thirty three paintings albright knox art de clyfford (14 résultats)

Hardcover. Etat : Good. No Jacket. Hardcover in good condition. Minor shelf wear. Pages clean and binding sound. Spine is slightly discolored. Some scuffing to front and back cover.

Hardcover. Etat : Good. 1st Edition. G, no DJ. 1st Edition. Light to moderate signs of wear to exterior, binding solid and straight, interior clean and unmarked. Clearly read, but a nice copy.

hardcover. Etat : Very Good. Hardcover shows only light cover wear. Text is unmarked and binding tight. Ships FAST!

Hardcover with dustjacket, 88 pages, good condition; dj has moderate rubbing with many small tears and pieces missing from edges; no internal marks. Foreign shipping may be extra.

Leinen. Etat : Sehr gut. 32,5x24,5cm 87 Seiten. Hardcover oder Leinen. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

4°, Gebundene Ausgabe. Etat : Sehr gut. 87 Seiten Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1043.

hardcover. Etat : Buono (Good). Introduzione di Katharine Kuh. Nota biografica di Ethel Moore. Un testo di Clyffird Still. 33 tavole a colori. Note sulle opere . Cm 32,5x24. pp. 88. . Buono (Good). Un testo autografo anonimo al risguardo anteriore. Molte pagine con angolo superiore sciupato da segno di vecchia piegatura (An anonymous autograph text on the first white page. Many pages with upper corner worn by old foldings). . . Book.

hardcover. Etat : very good(+). STILL, Clyfford (illustrateur). Foreword by Katharine Kuh. Full-page color plates throughout. 85 pages. Thin folio, black cloth with red lettering (several small scratches, faint stain at rear). Buffalo: The Buffalo Fine Arts Academy, 1966. Shelf-wear at bottom edge of boards. A very good(+) copy lacking the dust wrapper.

Erste Auflage. 32,3 x 24,3 cm. 87 S. Geprägtes OLeinen. Einband minimalst angestaubt und mit winzigem Fleckchen, innen papierbedingt an den Rändern wenig lichtschattig, sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Mit einem Künstlerstatement in englischer Sprache. Sprache: englisch.

hardcover. Etat : very good(+). Clyfford Still (illustrateur). Full page color plates. Thin folio, black cloth. Buffalo: Fine Arts Academy, (19656). First edition. Top edge of text block foxed, else a near fine copy. Includes an artist's statement, a Foreword by Katharine Kuh, Introductions and notes on the paintings.

hardcover. Etat : fine. Etat de la jaquette : poor. First. Full page color plates. Thin folio, black cloth, tattered d.w. Buffalo: Fine Arts Academy, (19656). First Edition. Fine in a poor dust wrapper. Includes an artist's statement, a Foreword by Katharine Kuh, Introductions and notes on the paintings.

Hardcover. Etat : Used - Very Good. Very nice clean, tight copy free of any marks. Dust Jacket is in poor condition with open tears. Bro-Dart dj protector.

Hardcover. Dust Jacket Included. 1st Edition. A near fine copy bound in finely woven black cloth stamped brightly in red and white lettering along the spine and red lettering at the top of the front boards.Very clean and tight throughout. In a complete, very good dust jacket with some light edge-rubbing and a short closed tear at the top of the spine. With 33 splendid color plates of Still's art.Provenance: From Newport, R.I. estate sale at the home of John Stephans widow, Ineko Stephan. Clyfford Still(1904 1980) was an Americanpainter, and one of the leading figures in the first generation ofAbstract Expressionists, who developed a new, powerful approach to painting in the years immediately followingWorld War II. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues likeJackson PollockandMark Rothko, who continued to paint in figurative-surrealiststyles well into the 1940s. (Wikipedia) First Edition with matching dates of 1966 on the title and copyright pages.

Etat : new.