Dickerman leah (298 résultats)

Paperback. Etat : Very Good. In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career.…

Etat : As New. Unread book in perfect condition.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Good. May contain highlighting/underlining/notes/etc. May have used stickers on cover. Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Paperback. Etat : Very Good. Minimal shelf wear, clean internals. Remainder mark.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. Now available in paperback, this lavishly illustrated and astonishingly comprehensive volume stands as the definitive study of the influential but deliberately elusive international Dada movement of the early twentieth century. Organized according to the city centres where this shifting, quintessentially avant garde movement emerged, Dada: Zurich, Berlin, Cologne, Hannover, New York, Paris features the work of 40 key artists, both infamous and lesser-known, including Louis Aragon, Hans Arp, Hugo Ball, André Breton, Otto Dix, Marcel Duchamp, Hannah Höch, Man Ray, Tristan Tzara and Kurt Schwitters, to name just a few, in media spanning from painting and sculpture to photography, collage, photomontage, prints and graphic work. It contains hundreds of reproductions of often quite ephemeral works which, until the major travelling exhibition of 2005 and 2006 for which this book was originally produced, had for the most part never been seen in one place together. Documentary images, topical essays and an invaluable illustrated chronology of the movement make this volume uniquely essential, along with witty chronicles of events in each city centre; a selected bibliography; and biographies of each artist, accompanied by Dada-era photographs.…

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Fair. Now available in paperback, this lavishly illustrated and astonishingly comprehensive volume stands as the definitive study of the influential but deliberately elusive international Dada movement of the early twentieth century. Organized according to the city centres where this shifting, quintessentially avant garde movement emerged, Dada: Zurich, Berlin, Cologne, Hannover, New York, Paris features the work of 40 key artists, both infamous and lesser-known, including Louis Aragon, Hans Arp, Hugo Ball, André Breton, Otto Dix, Marcel Duchamp, Hannah Höch, Man Ray, Tristan Tzara and Kurt Schwitters, to name just a few, in media spanning from painting and sculpture to photography, collage, photomontage, prints and graphic work. It contains hundreds of reproductions of often quite ephemeral works which, until the major travelling exhibition of 2005 and 2006 for which this book was originally produced, had for the most part never been seen in one place together. Documentary images, topical essays and an invaluable illustrated chronology of the movement make this volume uniquely essential, along with witty chronicles of events in each city centre; a selected bibliography; and biographies of each artist, accompanied by Dada-era photographs.…

Etat : New.

Paperback. Etat : New.

Etat : good. Paperback Book.

Oversized Hardcover. Etat : As New. Etat de la jaquette : As New. Book and dust jacket in unworn, unmarked condition.

Hardcover with half-dustjacket, 148 pages, good condition; bump/ small tear at top of spine; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Near Fine. 1st. exhibition brochure; stapled pictorial wraps; 14 clean, unmarked pages. Color Plates (illustrateur).

Soft cover. Etat : Very Good. Very Good paperback. Overall an attractive copy. No markings to the text. Light shelf wear to the exterior. Illustrated. 176 pp.

Hardcover. Etat : New. No Jacket issued.

Soft cover. Etat : New. 1st Edition. Softcover volume, measuring approximately 7.5" x 9.25", is new, still in shrinkwrap. 48 pages. "In the mid-1950s, Robert Rauschenberg began a series of radical experiments with what he called 'combines' - works that fused cast-off items like quilts of rubber tyres with traditional supports. Canyon (1959), one of the artist's best-known combines, is a large canvas bearing paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large, stuffed bald eagle, wings outstretched, carrying a drooping pillow. Leah Dickerman explores the legacy of this landmark work and places it within a key period in Rauschenberg's groundbreaking career.".…

Hardcover. Etat : Near Fine. No Jacket. Wrap-around band.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. 84 color and 45 b/w illustrations. Crisp, unmarked copy with a slight forward cant to binding. Corners are sharp. The belly band shows a crease along spine. 4to. 148pp.

Paperback. Etat : new. Paperback. In the mid-1950s, declaring "there is no reason not to consider the world as a gigantic painting," Robert Rauschenberg began a series of radical experiments with what he called "Combines," a term he coined to describe works that fused cast-off items like quilts or rubber tires with traditional supports. "Canyon" (1959), one of the artist's best-known Combines, is a large canvas affixed with paper, fabric, metal, personal photographs, wood, mirrors and one very striking object: a large stuffed bald eagle, wings outstretched, carrying a drooping pillow, and balanced upon a wooden plank jutting out from the canvas. "Canyon" is one of six Combines in MoMA's collection, and a landmark work that helped to revolutionize art in the postwar period. An essay by curator Leah Dickerman explores the legacy of this extraordinary piece, and places it within a key period in Rauschenberg's career. "In the mid-1950s Robert Rauschenberg began making what he called "Combines"--Radically experimental works that mix paint and other art materials with things found in daily life. These hybrid creations offered a dramatic counterpoint to the gestural abstraction that prevailed in contemporary American painting. Canyon (1959), one of the artist's best-known Combines, is a large canvas bearing paint, a postcard, a man's shirt, photographs, newspaper clippings, wood, a flattened metal can and paint tube, a piece of glass, and, thrusting out from its surface, a stuffed bald eagle. Leah Dickerman's essay examines the genesis of this startling and enigmatic work and positions it within a key period in Rauschenberg's groundbreaking career."--Publisher's description. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.