years dematerialization art object de lucy lippard (30 résultats)

Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Etat : New. 1997. Reprint. Paperback. This work documents the network of ideas that has been labelled conceptual art. Including texts by and taped discussions among and with the artists involved, the book is arranged as an annotated chronology. Num Pages: 280 pages, 104. BIC Classification: 3JJPK; 3JJPL; ABA; ACXJ4; ACXJ5. Category: (G) General (US: Trade). Dimension: 219 x 178 x 19. Weight in Grams: 458. . . . . .

Etat : New. In.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. 520.

Paperback. Etat : New.

Etat : New. 1997. Reprint. Paperback. This work documents the network of ideas that has been labelled conceptual art. Including texts by and taped discussions among and with the artists involved, the book is arranged as an annotated chronology. Num Pages: 280 pages, 104. BIC Classification: 3JJPK; 3JJPL; ABA; ACXJ4; ACXJ5. Category: (G) General (US: Trade). Dimension: 219 x 178 x 19. Weight in Grams: 458. . . . . . Books ship from the US and Ireland.

Paperback. Etat : Brand New. reprint edition. 272 pages. 8.75x7.00x1.00 inches. In Stock.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Taschenbuch. Etat : Neu. Neuware - In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents - including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists - a historical survey and essential reference book for the period.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. Name in ink. Light creasing to couple corners.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.56.

Etat : VG-. Etat de la jaquette : None. Softcover, 271 pages, less than Very Good (VG minus) condition. This copy is SIGNED by Lucy Lippard & inscribed to the late L. Brandon Krall, American artist & curator. In addition laid in is an note from Lucy to Brandon on the reverse of Howard Johnson notepaper ((11 x 8 cm). Covers a tad worn, spine fading, mild age-toning to interior.

Etat : Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Mit zahlreichen Abbildungen, 272 Seiten, Gutes Exemplar, Schutzumschlag mit kleiner Beschädigung Sprache: Englisch 8°, roter OU mit Rückentitel. rotes O Ln.

TRADE PAPERBACK. Etat : Used; Acceptable. Used; Acceptable. 11-F-16 University of California Press 1997 Paperback. Several pages have pencil underlining or highlighting which does not obscure text. Front cover has the remains of a sticker. Covers have moderate wear. Book Condition; Acceptable . 1997. TRADE PAPERBACK.

paperback. Etat : New. In shrink wrap. Looks like an interesting title!

Etat : good. 1973 Praeger edition. A former library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. Missing dustjacket. The pages appear unmarked. Pictures available upon request. Individually inspected by Scott. Thanks for supporting an independent bookseller!

Etat : Gut. 272 Seiten; zahlr. (s/w) Illustrationen; graph. Darst.; 22 cm; fadengeh. Orig.-Leinenband mit OUmschlag. Ein gutes Exemplar; der Umschlag stw. berieben u.m. kl. Läsuren. - Grundlagenwerk zur "Conceptual Art" / Konzeptkunst. - Zahlreiche Dokumente und Illustrationen. - Englisch. - (Vollständiger Titel) : "Six Years: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard. " // The unusual form of this provocative book intentionally reflects the chaotic network of ideas connected with so-called conceptual art or information art or idea art, in America and abroad, from 1966 to 1972. Arranged as a continuous bibliographical chronology, into which is woven a rich collection of original documents -including texts by, and taped discussions with and among, the artists involved-and annotations by Lucy R. Lippard, the book has the informal quality of a lively contemporary forum. Only a minimum of order is imposed; for the most part the reader is left to confront the curious compendium of information on his or her own, to follow changing ideas and artistic developments over the six-year period, to witness the gradual (and controversial) "dematerialization" of the art object. At the same time, the book is a fully sourced historical survey, a necessary reference book for anyone interested in the period. The editor has been closely involved with the art and the artists since their emergence. In a unique position to collect an extraordinary range of unpublished material, she has organized the text and illustrations in such a way as to present the art in all its diversity. Over one hundred artists are represented by works or writings - among them, Carl Andre, Joseph Beuys, Hans Haacke, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Bruce Nauman,Yoko Ono, Robert Smithson, and Keith Sonnier. (Verlagstext) // KÜNSTLER : Carl Andre ----- Eleanor Antin ----- Keith Arnatt ----- Richard Artschwager ----- John Baldessari ----- Robert Barry ----- Gilbert + George ----- Hanne Darboven ----- James Collins ----- F. Barthelme ----- Joseph Beuys ----- Mel Bochner ----- Monika Baumgartl ----- Jon Borofsky ----- Donald Burgy ----- Chr. C. Cook ----- Agnes Denes ----- Gerald Ferguson ----- Dan Graham ----- Hans Haacke ----- Douglas Hueber ----- Richard Jarden ----- Edward Kienholz ----- Michael Kirby ----- Christine Kozlov ----- Barry Le Va ----- Richard Long ----- Lee Lozano ----- Mel Ramsden ----- Bruce Nauman ----- Edward Ruscha ----- Robert Ryman ----- Robert Smithson ----- Michael Snow ----- Bernar Venet ----- Franz Erhard Walther ----- William Wegman ----- Lawrence Weiner ----- William Wiley ----- Ian Wilson / u.v.a. -- Konzeptkunst (englisch conceptual art) ist eine in den 1960er-Jahren durch den US-amerikanischen Künstler Henry Flynt geprägte Bezeichnung für eine moderne Kunstrichtung.Ursprünglich aus dem Minimalismus kommend, steht Konzeptkunst letztlich als Sammelbegriff für eine Weiterentwicklung der Tendenzen in der abstrakten Malerei und für unterschiedliche Kunstrichtungen wie Objektkunst oder Happening, die den Gedanken für die Bedeutung eines Kunstwerks als vorrangig gegenüber dessen Realisierung erachten. "Die Ausführung des Kunstwerks ist von untergeordneter Bedeutung und muss nicht durch den Künstler selbst erfolgen." Im Vordergrund stehen Konzept und Idee, die für die künstlerische Arbeit als gleichwertig erachtet werden. An Stelle fertiger Bilder und Skulpturen treten in diesem Sinne Skizzen, Schriftstücke, Anleitungstexte oder unter Umständen Künstlerbücher, die eigene ästhetische Qualitäten entfalten, auf. Eines der Ziele ist die "Entmaterialisierung" des Kunstwerks und die Einbeziehung des Betrachters. Gewohnte Sichtweisen, Begriffe und Zusammenhänge der Welt werden hinterfragt, neue Regeln erfunden. Es wird mit Kontexten, Bedeutungen und Assoziationen gearbeitet. Theoretiker der Konzeptkunst sind Mel Bochner, Sol LeWitt, Art & Language, Joseph Kosuth und Victor Burgin. Ein künstlerisches Vorbild dieser Bewegung war Marcel Duchamp. Er grenzte seine Kunst von "retinaler Kunst" ab, die überwiegend auf das Auge einwirkt, statt als Vorstellung oder Verknüpfung von Bedeutung im Denken zu wirken. (wiki) ISBN 0289703328 Sprache: Englisch Gewicht in Gramm: 750.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Rare. 1st edition. Hardbound in dust jacket. Minor tears & wear to dust jacket edges, otherwise very good.

hardcover. Etat : Good. Dust jacket shows some rubbing, scuffing and fading and it's edges have some small tears, bumping, rubbing and browning. White back cover of dust jacket shows some browning from age. Book itself shows some fading, rubbing and a few loose threads. Old circular price sticker on front inside flap of dust jacket.

Couverture rigide. Etat : Très bon. Edition originale.

first edition, 1974. interrogation and exploration of the nebulous emergent field of contemporary art. arranged chronologically with numerous annotations including reflections direct from the artists involved in the moment. new york and washington: praeger publishers. 8.4 x 6.75". 272 pages. softcover. bound in colored paper wrappers. book condition: reading creases to spine. curve to front. shelfwear throughout. good ++.

Soft cover. Etat : Very good. No jacket. Great condition. Spine is sunned and cracked, but legibility is not affected and binding is secure. Inside is clean and unmarked.

FIRST EDITION, square octavo, red cloth boards, white lettering to spine, 272pp, illus/photos, VG+ (light scuffing to extrems, sl discolouration to board edges, light tanning & foxing to page edges & eps) in d/w, VG- (light to moderate creasing & chipping to edges, 4cm open tear to top edge/spine with archival tape repairs & lower edge of rear, moderate tanning & chafing/soiling, price clipped).

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Square octavo, red cloth boards, white lettering to spine, 272pp, illus/photos, A little thumbed, d/w rubbed and a little frayed at head of spine.

Rilegato. Etat : buono. prima edizione. Essay Black and white pictures.