tenth assembling collection unpublishable (8 résultats)

Paperback. Etat : Very Good. First Edition. Quarto paperback. First edition. Distributed by small press jobber Bookslinger in 1980, published in collaboration with Assembling Press, Brooklyn, NY. Very good. No former owner marks. A ballsy "Collection of Otherwise Unpublishable Manuscripts", it is a genuine "assemblage" of images and words. Compiled by Scott Halems, Richard Kostelanetz and David Cole --- who should know. Instead of selecting from submissions presented to it, Richard Kostelanetz (and, at various times, Henry James Korn, Mike Metz, Scott Helmes, and David Cole) invited potential contributors to submit a thousand copies of whatever they wanted to include, and these feasty festivals of visual and verbal waywardness were alphabetically assembled into 8 1/2? by 11? books. Evaluating these alternate activities, the American poet and critic Karl Young wrote in the critical magazine Margins, ?In 1917 Ezra Pound hoped to edit magazines as whole entities--having the kind of completeness, formal integrity, structure and continuity you find in a good novel. Since [Pound?s] The Exile we have had--as far as I know--only one gut innovation in magazine editing technique. That came in 1970 with the founding of Assembling.? Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.

paperback. Etat : Near Fine. No markings. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Soft cover. Etat : Very Good. No marks. Minimal shelfwear.

Soft cover. Etat : Good. No jacket. Tenth issue of Assembling literary magazine, limited to 1,000 copies. Includes additional printed material signed by Scott Helmes and previously owned by Roger Wicker of Turtle Island Book Shop. Spine is lightly tanned, but text is legible. Foxing on inside back cover, not spreading onto pages themselves. Some pages have light tanning along edges, not covering any text or images. Text and images are clean and unmarked.

paperback. Etat : Fine Condition. 1st. Signed by Scott Helmes on the title page. Bound in publisher's original illustrated wrappers with the front cover and spine stamped in black.

Softcover. Etat : Gut. 246 Seiten. Original-Broschur. - Originalausgabe. - Auflage 1000 Exemplare. - Mit einer handschriftlichen Widmung von Richard Kostelanetz an einen bekannten Kölner Buchhändler. - Druck auf verschiedenen Papieren. Mit künstlerischen Beiträgen der konkreten und visuellen Poesie. - Zusammengestellt von Scott Helmes, Richard Kostelanetz and David Cole. - Dabei: Twenties in the sixties. Previously uncollected critical essays. Brooklyn, Assembling Press 1979. 328 Seiten. Original-Broschur. - Herausgegeben von Richard Kostelanetz. Mit einer handschriftlichen Widmung von Richard Kostelanetz. - 246 pp. Original paperback. - Original edition. - Edition of 1000 copies. - With a handwritten dedication by Richard Kostelanetz to a well-known bookseller in Cologne. - Printed on various papers. With artistic contributions of concrete and visual poetry. - Compiled by Scott Helmes, Richard Kostelanetz and David Cole. - Included: Twenties in the sixties. Previously uncollected critical essays. Brooklyn, Assembling Press 1979. 328 pages. Original paperback. - Edited by Richard Kostelanetz. With a handwritten dedication by Richard Kostelanetz.

Paperback. Etat : Very good. Paperback. Wraps a bit rubbed and edgeworn with a light crease to the top of the front ad corners of the first few pages, else a very good copy.

4°. Ca. 180 n. n. S. Mit vielen Abbildungen. Illustrierte Originalbroschur. Richard Kostelanetz (geboren 1940 in New York), Autor, Künstler, Kunstkritiker, Herausgeber und grosser Kenner der Avantgarde. 1970 wurde er Mitgründer und Leiter der Zeitschrift mit dem passenden Namen 'Assembling', die in 13 Ausgaben zwischen 1970 und 1982 erschien. Eine Zeitschrift, in der unveröffentlichbare Kunst und Literatur, weil zu unkonventionel, gedruckt wurde. Jedes Exemplar ist eine bunte Mischung mit verschiedenen Beiträgen von Künstlern und Autoren, auf unterschiedlichen Papieren und in verschiedenen Schriften gedruckt. Sprache: englisch.