H T FILM (24 résultats)

Soft cover. Etat : Very Good. 80 pages. Illustrated. 'Navigator' "Wireless Finds the Way" / C Boff " Human Moles At Work" / Harold J Shepstone "The World's Best Planned Metropolis" / Prof. A M Low "A Scientist Sees Life" / Ruby Ta' Bois "Objects for Small Telescopes" / "Moons of Other Worlds" / H Hyams "Weight versus Volume" / "Making Photographic Film" / Norman K Harrison "Healing Wounds with Plaster" / B Charles "They Wear Their Skeletons Outside" / C Woodward "Front-line Farmers" / Constance Richardson "Hypnotism Has Scientific Value" / L T Dryver "Fortune from Trees" (SL#86).

Oversize paperback. First British edition (& 1st printing). 1984 sf film: this adaptation (with colour stills from the film throughout) by Lynn Haney is ''from the novel by Alan Dean Foster based on a screenplay by Jonathan Betuel''. Fine (as new) copy.

Hardcover. Etat : VG. Etat de la jaquette : VG. nice, collectable copy!

PARIS, Société Parisienne d'Édition [43, rue de Dunkerque /// Imprimerie de Crété, Corbeil] - 1947, 1948 - Br.24x17 cm - Réunion de 6 livraisons du "Film Complet", de 8 pages sous couverture collective au premier plat illustré d'un portrait photo noir et blanc (Jon Hall), dos blanc muet; iconographie photographique noir et blanc, colorisée pour un premier plat; texte sur 2 colonnes. (Collection 6 Romans Complets - N° 5 - 25 fr // Film Complet - 4 Francs - Le Directeur-Gérant: Edmond Offenstadt). Bon état général. Français Livres.

Soft cover. Etat : As New. PHOTOS FROM THE FILM (illustrateur). First Issue. Fantastic illustrations from the film. A superb item, still sealed in original wrap, unopened.

No Binding. Etat : As New. FABULOUS FILM IMAGE OF THE FELLOWSHIP! (illustrateur). Only Issue. Most attractive poster with great portraits of the Fellowship film cast. Now quite hard to find.

Magazine. First edition. No 1. Folds out to one giant colour poster. 40p price on cover. Near fine (NF) copy.

Card 40pp.Clean & bright.

Script Format, reprint. Etat : As New. /REVISED SHOOTING DRAFT dated 01/18/1997/ THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS FASTENERS/ The original movie script by Jonathan Lemkin and Tony Gilroy based on the novel by Andrew Neiderman/.

Laufzeit ca. 31 Minuten Interessante Film-Dokumentation über die 1100jährige Stadt Kassel. Lief nie im Fernsehen. Interessant! Regal17 Hülle teils etwas nachgedunkelt, VHS-Film sehr gut, Band bestens, geprüft.

Laufzeit ca. 31 Minuten Interessante Film-Dokumentation über die 1100jährige Stadt Kassel. Lief nie im Fernsehen. Interessant! Regal17 Hülle teils etwas nachgedunkelt, VHS-Film sehr gut, Band bestens, geprüft.

Single sheet folded into a four page brochure, black and white photographic illustrations, 24.8 x 35cm. Text mainly in Japanese, but the list of "players" and production credits are in both English and Japanese. A few tiny marks, a very good copy. Japanese pamphlet advertising the 1947 MGM movie "The Beginning or the End" - a docu-drama about the development of the atomic bomb. Interestingly, in spite of the press release, it seems highly likely the film was not released in cinemas in Japan as we have not been able to find any record of it being shown. The film was commercially made with the blessings of the US government (President Truman reportedly suggested the film's title). The pamphlet was produced some years after the initial release date of the film, during the Korean War, and appears to be addressed primarily to distributors of the film in Japan. It asks them to do their best to promote press interest in the film and to seek tie-ups with books about atomic weapons. Rather surprisingly, given the film's largely uncritical presentation of the bombing of Hiroshima, the text includes the words "in the midst of the Korean War, this film should be a force for inspiring Japanese citizens' wish for peace". The pamphlet goes on to suggest advertising slogans for the film, such as: "The whole historical account of events leading up to the atomic bombing of Hiroshima from an American perspective", and "A must-see movie for all Japanese people. In the face of this shock and emotion, you must strengthen a new commitment to peace!" This is a fascinating document of its times, though the film's reception in the English-speaking world was lukewarm, and it is difficult to imagine what the reception would have been in Japan.

Oversize printed covers. First edition. The Net (aka. Project M7 for US distribution)) was a 1953 British aviation thriller film made by Two Cities Films, directed by Anthony Asquith and starring James Donald, Phyllis Calvert, Robert Beatty and Herbert Lom. The film is set in the world of aviation research and was based on the novel of the same name by John Pudney. This Post Production Script comprises over 100 (unnumbered) pages of dialogue and directions/location instructions, printed on one side only and bound in orange covers with two metal clasp binders. A fair copy with badly marked/soiled covers and water staining to all inner pages.

pp. 156. Every page illustrated. Bright pictorial boards, cloth-backed, an unusually nice copy having spent it's life in brown paper. *With a double-page spread of TARZAN THE APE-MAN, a 1932 pre-Code American action adventure film released by Metro-Goldwyn-Mayer featuring Edgar Rice Burroughs' famous jungle hero Tarzan and starring Johnny Weissmuller, Neil Hamilton, C. Aubrey Smith and Maureen O'Sullivan. It was Weissmuller's first of 12 Tarzan films. O'Sullivan played Jane in six features between 1932 and 1942. The film is loosely based on Burroughs' 1912 novel Tarzan of the Apes, with the dialogue written by Ivor Novello.

Script Format, reprint. Etat : As New. / REVISED FINAL DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Etat : As New. / 1994 REVISED DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Etat : As New. / 1978 REVISED DRAFT/ I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Etat : As New. / 1990 REVISED DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Etat : As New. / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Script Format, reprint. Etat : As New. / I HAVE MORE TITLES, LET ME KNOW IF YOU NEED ANY OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. HBDJ, STATED 1ST PUBLISHED IN ENGLAND 1946, 1ST EDITION. THUS, VG/VG, Small Beige Hardcover in good condition titled in black on Spine cvr. Jacket in acceptable condition. PAGES TANNED. Jacket leading corners, edges and spine are worn, torn and creased. One to three centimetre tears on front upper leading corner and spine ends. Spine ends are chipped. Spine sides are nicked. Boards are lightly marked, faded and edge-worn. Rear lower leading corner is lightly bumped. Spine is slightly cocked. Page block and pages are tanned and lightly marked. Text is clear throughout. HCW. Hardcover. Good, 96 PGS As a Designer need Technique to use his Ideas Practically, so do we as individuals need it to make a Success of Life. this bk supplies the technique, Clearly written & Expert & practical guide to those who feel the Need for organizing their lives, physical, Emotional & Mental into some Coherent pattern which will help them in Difficult Days & inspire them in the Not so difficult, Here is the answer to that Search for Efficiency, contentment & better way of Life,This Small but Important book is aimed at relaxing Nervous Strain & Tension. Authors supply simple Physical, & Psychological Principles to solving of problems of evryday Living, giving the Poise & Mental Clarity needed for Efficient accomplishment & essential well-being. Psychologists have come to Realize that Mental & Emotional Balance depend on Physical Relaxation & Normal Physical Rhythms.

12 Blätter Büttenpapier (ca. 77 x 57 cm), je einseitig mit großer Orig.-Lithographie (ca. 65 x 50 cm), unter der Darstellung links bezeichnet, -mittig nummeriert, -rechts signiert und datiert. - Lose in unbedruckter schwarzer Leinen-Deckelkassette; Imperial-Folio (ca. 80 x 60 x 3 cm; ca. 3,5 kg.) *** [Letztmalig erweiterter SOMMER-SCHLUSS-VERKAUF (bis Donnerstag, den 18.09.2025) / Ultimately expanded SUMMER-END-SALE (until Thursday, September 18, 2025): um über 45% REDUZIERTER PREIS / PRICE-REDUCTION of over 45%; ursprünglicher Preis / originally EUR 1.150,-] --- SELTENE MONUMENTALE UND AUSDRUCKSSTARKE GRAFIKFOLGE DES LEIPZIGER KÜNSTLERS, MÖGLICHERWEISE INSPIRIERT DURCH STEFAN HEYMS ROMAN AUS DEM JAHRE 1981; NR. 4 VON 12 EXEMPLAREN. Entstand wohl zum Abschluss seines Studiums an der Hochschule für Grafik und Buchkunst Leipzig, HGB (kein weiteres Exemplar im gegenwärtigen oder vergangenen Kunsthandel online nachweisbar). - KASSETTE MIT DEUTLICHEM FEUCHTIGKEITSRAND, wenige Blätter sind minimal am unteren Rand davon betroffen; 2 Blätter mit kleinem Eckknick, das letzte Blatt rückseitig leicht fleckig; VON DER KASSETTE ABGESEHEN SCHÖNES EXEMPLAR; BEILIEGT EIN KÜNSTLERBUCH BARCZEWSKIS: 'ANNO DOMINI' von Peter Enders, mit Illustrationen von Peter Barczewski, [künstlerisch] geschrieben von Torsten Lemme. Leporello mit Einband, ausgefaltet ca. 40 cm x 6 m(!), ''entstanden [1987] als Studienarbeit an der Hochschule für Grafik und Buchkunst, Leipzig. Fachklasse für Illustration und freie Grafik, Prof. Rolf Kuhrt. . .'' --- *) gemäß der beruflichen Kurzbiographie des Künstlers auf der Webseite seines Unternehmens '3D ART STUDIO, Leipzig' studierte er vom ''Okt. 1984 - Juli 1989 Illustration und freie Grafik [an der] Hochschule für Grafik und Buchkunst Leipzig (HGB) Illustration [und] originalgrafische Techniken (Radierung, Lithografie, Siebdruck u.a.) [und lehrte vom] Juni 1996 - März 2001 3D-Animation [an der] Hochschule für Film und Fernsehen Potsdam-Babelsberg (HFF)''.

Original poster (43 x 33 cm) printed in red with vignette of Chairman Mao to upper left. Slightly wrinkled and with traces of folding, minimal loss to left margin not affecting image or text, 6 inconspicuous pin holes, generally an excellent copy. An unusual and extremely scarce poster, we can trace no other copies. Joseph Losey, himself blacklisted by Hollywood in the 1950s for communist sympathies, here rebuked by the elusive Progressive Film Group (we can find no traces of them), for his so-called "reactionary films". Losey was born in La Crosse, Wisconsin, but grew to see himself as semi-British - by the time this poster was produced he had been living in Britain for almost two decades. "Thus of all subjects", writes film critic Nick James, "the British class system fascinated him most". This is apparent in nearly all of his films, perhaps most notably the The Servant (1963), with its sinister dissection of the English class system viewed from the interior of a posh Chelsea flat, The Accident (1967), with its depiction of the sexual power struggles between an Oxford don and his student for the attention of a young Austrian princess, and the Go-Between (1971), whose depiction of a cross-class romance in Norfolk during "the long Edwardian summer of imperial apogee" inspired countless British period costume dramas in its wake. Presumably it was his apparent fascination with the upper classes and "the sheen of decadence" that explains the suspicion with which some sections of the progressive left might have viewed Losey. Indeed, Raymond Carr, the don who was the model for Stephen in Accident, has gone on record to say of him: "I had been told that he was 'left wing' and opposed to the establishment. I came to the conclusion that he was a cinematic Proust, fascinated by the upper crust, even a snob." Nick James, "Joseph Losey & Harold Pinter: In search of poshlust times", 2012.

Paris: Gauthier-Villars, 1873, 1874, 1874 a.1882. 4to. No wrappers. In: "Comptes Rendus Hebdomadaires des Seances de l'Academie des Sciences", Vol. 76, No 11, Vol. 78, No 25, Vol. 79, No 1, Vol. 94, No 14. (3 entire issues offered). Pp. (677-) 732, pp. (1721-) 1780, pp. (5-) 72 and pp. (901-) 996. Janssen's papers: pp. 677-679, pp. 1730-31, pp. 6-7 and pp. 909-911. (The main paper having the title-page to the volume (vol. 79), stamp to title-page). First printings of this series of epoch-making papers in which Janssen introduced the "PHOTOGRAPHIC REVOLVER" and its first successfull use leading to the "First Film" and hereby "realized one of the operations necessary for cinematography"(DSB).In the first papers he conceived the idea of a device of historical interest, the photographic revolver, the technique of short exposures, which is announced here. The third paper is the epoch-making paper in which he specifically describes the "revolver" and its results, the "first film". The fourth paper is his responce to Marey's famous expriments with the "revolver" recording the flight of birds."A long barreled canon-like automatic camera was invented in 1874 by an outstanding pioneer of modern astronomical photography, Jules Janssen. Janssen used the revolving plate technique and called his camera a 'pistol'. Janssen's method used the forerunner of a number of 'gun' cameras with a slowly revolving plate and shutter operated by clockwork. The photos were taken every 70 seconds along the margin of the negative and he used his pistol to record a 48 image sequence of the transit of Venus across the sun at an exposure rate of 1.5 seconds."In planning for the observation of the transit of Venus, which he was to observe in Japan on 9 Deembe 1874, Janssen decided to substitute for visual observation at the time of transit a series of photographs taken in rapid succession, which would permit him to measure the successive positions of the planet in relation to the solar limb. He ordered the construcion of an apparatus consisting of three circular disks with the same axis: the first, pierced by twelve slits, served as the shutter"the second contained a window" the photographic plate, which was circular, was fixed to the third. The first two disks turned with a synchronized movement, the shutter disk continuously and the other irregularly in the intervals of time in which the window was not swept by a slit. A series of separate images laid out on a circle was thus obtained on the plate. In a general manner the apparatus provided an analysis of a motion on the basis of the sequence of its elemental aspects. Here Janssen realized one of the operations necessary for cinematography, which was invented twenty years later, and which required, besides analysis, the synthesis of images." (DSB).