Tomma abts (80 résultats)

Etat : Very Good. Great shape! Has a publisher remainder mark. hardcover Used - Very Good 2008.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. Minor bumping. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Hardbound in dust jacket.

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First Edition. First edition. Hardcover. 176 pages. Exhibition catalog for a show that ran June 6 through September 9, 2018 at the Serpentine Galleries and then October 18, 2018 through February 17, 2019 at the The Art Institute of Chicago. Features essays by James Rondeal, Kate Nesin, and Juliane Rebentisch. Includes numerous color illustrations. A fine copy illustrated boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.…

Hardcover. Etat : Fine. First edition. 13 3/4 x 10''. 176pp. Without dustjacket, as issued.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. A clean and bright copy. 135pp.

Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First edition. 13.6 x 9.9 inches. 176 pages. Profusely illustrated in color. Original pictorial boards. "With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also examine her paintings' philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. The beautifully designed and illustrated exhibition catalogue examines both the art-historical framework of Tomma Abts's painting as well as its deep philosophical and psychological dimensions. James Rondeau is president and Eloise W. Martin Director of the Art Institute of Chicago. Lizzie Carey-Thomas is head of programs at the Serpentine Galleries in London. Kate Nesin is an independent art historian. Juliane Rebentisch is a professor of philosophy and aesthetics at the Offenbach University of Art and Design in Berlin" (the publisher). Generally a clean copy.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Illustrated. Minor shelf wear; jacket lightly rubbed. Else a bright, clean copy. Born in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. Her work has been shown at such major international exhibitions as the Berlin Biennial (2006) and the Carnegie International (2004), as well as at prestigious museums across Europe, including Kunsthalle Basel (2005) and Van Abbemuseum (2004). In 2006 she was awarded the Turner Prize. Each Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters - unvarying materials and size - she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension. This volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, findind in Abts' artistic process a validation of "the beauty of latency." And Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen - actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant. .…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. New Copy. Customer Service Guaranteed.

Etat : New.

Paperback. Etat : new. Paperback. In this issue of Parkett, Jan Verwoert describes Tomma Abt's abstractions as "defined by a kind of retroactive temporal logic: the movement that leads to the finished picture is a movement that keeps flowing back on itself in the process of overpainting." Julien Fronsacq calls Mai-Thu Perret's work "a product of a different persona" and suggests that it revolves "around the structure of the novel." According to Johanna Burton, Zoe Leonard uses the predominantly male photographic lineage to "speak in tongues," and to play with expectations--even as she expresses the metaphysical loneliness inherent to the medium: "There is no such thing as a truly entwined gaze," writes Burton, "only ever the promise of one and the deep breach that results from its impossibility." Also: Philipp Kaiser on Richard Hawkins, Josef Strau on Ei Arakawa, Charles Bernstein on art criticism, texts by Philip Ursprung and Jens Hoffmann, insert by John Stezaker and spine by Paulina Olowska. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : New.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Etat : New. Etat de la jaquette : New. 10.6 X 8.0 X 0.9 inches; 136 pages.

Paperback. Etat : Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. 2018. Hardcover. . . . . .

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. pp. 204.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.