typebook (17 résultats)

Hard Cover. Etat : Good+. Etat de la jaquette : Good+. No Edition Stated. Volume 1: Machine Composition/Serif Faces; ex-library w/usual markings, book has light edgewear; DJ is in protective cover which is taped to book, fading to spine and top rear edge.

Wrappers. Etat : Very Good. 1st Edition. Over sized wraps in a fastened covers. No spine as issued. 148 pages. No date.Do not confuse this with the Reinhold edition. Covers worn. Fasteners are tight.

Cloth. Etat : Fine. Etat de la jaquette : Very Good. First Edition. Volume 1, Serif faces - 287 pp., Volume 2, Sans serifs and miscellanly - 255 pp. Index. Books in outstanding condition. DJs have some scuffing to surfaces, spines sunned. These are beautiful books.

Etat : Poor. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In poor condition, suitable as a reading copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:

Soft Cover. Etat : Very Good. First Edition. HEAVY. 383 pages. Pictorial card cover, lightly edge-worn. This manual offers 66 typefaces, all selected for their utility, availability and design excellence. Alphabets, figures and text samples are shown in a range of sizes, including variations of leading, examples of condensation, typecast tables, and concise information on the historical aspects of some of the most popular typeface designs. Size: 4to.

Soft cover. Etat : Fair. No Jacket. 3rd Edition. * PUBLISHER : STAR SERVICES * YEAR : UNDATED * ISBN : N/A * No OF PAGES : 368 * CONDITION : USED - ACCEPTABLE * OTHER: THE COVER IS HEAVILY RUBBED AND CREASED WITH BUMPING ALONG THE EDGES AND CORNERS. THE SPINE IS HEAVILY RUBBED WITH BUMPING AT BOTH ENDS. THE SPIRAL BOUND BINDING IS FIRM. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Hardcover. First edition. 442 pages. This was to be a series of six volumes. These first two which are here for sale -- Volume I (Machine Composition Serif Faces) and Volume II (Machine Composition Sans Serifs & Miscellany) -- are a result of growing awareness on the publisher and author to provide a truly comprehensive approach to typographic specimens. Orig. green cloth. Very good in worn dust wrappers. 2 vols.

OBroschur / Okarton. Foreword by Adrian Frutiger. 383 Seiten Schriftdarstellung. Zustand: Einbandkanten leicht berieben. Size: 4°.

hardcover. Etat : Good. Etat de la jaquette : fair. Two volume set. Binding tight, pages unmarked, top of spines bent slightly, otherwise corners undamaged. DJ is in fair condition with fading and shelfwear. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Hardcover. Etat : Very Good. 1st Edition. Green cloth, titled in white. Dust-jackets seriously chipped and torn. Book label of The Composing Room Inc. A very good set.

Hardcover. Etat : Very Good. Hardcover. No dust jacket. Minor cover wear. Clean unmarked text. Tight binding. ** Because of weight/size, this cannot ship internationally ** ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Hardcover. Etat : Very Good. Etat de la jaquette : Slip Case. A very good copy (near fine) of this hardcover, spiral bound type face sample book in a very good slip-case. Slip-Case: tan paper-covered card with logo sticker for Culross in one corner; in very good condition for its age, just a little bumping and darkening to edges and corners. Cover: laminated illustrated board with brown design and grey lettering to front and back, in excellent condition; slight discolouration from spiral binding. Internally: clean and tightly bound, slight discolouration from spiral again, coloured dividers between sections; very small discreet previous owner's bookplate to front inside cover. Landscape presentation. 150 pp.

Calligraphy (illustrateur). small square 8vo. stiff paper wrappers, spiral bound. 323, (5) pages. A lovely catalogue of large and small typefaces, including italic, and calligraphy in the rear. Some markings in ink, minor wear to the covers. Else a near fine copy. Designed by Ronald Gross/Tree. stiff paper wrappers, spiral bound.

Paperback. Etat : Good. Covers show some browning, discoloration, soiling, scuffing, rubbing and bumping. Plastic comb spine shows some soiling and foxing. Pages show some browning.

No Binding. Etat : Good. No publication date but probably mid to late 1960's; Black cardstock covers, gold cover title, white emblem-device to cover, & spiral bound; Good covers over very good textblock; 216 pages of type styles.

No Binding. Etat : Very Good. Over the years the Composing Room has received more awards than any other typographic plant.; White titles on 4-ring binder, Avacado cardstock covers with black cover title; A very good copy; 444 pages of typeface.

Vinyl-covered four-ring binder. Etat : Used. Designed by Arnold Shaw, this binder is a primary artifact from The Composing Room, the legendary typographic house that served as the epicenter of New York's mid-century advertising world. Under Robert "Doc" Leslie, the company did not just set type; it fostered the "Gallery 303" and the "Heritage of the Graphic Arts" lectures, becoming a vital hub for designers like Paul Rand and Herb Lubalin. This binder contains comprehensive specimens of metal typefaces, acting as a functional tool for art directors to specify leading, kerning, and font selection. It represents the height of the "Typographic Revolution" where manual craft met industrial speed, serving as a master reference for the era's sophisticated print standards. Also interesting is the 2-page intro that details the breadth of the Composing Room's commercial and educational services to the design community. (Also, FYI: One could make calls to the service desk up until 2 AM.) Good. Cover scuff. Inside largely clean. The inside front cover has a sticker from the Composing Room declaring that this is copy 1,295 and it was presented to. someone. That name was crossed out in favor of Howard Gralla from whom we got this. 1134.