transparent room (11 résultats)

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01.

Pamphlet. Etat : Very Good. Vol 41, No 3, pp. 1211-1224, Illus, 4to, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

Paperback. Etat : Very Good. First Edition. First edition (1998.) Square 8vo paperback Exhibition Catalog with 20 pages. Illustrated in color and black & white. Laid in are 4 announcements for other exhibitions by Pinsky and 1 MVRVS map card. The book is in very good condition with very slight shelf wear and very slight bumping to edges. Interior is clean and tight. Michael Pinsky is a visual artist who uses diverse media such as video, performance, mapping systems and sculpture to explore geopolitical aspects of a site. Blue spine/white text. #031646 Size: Square 8vo. Exhibition Catalog.

paperback. Etat : New. Language:Chinese.Paperback. Pub Date: 2022-06-01 Publisher: Beijing United Publishing Company Transparent Man Sneaks into the Secret Room - Impossible Crime implemented by transparent man. the challenge of Secret Room with escalating difficulty! Six Fanatical Japanese - a frightening fan circle chaos. slapstick court reasoning. a dark version of 12 Angry Men. Eavesdropped Murder - find the murderer through an accidental recording at the murder scene. which becomes the only chance for the Hell.

First edition. A gray portfolio, printed paper label on front, containing 5 broadsides, and two descriptive sheets. Fine condition. Limited to 55 copies. The five broadsides each combine the work of a poet with an artist; the combinations are: John Cotton & James Parfitt [Visiting] / Wendy Freeman & Cherry Hulls [Ad Hoc] / B.C. Leale & George Szirtes [Offer (For Bernard J. Kelly)] / Peter Porter & Paul Martin [Daily Mirror Nightly] / Peter Scupham & Clarissa Upchurch [The Gatehouse]. Each broadside is signed by the artist and the poet, all number 47 of 55 numbered copies. Handsomely printed, the broadsides are very attractive. One of a number of similar portfolios produced by The Starwheel Press, which was co-edited by George Szirtes and Clarissa Upchurch. An early production of the press, which began in 1978.

Etat : Fine. Number of pages: 367p Size: 16cm.

Unbound. Etat : Fine. Broadside portfolio. Five broadsides, each measuring approximately 8½" x 12" and with an original Signed etching; the artists are James Parfitt, Cherry Hulls, George Szirtes, Paul Martin, and Clarissa Upchurch. Accompanied by a smaller, letterpress-printed title page and an ad for the Dodman press, laid into a portfolio with printed paper label. The broadsides are fine and the portfolio is just about near fine with some creasing at two corners. Each broadside is Signed by both the poet and artist. A handsome production, printed on handmade paper, issued in 55 sets only. The poems are "Visiting" by John Cotton; "Ad Hoc" by Wendy Freeman; "Offer (For Bernard J. Freeman)" by B. C. Leale; "Daily Mirror Nightly" by Peter Porter; and "The Gatehouse" by Peter Scupham. *OCLC* locates two copies (Delaware, Cambridge).

Unbound. Etat : Fine. Broadside portfolio. Five broadsides, each measuring approximately 8½" x 12" and with an original Signed etching; the artists are James Parfitt, Cherry Hulls, George Szirtes, Paul Martin, and Clarissa Upchurch. Accompanied by a smaller, letterpress-printed title page and an ad for the Dodman press, laid into a portfolio with printed paper label. The broadsides are fine and the portfolio is fine with a tiny bit of creasing at the corners. Each broadside is Signed by both the poet and artist. A handsome production, printed on handmade paper, issued in 55 sets only. The poems are "Visiting" by John Cotton; "Ad Hoc" by Wendy Freeman; "Offer (For Bernard J. Freeman)" by B. C. Leale; "Daily Mirror Nightly" by Peter Porter; and "The Gatehouse" by Peter Scupham. *OCLC* locates two copies (Delaware, Cambridge).

D is for Drawing Master Aquatint vignette. A vignette for the trade card of Archibald Robertson, drawing master of "Savill Row Passage", later "Savile Place", demolished in 1936 to make way for a wider continuation of Savile Row to Conduit Street. The oval vignette is a fine aquatint view of the top end of Savile Street with Robertson's shop to the right, showing the arched passageway which led to Mill Street and then on to Conduit Street, by Paul Sandby. Robertson (fl 1777-1796) held premises at the entrance to Savile Row Passage until 1782, when he moved to 15 Charles Street, St. James's. Known as a landscape painter, his first aquatints were printed in 1777 and were jointly published with Paul Sandby, who lived over Robertson's shop and may have tutored him in the art form. James Squib, auctioneer occupied 22 and 23 Savile Row Passage from 1777-1788, and "Squibbs Aucti." appears above the archway, with the large glass lantern that illuminated their rooms above and to the right. The space was possibly then sublet by Lord Barrymore for use as a private theatre, before George Squib continued the family auction business well into the nineteenth century. Paul Sandby (c1731-1809), was a well-known watercolourist, printmaker and collector. Born in Nottingham, in 1745 he joined his brother Thomas Sandby at the Board of Ordnance and took part in the survey of the Scottish Highlands after the Jacobite Rebellion. From the 1750s he was based in London, and influential in the campaign to found the Royal Academy. In 1768, he was appointed drawing master to the Royal Military Academy at Woolwich. He made a number of satirical etchings, notably against Hogarth in 1753-4 and the early 1760s. He often collaborated with Thomas Sandby in providing figures for his topographical watercolours. Much later, in the mid 1770s, he turned his hand to the art of aquatinting, when he is associated with Robertson, issuing a series of aquatints of Wales from 1775-1777. His private collection [Lugt PS in a square] was sold at Christie's on the 17 March 1812. BM Banks 56.23; see BM Heal 100.61.

No Binding. Etat : Near Fine. 1st Edition. 4to. Five sheets of handmade paper loose in portfolio, (printed paper label), with extra title sheet; one corner of portfolio slightly creased. Edition limited to 55 numbered copies, each broadside signed by author and artist. The Starwheel Press was run by George Szirtes and his wife, Clarissa Upchurch, with the aim of producing a portfolio a year. To this one John Cotton contributes "Visiting", Wendy Freeman "Ad Hoc", B.C. Leale "Offer (For Bernard J. Kelly)", Peter Porter "Daily Mirror Nightly" and Peter Scupham "The Gatehouse". Signed by Author(s).

Etat : New.