Langue: anglais
Edité par Boydell Press, Rochester, NY, 2001
ISBN 10 : 0851158005 ISBN 13 : 9780851158006
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Ajouter au panierHardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. A Near Fine copy in a VG to NF jacket. Hardcover. An unmarked copy that shows a little wear, else Near Fine. Robust shipping. This book weighs 1.2 kg plus shipping materials, so will require a small additional amount of shipping. Please email for quote.
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Ajouter au panierBinding sound, text unmarked. Etat : Near Fine. Etat de la jaquette : Near Fine. Top edges slightly foxed. Dustwrapper unfaded and unclipped. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. Owner's signature. Binding sound, text unmarked. Size: xxx, 369pp; 25.5 x 18cm. Owner's signature.
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Ajouter au panierHardcover. Etat : Very Good. 2001 Boydell hardcover edition. Light reading wear, inscription to endpaper else very good condition.
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Ajouter au panierGebunden. Etat : New. Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture.InhaltsverzeichnisLiturgical Psalmody in the Sermons of St Augustine: An Introduction - James.
Vendeur : Revaluation Books, Exeter, Royaume-Uni
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Ajouter au panierHardcover. Etat : Brand New. 369 pages. 10.00x7.00x1.25 inches. In Stock.
Langue: anglais
Edité par Boydell & Brewer Feb 2001, 2001
ISBN 10 : 0851158005 ISBN 13 : 9780851158006
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
EUR 218,38
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Ajouter au panierBuch. Etat : Neu. Neuware - Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture.Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture.PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.