Isbn: 9789383098019 (2 résultats)

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  • Langue : anglais

    Edité par Niyogi Books, 2013

    9383098015 / 9789383098019

    • Couverture rigide

    Vendeur : Books in my Basket, New Delhi, IndeBooks in my Basket

    Vendeur avec une évaluation de 5 étoiles
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    Etat: Neuf

    EUR 16,90

    EUR 18,00 expédition 
    Expédition depuis Inde vers Etats-Unis

    Quantité disponible : 2 disponibles

    Hardcover. Etat : New. ISBN:9789383098019,160pp.

  • Edité par Niyogi Books, 2013

    9383098015 / 9789383098019

    • Couverture souple
    • Édition originale

    Vendeur : Vedams eBooks (P) Ltd, New Delhi, IndeVedams eBooks (P) Ltd

    Vendeur avec une évaluation de 4 étoiles
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    Etat: Neuf

    EUR 37,93

    EUR 17,50 expédition 
    Expédition depuis Inde vers Etats-Unis

    Quantité disponible : 1 disponible

    Soft cover. Etat : New. Etat de la jaquette : New. 1st Edition. Taberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities (mohras) out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a mohra has been completed and consecrated, its maker is not permitted to touch it or enter the temple in which it is housed; yet during its creation the artist is sovereign, treated deferentially as he shares living quarters with the high-caste patrons. Making Faces tells the story of these god-makers, the gods they make, and the communities that participate in the creative process and its accompanying rituals. For the author, the process of learning about Himachal, its art and artists, the people who make their home there, involved pursuing itinerant artists across difficult mountainous terrain with few, if any, means of communication between the thinly populated, high-altitude villages. The harsh geography of the region permits scant travel, and the itinerant artisan forms a critical link to the world outside; villages that commission mohras are often populated by a small number of families. Alka Hingorani evokes this world in rich visual and descriptive detail as she explores the ways in which both object and artisan are received and their identities transformed during a period of artistic endeavor. Making Faces is an original and evocative account, superbly illustrated, of the various phases in the life cycle of a mohra, at different times a religious icon, an art object and a repository of material wealth in an otherwise subsistence economy. It will be welcomed by scholars and students of anthropology, material culture, religion, art history and South Asian studies. …