration of intent that would underpin his entire work: '1. The artist may construct the piece. 2. The piece may be fabricated. 3. The piece need not be built. Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.' Illustrating this turning point, Statements consists of twenty-four works in the form of texts and organized according to 'General Statements' and 'Specific Statements.' The book's design, which features the pragmatic North American Trade Gothic typeface, is both deceitfully simple and precise."Coelewij & Martinetti, p. 112. In near fine condition, minuscule nick to the upper cover. ? D. Schwarz, ed., Lawrence Weiner: Books 1968-1989, Catalogue Raisonné (1989), Books no. 1. L. Coelewij & S. Martinetti, eds., Seth Siegelaub: Beyond Conceptual Art (2016).