William stott oldham comet (16 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. No ownership or other markings. Tight binding, clean book. Dust jacket is protected in mylar. Ships within 24 hours.

4to Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st. 128p. Firmly bound with square binding and secure hinges. Green boards are clean and pointed. Jacket is crisp and unclipped with light shelf wear. Contents unmarked with colorful illustrations.

Hardcover. Etat : Very Good. William Stott of Oldham: A Comet Rushing to the Sun This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardcover. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Etat : VG. Color illustrated dj with white text. Green cloth boards with gilt text on spine. 128 pp. Color illustrations. "William Stott, son of an Oldham mill owner, left for Paris in 1878, at the age of twenty, to train with the classical French painter Jean-Leon Gerome. Adopting a Realist style of painting, he achieved rapid success, being medalled at the Paris Salon in 1882 for his painting The Bathing Place (Munich). He quickly became a hero figure among the British and American artists in Paris and was an influential member of the international colony of artists at Grez-sur-Loing, near Paris. In 1889 he had a one-man exhibition at Durand-Ruel's gallery in Paris. On returning to England he became a follower and close friend of James McNeill Whistler, until his painting of Whistler's mistress, Maud Franklin, depicted naked as Venus born of the Sea Foam (Oldham Art Gallery), caused a rift between them. In his latter years he exhibited regularly at the Royal Academy, mainly highly decorative works depicting scenes from mythology. He died in 1900 at the age of forty-two while on a sea-crossing to Ireland." "This book reveals an interesting and important artist whose best work has hardly been seen in public, and has hitherto never been photographed or published in colour. His pastels of Alpine peaks and glaciers, of torrents, of the sea, of beaches and of the simple countryside round his home in the village of Ravenglass in Cumbria will be a revelation, and the reconstruction of his career here by Roger Brown is a significant contribution to the study of Symbolism and Impressionism.".…

Hardcover. Etat : Fine. About Fine. 1st Edition. Hardover with complete dj. Mostly colour illustrations. 4to.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. 4to. Green boards with gilt spine lettering, near fine and unmarked in a near fine dust jacket.

Soft cover. Etat : Near Fine. 1st Edition. Crease to rear, and one case of a small pencil annotation to page 63, but an otherwise excellent copy - contents are tight, bright, and clean copy with no inscriptions, no creases to spine, and no foxing. 128pp. (24x27.5cm). Please contact us for any more information.…

Hardcover. Etat : Very Good. Etat de la jaquette : Good. Paul Holberton, 2003. Hardback, d/j, 4to, 128pp, illust. A good copy. 1903470218/1.0uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

128 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

A VERY GOOD COPY IN A VERY GOOD DUSTWRAP. PROFUSELY ILLUSTRATED.

Etat : Sehr gut. 128 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; Umschlag mit leichten Gebrauchspuren, Besitzervermerk, insgesamt sehr schön / Jacket with slight traces of use, previous owner`s name, very good condition. Sprache: Englisch Gewicht in Gramm: 1005 4°, 28 x 25 cm, Festeinband mit Schutzumschlag / Hardcover with Jacket. …

SOFTCOVER. Etat : Fine. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 128pp on thick art paper, colour plates, index etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (few spots of faint and very slight shelf rub to cover edges) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

128pp with 110 colour illustrations. Wrappers 27.4X24cms. ISBN: 190347020X. Monograph on the neglected post-Impressionist British painter, William Stott, who was influenced by the naturalism of Bastien-Lepage and then Whistler's formal experiments. Text in English.

Catalogo mostra Londra, Gallery Oldham, 6 dicembre 2003 - 24 aprile 2004 , testo inglese , brossura, formato 24x27 , pagine 128 , illustrato a colori fuori testo, ottime condizioni - 15066 9781903470213 2.