stuart davis full swing de barbara haskell harry cooper (22 résultats)

Etat : Used - Very Good. 2016. Paperback. Very Good.

Softcover, 250 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 4.15.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 4.15.

Paperback. Etat : Like New. Factory sealed. This catalog accompanies the exhibition Stuart Davis: In Full Swing at the National Gallery of Art. Color illustrations. 288p. Measures 10x12 inches. This book pays tribute to the mature work of Stuart Davis (1892-1964), an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.

Paperback. Etat : New. New oversized softcover in printed wraps. 4to. (11.81 x 10.24 x 0.79 inches) Clean text free of marks or underlining. Color and black and white photos and illustrations throughout the book. Includes an index. 250 pp. Fast shipping in a secure book box mailer with tracking. This catalog accompanies the exhibition Stuart In Full Swing at the National Gallery of Art. Color illustrations. 288p. Measures 10x12 inches. This book pays tribute to the mature work of Stuart Davis (1892-1964), an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.

Hardcover. Etat : Coll - U6 - Very Good. Hardcover, VG. First printing with full number line. Dust jacket in mylar cover.

Etat : as new. Wie neu/Like new.

Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Minor rubbing to boards from shelf life. Clean, crisp, unmarked pages. Binding is tight. BP/Art by D.

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. STUART DAVIS IN FULL SWING BY H. COOPER & B. HASKELL 2016 EXHIBITION CATALOG HARD DJ VG. Here is another of the many art-related books I am currently listing. This lovely book is titled: Stuart Davis In Full Swing by Harry Cooper and Barbara Haskell. It is a large and heavy hard cover book (10 ¼ x 12 ¼ inches 250 pages) and was published by the Whitney Museum of American Art dated 2016 and the First Printing of the First Edition. It is bound in pale grey-blue boards with embossed titles on the cover and dark grey titles on the spine; it is protected by a colorful pictorial dust jacket. According to the flap of the dust jacket: This beautifully illustrated book features approximately 100 works from Davis s 1925 paintings of tobacco packages to his abstract Egg Beater series of the late twenties-the ambitious WPA murals of the thirties and the bold works of the last two decades in which jagged shapes and bright colors tangle with vigorous calligraphy. Condition: This book is in near fine condition. The dust jacket is pristine without edge wear or really any sign of wear. The hard covers too are without wear or blemish and are not bumped. Inside the book is unmarked and bright and attractive throughout. Both hinges are intact, and the binding is tight sound & square. This book is not ex-library or a remainder.

Hardcover. Etat : Like New. Etat de la jaquette : as new. Factory sealed. This catalog accompanies the exhibition Stuart Davis: In Full Swing at the National Gallery of Art. Color illustrations. 288p. Measures 10x12 inches. This book pays tribute to the mature work of Stuart Davis (1892-1964), an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.

Hardcover with dustjacket, 250 pages, new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Etat : new.

Hardover. Etat : Fine. Etat de la jaquette : Fine. As new. still shrinkwrapped.

Wrappers. Etat : Fine Condition. 250 pages 209 illustrations in color. Stiff Illustrated wraps. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC November 20, 2016-March 5, 2017. Selected Bibliography. Checklist of Exhibited Works. Book.

Paperback. Etat : Fine. 1st. ix, 250 pages, illustrations (some colour), portraits; 31 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Hailed as a precursor of both pop art and contemporary abstraction, Stuart Davis captured the energy of mass culture and modern life. Beginning in 1921, a series of breakthroughs led him to develop a more abstract approach. Fusing American urban experience with European modernism, his style evolved over the next four decades to become a dominant force in postwar art. The book features some 100 works, from his 1921 paintings of tobacco packages to his abstract Egg Beater series of the late twenties, the ambitious WPA murals of the thirties, and the bold works of his last two decades, in which jagged shapes and bright colors tangle with vigorous calligraphy. The volume pays special attention to his transformative recycling of earlier works; and a chronology-drawing on previously unpublished sources-represents the most complete biography to date, painting a vivid picture of economic hardship, political activism, personal struggle, and eventual triumph." - Publisher. *** CONTENTS: Quotidian Truth: Stuart Davis's Idiosyncratic Modernism, by Barbara Haskell; Unfinished Business: Davis and the Dialect-X of Recursion, by Harry Cooper; Plates; Stuart Davis: A Chronicle, by Barbara Haskell; Selected Bibliography, by Sarah Humphreville; Checklist of the Exhibited Works. Size: 4to. Collectible.

Etat : very_good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in very good condition! The cover and any other included accessories are also in very good condition showing some minor use. The spine is straight, there are no rips tears or creases on the cover or the pages.

Etat : good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

Hardcover. Etat : New. Etat de la jaquette : New. Massive study of the life and work of artist Stuart Davis.

Hardcover, dustjacket, 250pp., ills., 26x31cm. ISBN 9783791355108. This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cezanne, Leger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works?from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis?s unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz?his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy. 0 g.