Stuart brisley (59 résultats)

Etat : Used - Very Good. VG paperback. A clean, tidy copy. Used - Very Good. VG paperback.

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0906474612.…

First Edition. First edition. Softcover. Exhibition catalog. Essays by Erica Davies and Michael Newman. Includes numerous color and black and white illustrations, and lists of books and catalogs. A near fine copy in French style wrappers.

Etat : New.

Softcover, 32 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, unpaginated; very good condition; no internal marks. Foreign shipping may be extra.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. Paperback.Width: 14 cm. Height: 25cm. 64 pages. English text.

Paperback or Softback. Etat : New. Performance Art and Revolution: Stuart Brisley's Cuts in Time. Book.

Etat : Used: Very Good. Slight fading to the cover.

Paperback. Etat : Brand New. Paperback.Width: 22 cm. Height: 27cm. 48 pages. English text.

Etat : New. 2025. paperback. . . . . .

paperback. Etat : New.

Etat : New.

Etat : New. In English.

Etat : As New. Unread book in perfect condition.

Soft cover. Etat : Fine. Folio, 64 pages, illustrated in black and white. Printed black wrappers. - First edition. Exhibition at the ICA april 21 may 31, 1981. + Ikon Gallery, Birmingham form june 6 june 27, 1981. Introduction by Paul Overy. Texts by John Roberts and Stuart Hood.

Softcover, unpaginated; very good condition; light rubbing and edgewear to covers; no internal marks. The isbn 090526312X mismatches with another book. Foreign shipping may be extra.

Etat : New. 2025. paperback. . . . . . Books ship from the US and Ireland.

SOFTCOVER. Etat : NEW. Etat de la jaquette : Issued without a dustjacket. 1st Edition. Tall 4to. in stiff card covers, 64pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover, 56 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

1st edn. 8vo. Original laminated pictorial boards (Fine), no dustwrapper. Pp. x + 250, illus with b&w photos in text (no inscriptions).

Softcover. Etat : Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Tate Gallery stamp inside. Softcover. English. Pub Year 1996, See images for condition. About the book >.>.> Stuart Brisley?s exhibition, titled Black, explores the appropriation of language and its contextual alterations through a collection of thought-provoking artworks. The title Black is defined explicitly in the catalogue, encompassing meanings such as malignancy, disaster, and gloom. Brisley employs this term not only for atmospheric impact but also to create a framework within which the exhibition?s works should be understood. Each piece reflects on the manipulation of language, demonstrating how it can be used to support or challenge authority.Rather than merely critiquing institutions, Brisley?s approach mirrors media strategies by presenting factual elements in a seemingly objective manner while guiding the viewer?s interpretation. In Black, he incorporates imagery and text related to the British monarchy, suggesting its obsolescence while acknowledging its remaining influence. This method allows for individual interpretation, yet it is constrained by the historical and cultural baggage that accompanies the subjects Brisley examines.Richard Gott's essay, included in the catalogue, provides an in-depth analysis of Brisley?s work and thematic choices. The exhibition is significant for the South London Gallery, offering a platform for an artist whose thirty-year career has been marked by innovative experimentation and engagement in political discourse within the visual arts. Brisley?s impact on installation and performance art is profound, influencing a generation of artists whose works now resonate globally.The successful execution of this exhibition owes much to the generous support of the Henry Moore Foundation, the Elephant Trust, and the London Arts Board. Additionally, the exhibition?s planning was enriched by the contributions of Joshua Compston, whose unexpected passing earlier this year has left a palpable void among those involved.…

Paperback. Etat : Brand New. 264 pages. 9.22x6.15x9.21 inches. In Stock.

Paperback. Etat : Very Good. First edition. 4to. Original card covers. Essay by Michael Archer, 152 item catalogue, 4 colour plates, numerous b/w illusts, chronology.

First Edition. 17 x 22cm near fine paperback presenting a series of interviews on the practice of Stuart Brisley held by curator and writer Gilane Tawadros and directed by the artist. In talking about his practice, Brisley demonstrates a tireless resistance to controlling the narrative or fixing the meaning of his works, while also emphasising the critical importance of error to the creation of his performances. Clearly, the enduring fascination of Brisleys oeuvre, which over the years has included performance art, sculpture, and installation art, lies in its formless and slippery characteristics that resonate so poignantly with our shared human condition.…

Paperback. Etat : Very Good. Errors make for where the key value lies.This publication presents a series of interviews on the practice of Stuart Brisley (1933), held by curator and writer Gilane Tawadros and directed by the artist. In talking about his practice, Brisley demonstrates a tireless resistance to controlling the narrative or fixing the meaning of his works, while also emphasising the critical importance of error to the creation of his performances. Clearly, the enduring fascination of Brisley's oeuvre, which over the years has included performance art, sculpture, and installation art, lies in its formless and slippery characteristics that resonate so poignantly with our shared human condition. Copyright © Book Works.…

8vo. 46 pp. Large format paperback exhibition catalogue. Illustrations throughout. Pages bright and clear throughout. A very good copy indeed. Very good.

Etat : As New.

Paperback. Etat : Very good. Paperback Small Quarto. wraps, 127 pp.