YVE ALAIN BOIS, ROSALIND E KRAUSS (20 résultats)

Soft cover. Etat : Very Good. First Edition Thus. 222 pp bw photos. Clean sound paperback, corners a little rubbed.

Softcover. Sound binding. Pages bright and clean. Wrappers have very light shelf wear. Contents: Rajchman, Introduction: the question of identity. Scott, Multiculturalism and the politics of identity. West, A matter of life and death. Mouffe, Citizenship and political identity. Bhabha, Freedom's basis in the indeterminate. Rancière, Politics, identification, and subjectivization. Huyssen, The inevitability of nation: German intellectuals after unification. Laclau, Universalism, particularism, and the question of identity. Aronowitz, Reflections on identity. Smith, The Americans. 9.0" tall; 123 pages. Very Good in No Dust Jacket dust jacket.

123 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz and "The Americans," by E.E. Smith. Very Good. 8 mm. black ink mark on recto near spine. Bumping of top and bottom right corners of covers and contents. Light yellowing of covers and pages. Contents clean and unmarked.

Etat : good. Good condition. A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine and cover may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation. If you're not satisfied with purchase please just return it!

Tapa blanda. Etat : Bueno. Este libro tiene una doble misión: inspirarte a ti y dar una oportunidad a un estudiante. Gracias por cumplirla Al Alimón. SINOPSIS: American Abstract Expressionism is not only one of the most fascinating but also one of the most influential periods in contemporary art after the 1940's Abstraction, Gesture, Ecriture illustrates -- in the essays of well-known art critics as well as in the paintings selected from the Daros Collection -- the different abstractions and gestures in contemporary American art. It focuses on American artists who conceived of a way of painting which began with the scrawl-like gestures of Jackson Pollock, Willem de Kooning and Joan Mitchell. Then the scriptural gesture, developed out of handwriting, is examined in an extraordinary group of work that spans Cy Twombly's whole career. Brice Marden's alternately fluid and tensile linear abstractions and Robert Rymans intensive occupation with the str Status del libro:BUENO. Presenta el desgaste normal de un libro leído. con posibles marcas ligeras. pero páginas limpias y encuadernación sólida, asegurando una lectura cómoda y satisfactoria.

Etat : Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

First Edition. First edition. Softcover. 318 pages. Exhibition catalog for a show that ran October 14 through December 31, 1995 at the Yale University Art Gallery and then traveled to two other locations for additional dates. Features essays by Richard S. Field, Bruce Boice, Yve-Alain Bois, Rosalind E. Krauss, Frederik Leen, James Meyer, Sasha M. Newman, Robert Pincus-Witten, Jessica Prinz, Ulrich Wilmes, and William S. Wilson. Includes numerous black and white illustrations, a checklist, and bibliograpy. A very good plus copy in French style wrappers with some minor wear. Internally a clean copy.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. The dust jacket has a little wear, and has been wrapped in a clear plastic protective cover. 171 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Etat : gebraucht; wie neu. Wie ungebraucht.

Tankobon Hardcover. Etat : Brand New. Japanese language. 7.56x5.28x0.94 inches. In Stock.

Couverture souple. Etat : Comme neuf. ChoÌ?fu : GetsuyoÌ?sha, 2011. collection , 2011. 1 volume format In-8 comme neuf.

Etat : Very Good. Paperback. Catelogue of 1995 exhibition. Sold by Kisharon Langdon; a UK charity supporting young adults with learning disabilities.

paperback. Etat : Like New. First Paperback Edition. Publisher: Yale University Art Gallery, 1995. FINE softcover in illustrated wraps, as issued. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new.

Etat : very good. Etat de la jaquette : very good. 8vo large pp.296. book.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title!

Hardcover. Etat : Sehr gut. Etat de la jaquette : Sehr gut. 1. Auflage. W : 26,5 x 32 cm, 184 pages, clothbound - American Abstract Expressionism is not only one of the most fascinating but also one of the most influential periods in contemporary art after the 1940's Abstraction, Gesture, Ecriture illustrates -- in the essays of well-known art critics as well as in the paintings selected from the Daros Collection -- the different abstractions and gestures in contemporary American art. It focuses on American artists who conceived of a way of painting which began with the scrawl-like gestures of Jackson Pollock, Willem de Kooning and Joan Mitchell. Then the scriptural gesture, developed out of handwriting, is examined in an extraordinary group of work that spans Cy Twombly's whole career. Brice Marden's alternately fluid and tensile linear abstractions and Robert Rymans intensive occupation with the stroke of a brush are discussed as well as Andy Warhol's answers to Abstract Expressionism in his Oxidation and Shadow Paintings in 1978. This particular movement in Abstract Expressionism has provoked an on-going dialogue in painting. Abstraction, Gesture, Ecriture covers this original gesture from the Action Painters and its resonance through the next generation of painters. Each painting discussed comes from the Daros Collection, a Swiss private collection which is one of the internationally most important private collections of contemporary art focusing on American art of the last 50 years.

Soft cover. Etat : Very Good. Book is in very good condition. Small crease to front corner. 300pp with b/w illustrations. Minor wear around edges, nice book.

296 pp.; 28.5 x 19 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory / exhibition catalogue published in conjunction with show held at Centre Georges Pompidou, Paris, May 22 - August 26, 1996. Includes bibliographical references and index. Originally published in France as 'L'Informe: mode d'emploi' by Editions du Centre Pompidou, 1996. Text in English. Fine. As issued in Fine dust-jacket. Due to large size and weight additional shipping charges may be required for international orders.

Hard cover. Sewn binding. Cloth over boards. 304 p. Contains: Illustrations. Zone Books. Audience: General/trade. Very good in very good dust jacket.

Imperial octavo, black cloth boards, copper gilt lettering to spine, illus prelims, 296pp, illus, VG (moderate rubbing & soiling to boards & spine, light foxing to page edges) in d/w, VG (light creasing & scuffing to edges, moderate water staining to top edge of rear cover, moderate damp wrinkling & chipipng to bottom corner of front cover).