Title nova (50 résultats)

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Loose Leaf. Etat : New. Reproduction. Original title: Title print for the Nova Reperta series German: Titeldruck für die Nova Reperta Serie French: Tirage des titres de la série Nova Reperta Spanish: Impresión de título para la serie Nova Reperta High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1589). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Title print for the Nova Reperta series German: Titeldruck für die Nova Reperta Serie French: Tirage des titres de la série Nova Reperta Spanish: Impresión de título para la serie Nova Reperta High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1589). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Title page: Nova Fontium Delineatio German: Titelseite: Nova Fontium Delineatio French: Page de titre: Nova Fontium Delineatio Spanish: Página de título: Nova Fontium Delineatio High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Title page: Nova Fontium Delineatio German: Titelseite: Nova Fontium Delineatio French: Page de titre: Nova Fontium Delineatio Spanish: Página de título: Nova Fontium Delineatio High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Title print for 'Myographia nova sive Musculorum omnium (.) accuratissima descriptio' by John Browne German: Titeldruck für 'Myographia nova sive Musculorum omnium (.) accuratissima descriptio' von John Browne French: Tirage titre pour 'Myographe nova sive Musculorum omnium (.) accusissima descriptio' de John Browne Spanish: Título impreso para 'Myographia nova sive Musculorum omnium (.) accuratissima descriptio' por John Browne High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1694). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Soft cover. 20cm, 16p., plus 14 plate illustrations from photographs, printed grey wraps, staples rusted and wanting front free fly else a very good to fine copyMorley p115. Includes the history from 1604.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Very Good. No Jacket. 1st. First Edition, First Printing; blue c w/pictorial inset on front; ownr's insc; Pp (6),[7]-158. 8vo, blue cloth. With the 1883 poem "The Indian Names of Canada" by Richard Huntington of Yarmouth on p.[5].clean, unmarked pages.

Presumed first edition (not stated but with matching dates upon title and copyright pages). i-xvi, 17-512 pages. Hardcover: H 18.75cm x L 12.75cm. Contemporary dark cloth; some mottling to boards with bubbling/rippling to surface cloth with slender wear along edges; spine sunned with 3.75cm loss of surface cloth at spine head exposing underlying paper back-strip; slender chipping at spine heel; gilt lettering on front board and spine remains fairly bright. Text block edges toned. Dark blue endpapers; bookseller ticket for W.B. Clarke & Carruth, Boston at front free endpaper's bottom left; pencil ownership inscriptions for R.A. Bolling on front pastedown and front flyleaf (Reverend Richard Asa Bolling, 1890-1971, served as pastor at First Presbyterian Church in Cleveland, Mississippi from 1926 to 1962); underlining and margin check marks all in pencil amongst text. Binding is firm.…

Title page only. Red and black print. Small vignette at bottom. Adhered to lalrger plain leaf. Slightly trimmed. Suitable for framing.

Hardcover. Etat : Near Fine. 4to. 28.5cm, 198,(appendix),242-[c. additonal 200 pages]pp., appendices 1-97, bound in half contemporary half tan calf, crushed crimson morocco label, gilt titles, marlbed boards, very good to fine (atl).

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.The tadpoles and Long the (literary Nova Series) [title page torn]Four Satisfaction guaranteed,or money back.

paperback. Etat : Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Literary Nova Series (second series) mothership (title page torn)Four Satisfaction guaranteed,or money back.

Soft cover. Etat : Near Fine. Printed in black and other colours and illustrated throughout. Orange paper wrappers, sewn, printed in black and blue. A near fine copy.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 104. A perfect gift for your loved ones. Reprinted from 1833 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 104. …

Leatherbound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 114. A perfect gift for your loved ones. Reprinted from 1883 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume c.1 Language: English Pages: 114 Volume c.1. …

Leatherbound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 114. A perfect gift for your loved ones. Reprinted from 1833 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 114. …

Collation: [1], *4, A-V6, X4. Pagination: [10], 181, [37], 30. Full modern crimson calf, black leather label on spine with gilt lettering. All edges red. Light browning and foxing. Rough top edge on frontis, not effecting engraving. T.p. in red and black ink, with notch in top margin, but no effect on text. A nice copy. Illustrations: Engraved frontispiece portrait of Hippocrates, engraved tailpiece to preface. Hippocrates(c. 460- c.377) though spawned from a priestly family, shared the family's secret knowledge of the subject of medicine and became the famous Greek physician that he is known to be today. Citations: Wellcome II, p.272. NLM/Blake 213.…

Hardcover. Extremities very lightly rubbed; a few corners slightly bumped; vols. 6 and 7 in slightly larger binding, with covers in a different hue; otherwise very good condition (no dust jacket). . 7 volume set, separately paged. Illus. Expanded second edition. Published as volumes 21 - 27 of Nejedly's collected works, "Spisy Zdenka Nejerdleho".…

Hardcover. Etat : Used-Very Good. First Edition. Oxonii : E Typographeo Clarendoniano, MDCCXCII [Oxford: Clarendon Press, 1792] Folio, [1], v, [1], xxix, [3], 471 pp. Many illus., including 2 full-page engravings. Engraved portrait on title-page. Three quarter calf over marbled paper-covered boards. The spine and corners are recently (and nicely) rebound, with slightly raised bands on the spine and a contrasting title-label. The boards are older, but still quite sturdy and not at all unattractive. Both hinges have been repaired. A bookplate has been removed from the front pastedown endpaper and there are institutional ink-stamps to verso of title-page; otherwise, there are no marks of previous owenership. Some foxing to first and last few leaves of text-block. Overall, very clean and clear internally, with very generous margins. Page size approx. 40cm by 25 cm. Torelli's great edition of Archimedes, with Latin translation and the commentaries of Eutocius, remained the standard work for over a century. Riccardi, Biblioteca Matematica Italiana, p. 45. …

Copper engraving, widest: 518 x 1436 mm, on two sheets and half-sheets joined, the Australia/South-East Asia/Far East sheet present both at left and right. London, Mount & Page,  Halley's sea chart of the world is one of the most important scientific maps ever published, the application of a brilliant scientific mind to one of the basic problems of navigation, and producing the first published world magnetic chart. Various dates have been given for its first publication, but an announcement in the Post Man (issue 1354) for 7th - 9th December 1704 gives some indication of its first appearance.   This chart is printed from a set of replacement plates copied from the original set. The title bears the imprint of Richard Mount and Thomas Page, appropriate for the period 1700 to 1722 (the year of Richard Mount's death) but the omission of the ten line panegyric to Queen Anne (d. 1714) and dedication to Prince George of Denmark (d. 1708), her husband, points to a publication date post-1714. The positions of these two features are left blank (central Africa and central Asia). Furthermore, an exemplar printed from the first set of plates is dateable to [ca. 1718], which narrow the window still more.   The general appearance of the plates points to this printing being a preliminary proof before the insertion of the lines of the variation of the compass (the main purpose of the chart) and with a blank space in the English title where the date could be inserted. The absence of engraving where the original panegyric and dedication were located also suggests that these areas were yet to be completed.   The likelihood is that the first set of plates were damaged; the [ca. 1718] printing referred to above shows evidence of plate cracking; perhaps these second plates were commissioned as replacements but, for whatever reason were not completed at the time, perhaps because of the death of Richard Mount or (slightly later) Mount and Page's publication of Thomas Haselden's world chart, on a more convenient format, gave them a more suitable map for their purposes.   As sometimes found on the second state, this example has the additional half-sheet, covering Australia and the Pacific, correctly pasted-on at right but, additionally, also added along the left-hand border.   This is the only recorded example of this early (presumed proof) printing of the second plates.   From the Library of the Earls of Macclesfield, though not offered as part of the Sotheby's sales.…

Hardcover. Etat : Very Good. No Jacket. 1st Edition. NUCK, ANTON (1650-92). Opera omnia anatomica, et chirurgica (general title). 1. Operationes et experimenta chirurgica. 2. Sialographia, et ductuum aquosorum anatome nova. Adenographia curiosa. Leyden: S. Luchtmans, 1733, 1723, 1722. FIRST COLLECTED EDITION. Three volumes. Small 8 vo. Contemp. three-quarter vellum with floral patterned boards. Uncut. (4), 170, (10); (22), 158, (16), (2, blank); (14), 152, (28), 64 pp. Two engraved titles, first printed title in red and black + 17 folding engraved plates (2 misbound). Ownership signature of Dr. J. van de Hoeven (1802-68, Dutch zoologist) on first leaf of each vol. and with the van der Hoeven bookplate. Old labels removed from upper spines; a fine set. "Anton Nuck practiced first at The Hague and then became professor of anatomy and surgery at Leyden in 1687. He was well known as an oculist, aurist and dentist. His studies of glands and lymph glands were noteworthy. His best known works were 'Sialographia et ductum aquosorum anatome nova', Leyden, 1695, and 'Adenographia', Leyden, 1692. .His anatomical description of the various glands were (sic) highly praised by Soemmering a century later. In anatomy, his name is perpetuated by the canal of Nuck." (R. H. Major, 'Hist. medicine', 1954). This set, the first collected edition, was made up from the sheets of the final editions of Nuck's works. See: G-M 1101 & 1213 for the original editions; Becker Ophthal. Coll. Cat., nos. 276 & 277. Heirs of Hippocrates 674; otherwise this collected edition is lacking from the usual medical collections. Hagelin, 'The womans booke' (1990), pp.76-77, reproducing the engraved title to 'Adenographia' (1722), as here.…

Folio (46 x 30 cm). 2 vols. in 1. (18), 245, (2), 247-482, (10) pp. With 2 richly engraved allegorical frontispieces, an engraved plate with a full-page portrait of Emperor Leopold I, an engraved plate showing all knowledge of the universe organised as a tree, 2 engraved volvelles (with 4 rotating dials), 20 further engravings on integral leaves and a couple dozen woodcut figures in the text. Contemporary richly gold-tooled red goatskin morocco decorated a petit fers, gold-tooled turn-ins, board edges and raised bands, giving a total of more than 1500 impressions of about 14 stamps and 3 rolls, edges gilt over red and blue squiggles. Janssonius van Waesberge, who published Kircher's books in Amsterdam from 1664/65 to 1682, arranged to have copies of several luxuriously bound for Kircher to present to leading figures, and this is almost certainly one of them, presented to Giovanni Paolo Oliva, Superior General of the Jesuit Society. First and only edition of this work important for the theory of science. Its fundamental idea of connecting all branches of science in a common system is based upon the thoughts of Ramon Llull. "Represents the 17th century research for a universal language" (Merill) and is considered a "fascinating anticipation and precursor of computer science" for its treatment of the art of combinatorics. At the same time, it forms a manual of mnemotechnics and of a method of learning. - On 29 July 1661 Kircher contracted to have the Amsterdam bookseller Johannes Janssonius van Waesberge (1616-81) publish his books, including new editions of some previously published works as well as works not yet written. Kircher also had Van Waesberghe arrange for some copies of the books to be luxuriously bound for presentation to various luminaries. - No expense was spared to produce the present binding, and it bears the owner's inscription of Giovanni Paolo Oliva (1600-81), Superior General of the Jesuit Society, who granted the privileges for both volumes - an obvious candidate for a presentation copy. Moreover, the binding is nearly identical to that of the Morgan Library's copy of the same edition, using the same tools in a nearly identical arrangement: thus, a single binder made at least two virtually identical and extremely luxurious bindings for the same edition, a fact which strongly supports the notion that they were made as Kircher's presentation copies. - In a 1948 Sotheby's catalogue, Anthony Hobson attributes the binding of the copy now at the Morgan to the most famous Dutch binder of all time, Albert(us) Magnus (1642-89). Miner merely notes this attribution and the Morgan still attributes it to Magnus, but Nixon, discussing other Kircher books bound by Magnus, writes "I am less certain that . the Ars magna sciendi in the Landau-Finaly sale . does come from the same workshop". Similarly, De la Fontaine Verwey calls the attribution to Magnus "doubtful", and Foot writes that the binding "is decorated . with closely massed tools, which I have not found on any other Dutch binding of the period". High-quality Dutch bindings in richly gold-tooled morocco from the 1660s to the 1690s were once almost invariably attributed to Magnus, but Foot distinguishes about a dozen different Dutch workshops that finished bindings in this style, noting that some "show the same high level of craftsmanship and are decorated with tools very closely similar to those used by" Magnus. The fact that few of these groups of bindings have so far been linked to named bookbinders takes nothing away from the quality of the work. The present binding represents a workshop of the highest order that has so far been barely studied, and its large number of tools, with more than 1500 impressions of about 14 stamps and 3 rolls, gives a good overview of the workshop's equipment. The paper is of royal format, probably indicating a large-paper copy, since many copies seem to be 37 to 40 cm tall. - With the contemporary owner's inscription of Giovanni Paolo Oliva at the foot of the title-page and the armorial bookplate of the Bibliotheca Philosophica Hermetica in Amsterdam. Browned and foxed as common, a few leaves more severely, with the ink of both the letterpress text and the engravings sometimes leaving a browned offset or showing through on the reverse, but otherwise in good condition. The foot of the spine has a crack in the front hinge and a few wormholes and repaired tears in the backstrip (all within the lowest 4 cm); the head of the spine also shows a few wormholes but only minor damage. The turn-ins have browned the outer edges of the marbled pastedowns, and the free endleaves are more severely browned than the leaves of the book itself. The binding is otherwise in very good condition, with only minor scuff marks around the extremities and with nearly all of the tooling clear and well-preserved. - De Backer/S. IV, 1066-1067 (no. 28). Breslauer cat. 107 [1984?], p. 188 (this copy). Caillet 5771. Dünnhaupt (Bibliogr. Handbuch), Kircher 23. Ferguson I, 467. Findlen, Athanasius Kircher, pp. 7, 35, 83-85 & passim. Fletcher, Athanasius Kircher (2011), pp. 415-417, 495, 557f. & 567 (no. 24). Honeyman 1827 (incompl.). Merrill, Athanasius Kircher 22 (2 copies, 1 lacking 1st frontispiece & 1 lacking portrait). Thorndike VII, 567. For the Morgan Library copy in a nearly identical binding: H. de la Fontaine Verwey, "The binder Albert Magnus .", in: Quaerendo 1 (1971), pp. 158-178, at p. 163, note 3. Mirjam Foot, Henry Davis gift I (1978), p. 246. Dorothy Miner/Walters Art Gallery, History of bookbinding (1957) 434 (ill.). Howard Nixon, Broxbourne Library (1956), p. 154. Sotheby's London, 13 July 1948 (Baron Horace de Landau coll.), lot 69. Sotheby's London, 13 March 1956 (J. W. Hely-Hutchinson coll.), lot 391 (ill.). For Van Waesberge: Van Eeghen, De Amsterdamse boekhandel IV, pp. 257-163.…

2 volumes bound as 1. First edition of a 17th-century attempt to organise all knowledge of the universe into a classified system with nine primary categories (represented by icons made for the present edition) and to discover an underlying universal language, the most ambitious work (and one of the most extensive) of the great eccentric Jesuit genius Athanasius Kircher (1602-1680): a bizarre mixture of philosophy, science, religion and fantasy. On 29 July 1661 Kircher contracted to have the Amsterdam bookseller Johannes Janssonius van Waesberge (1616/17-1681) publish his books including new editions of some previously published works as well as works he had not yet written. Kircher also had Van Waesberghe arrange for some copies of the books to be luxuriously bound for presentation to various luminaries.No expense was spared to produce the present binding and it bears the owner's inscription of Giovanni Paolo Oliva (1600-1681), Superior General of the Jesuit Society, who granted the privileges for both volumes. He is an obvious candidate for a presentation copy. Moreover, the binding is nearly identical, using the same tools in a nearly identical arrangement, as that of the Morgan Library's copy of the same edition. So a single binder made at least two virtually identical and extremely luxurious bindings for the same edition, strongly supporting the notion that they were made for Kircher's presentation copies. In a 1948 Sotheby's catalogue, Anthony Hobson attributes the binding of the copy now at the Morgan Library to the most famous Dutch binder of all time, Albert(us) Magnus (1642-1689), Miner merely notes his attribution and the Library still attributes it to Magnus, but Nixon, discussing other Kircher books bound by Magnus, writes "I am less certain that . the Ars magna sciendi in the Landau-Finaly sale . does come from the same workshop", De la Fontaine Verwey calls the attribution to Magnus "doubtful" and Foot writes that the binding "is decorated . with closely massed tools, which I have not found on any other Dutch binding of the period". High quality Dutch bindings in richly gold-tooled morocco from the 1660s to the 1690s were once almost invariably attributed to Magnus, but Foot distinguishes about a dozen different Dutch workshops finishing bindings in this style and notes that some "show the same high level of craftsmanship and are decorated with tools very closely similar to those used by" Magnus. The fact that few of these groups of bindings have so far been linked to named bookbinders takes nothing away from the quality of the work. The present binding represents a workshop of the highest order that has so far been barely studied, and its large number of tools, with more than 1500 impressions of about 14 stamps and 3 rolls, gives a good overview of the workshop's equipment. The paper is of Royal format, probably indicating a large-paper copy, since many copies seem to be 37 to 40 cm tall.With the contemporary owner's inscription of Giovanni Paolo Oliva at the foot of the title-page and the armorial bookplate of the Bibliotheca Philosophia Hermetica in Amsterdam. Browned and foxed as usual, a few leaves severely, with the ink of both the letterpress text and the engravings sometimes leaving a browned offset or showing through on the reverse, but otherwise in good condition. The foot of the spine has a crack in the front hinge and a few worm holes and repaired tears in the backstrip (all in the lowest 4 cm); the head of the spine also has a few worm holes but only minor damage. The binding is otherwise in very good condition, with only minor scuff marks around the extremities and with nearly all of the tooling clear and well-preserved. The turn-ins have browned the outer edges of the marbled paste-downs, and the free endleaves are more severely browned than the leaves of the book itself.l De Backer & Sommervogel IV, cols. 1066-1067 (Kircher 28); Breslauer cat. 107 [1984?], p. 188 & cat. 110 [1992?], no. 107 (the present copy); Caillet 5771; Dünnhaupt, Bibliogr. Handbuch, Kircher 23; Ferguson I, p. 467; Findlen, Athanasius Kircher, pp. 7, 35, 83-85 & passim; Fletcher, Athanasius Kircher (2011), pp. 415-417 , 495, 557-558 & 567 (no. 24); Honeyman 1827 (incompl.); Merrill, Athanasius Kircher 22 (2 copies, 1 lacking 1st frontispiece & 1 lacking portrait); Thorndike VII, p. 567; for the Morgan Library copy in a nearly identical binding: H. de la Fontaine Verwey, "The binder Albert Magnus .", in Quaerendo, 1 (1971), pp. 158-178, at p. 163, note 3; Mirjam Foot, Henry Davis gift I (1978), p.246; Dorothy Miner/Walters Art Gallery, History of bookbinding (1957) 434 (ill.); Howard Nixon, Broxbourne Library (1956), p. 154; Sotheby's London, 13 July 1948 (Baron Horace de Landau coll.), lot 69; Sotheby's London, 13 March 1956 (J.W. Hely-Hutchinson coll.), lot 391 (ill.); for Van Waesberge: Van Eeghen, De Amsterdamse boekhandel IV, pp. 257-163. Contemporary richly gold-tooled red goatskin morocco decorated a petit fers, sewn on 7 leather supports, with the author and title in the 2nd of 8 spine compartments ("A. KIRCHE.|ARS|COMBINAT." in 6 mm roman capitals), gold-tooled turn-ins, board edges and raised bands, giving a total of more than 1500 impressions of about 14 stamps and 3 rolls, edges gilt over red and blue squiggles (each squiggle about 5 mm thick and of widely varying length), marbled paste-downs in a red, blue, yellow and white Dutch pattern (combed with teeth varying from 2 to 5 mm apart) the front curled, but the back instead combed a second time across the first combing (teeth averaging 18.5 mm apart). Janssonius van Waesberge, who published Kircher's books in Amsterdam from 1664/65 to 1682, arranged to have copies of several luxuriously bound for Kircher to present to leading figures and this is almost certainly one of them, presented to Giovanni Paolo Oliva, Superior General of the Jesuit Society. With 2 richly engraved allegorical frontispieces (apparently on integral leave.…

paperback. Etat : Good. Literary Nova Series; red olives [title page tear. as shown in Figure.

Softcover. Etat : Near Fine. First edition. Quarto. Slight soiling, near fine.

8vo. 23cm, first edition, 15pp., original printed self wraps, printed in double-columns, printing fault, title page mis-alined, and loose otherwise a fine copy. (Atl). T.P.L. 4414. Sabin 33313. Casey 3233. Lande S-2451. An eloquent speech, that was noted in relieving some of the hostility held by both countries to reciprocal free trade. "The Reciprocity Treaty was a special arrangement upon both countries by a long frontier, by the proximity of rich fishing grounds, and by the difficulty of drawing accurate and recognized boundaries upon the sea. while your vessels have swarmed in our waters for the past nine years, carrying off enormous values every year, we have not sent a vessel south during all that time, or caught a single cargo of fish on the coast, or in the bays of the United States." (text).…

Etat : Gebraucht / Used. viii,388,145pp.Bilingual, in Latin & Greek.

Hardcover. Etat : Very Good. (8) + 179 + (24)pp of index, printed in parallel Latin and Greek text, expertly re-bound in quarter calf with marbled boards, new endpapers, title label inset on red morocco, an exceedingly bright, clean, crisp copy in very good condition, Provenance: with previous owner's name written at rear 'Thomas Ward, Anno Domini 1793', [Privately Printed by] Opera Thomae Johnson, London: impensis authoris, 1720. * Johnson printed at his own expense this beautiful edition of Cebes's 'Tabula' in 1720 - beautiful typography on thick paper printed in parallel Greek and Latin.…