The Oxford Book of the Sea

Jonathan Raban (Editor)

ISBN 10: 019214197X / ISBN 13: 9780192141972

Edité par Oxford University Press, Incorporated, 1992

A propos de cet article

Published in 1992.Truly the source of eternal fascination, the sea is one of the enduring subjects of literature, and certainly the most protean. Indeed, the sea in literature is as liquid and as volatile as the sea in life, shaping itself anew for every writer and every generation. For Addison and Burke, it was the realm of the sublime, of foaming billows and floating mountains, of agreeable horror. For Romantics such as Turner, it was pure, unpent nature at its wildest and most magnificent, and for Coleridge, a mysterious and hallucinogenic place. And if for Melville it was a bountiful sea of metaphor, for Ben Franklin it was devoid of metaphor but teeming with natural wonders, curiosities, and lessons. Truly the source of eternal fascination, the sea is one of the enduring subjects of literature, and certainly the most protean. Now, inveterate sailor and bestselling author of Hunting Mister Heartbreak, Jonathan Rabam, has compiled a remarkable anthology of our changing visions of the sea, a rich treasury of writings as varied and enthralling as the ocean itself. Arranged chronologically, and spanning everything from Anglo-Saxon poetry to modern oceanography, these excerpts capture the work of poets, novelists, scientists, explorers, in a collection that blends the practical with the beautiful, the comic with the terrifying. Readers can savor Samuel Eliot Morison's picture of October spring tides on the coast of Maine, when the blueberry bushes on top of the granite cliffs turn a brilliant crimson and the maple near shore sends up torches of gold and scarlet among the evergreen, all reflected in the quiet waters. Or James Boswell's intimate portrait of Samuel Johnson below deck, lying in philosophical tranquillity, with a greyhound of Col's at his back, keeping him warm. Or Dickens' comic memoir of being seasick on a rolling deck (I found myself standing.holding on to something. I don't know what. I think it was the boatswain: or it may have been the pump: or possibly the cow). Those who love nature writing will find that Raban includes a wide selection, such as Darwin's account of the Beagle surging through a glimmering, phosphorescent nighttime sea, Rachel Carson's explanation of the color of the sea, and David Lewis's discovery that Pacific islanders navigate more by feel than by sight, by the roll and pitch of their vessels as they corkscrew over the waves. And for everyone who loves great writing, Raban includes not only passages from the great sea classics--such as Moby Dick, The Old Man and the Sea, and Two Years Before the Mast--but also lesser-known gems by writers such as Virginia Woolf, James Joyce, Elizabeth Bishop, E.B. White, Emily Dickinson, and John Barth. Whether you love Darwin or Rachel Carson, Joseph Conrad or Robert Lowell, The Oxford Book of the Sea is as bountiful and alluring as its subject. For everyone interested in the sea, from sailors and beachcombers to armchair voyagers, and for everyone drawn to fine writing, this book is an excursion you won't want to miss 1992, First edition. A fine, unmarked copy in a fine, unclipped d/w. Scans available if required.

N° de réf. du vendeur 27423346

Détails bibliographiques

• Titre: The Oxford Book of the Sea
• Éditeur: Oxford University Press, Incorporated
• Date de parution: 1992
• Langue: anglais
• ISBN à 10 chiffres: 019214197X
• ISBN à 13 chiffres: 9780192141972
• Reliure: Hardback

A propos de ce titre

Synopsis

One of the earliest poems in the English language, "The Seafarer", is about the sea. Britain is a maritime culture and it is difficult to think of its history without bringing to mind such figures as Drake, Hawkins, Raleigh, and Nelson. The language itself is suffused with obsolete nautical terms (aloof, taken-aback, above board), and the literature of the sea in both Britain and America is especially rich. In these extracts the sea assumes a variety of guises - from the scourge of small-boat adventurers to Matthew Arnold's "Sea of Faith"; from the colonial road of 16th-century explorers to the fickle intimate of Hemingway's Old Man; from the Ancient Mariner's phantasmagoria to the wave-formations of modern oceanographers; and from the sublime spectacle viewed by Addison and the 18th-century Enlightenment to Edgar Allan Poe's maelstrom. Arranged in chronological order, the extracts form a history of preoccupations with and ideas about the sea. "The Seafarer's" theme of bleak exile gives way to the practical business of Renaissance explorers, and this in turn provides a subject and a range of metaphors for the metaphysical poets, Milton and Dryden. With the 18th-century sea travel becomes a more gentlemanly pursuit (although often a disagreeable one as Tobias Smollett discovers), but the subduable, if sometimes inconvenient sea is soon whipped up into an archetypal storm by the Romantics. The 19th-century is remarkable for the numbers of writers who turned professional sailors - Melville, Conrad and Masefield to name but three. In their fictions, and in the records of the later single-handed yachtsmen such as Joshua Slocum and Hilaire Belloc, the sea becomes a striking setting for heroism and adventure. In the late 20th-century these romances seem played out, and the fresh investigations into the mechanics and meaning of the sea have been made more by the poets and oceanographers.

Présentation de l'éditeur

It is no surprise that one of the earliest works in English literature should be a poem about the sea: the sea has been a source of fascination from the earliest times, and the Anglo-Saxon poem 'The Seafarer' is only the first in a long series of writings which ponder its mystery. A powerful and restless presence in real life, the sea is one of the most ubiquitous and protean symbols in literature, changing in response to shifts in sensibility, and holding a mirror to all who confront it - Renaissance explorers and Augustan gentlemen, Romantic outcasts and Victorian travellers, small-boat sailors, naturalists and novelists, poets and oceanographers: men and women in a state of wonder before the sea. Jonathan Raban brings a special awareness and knowledge to his role as editor; in the words of Colin Thubron, 'nobody of his generation writes more subtly or imaginatively on travel'. Raban's introduction constitutes an important essay on the meaning of the sea in literature, and the pieces he has chosen display the exhilarating richness of writing in the tradition. Alongside extracts from the acknowledged marine masterpieces are many unexpected delights: Emily Dickinson's affirmative poem 'Exhalation is the Going'; a meditation on a seaside holiday by Larkin; Jane Austen's tart satirizing of Byron's Romanticized sea; Thoreau's contemplation of monsters and lost anchors off Cape Cod; Willard Bascom's brilliantly observed description of breaking waves. As richly varied and enthralling as the sea itself, this sparkling collection spans the centuries from AD 900 to the present and forms a unique and important body of writing to delight in and admire.