aarsen ruud robert joseph rook (3 résultats)

First edition of 100 of which this is no. 52. Two-panel quarto-sized tan folder with flaps that's been modified with four additional items, including an original print in color pasted down at front cover, a glassine envelope, a small blank sheet of paper, a printed label affixed at inside verso, and a mimeographed colophon pasted down at inside cover. Contents include approximately forty mimeographed leaves, most of which are A4 in size, some which are stapled together, and one sheet with a metal pin and remnants of an old balloon affixed to sheet with cellophane tape. To which is added seven additional items printed on various paper types and sizes, including two collages made with silver paper and appropriated magazine advertisements, a printed and folded advertisement, and a small, printed brochure. One contribution signed. One of the earliest assembling publications edited by Ruud van Aarsen, Robert joseph, and G. J. de Rook. This issue with contributions by Bevant, Hans Clavin, Schalk van Dam, Hans Kooger, Jan Derk Plenter, Willy Sneeuw, Paul de Vree, Kees Vriens, Meta van Ijzer, Robert Joseph, Gerrit Jan (G. J.) de Rook, Maarten Beks, Rien van de Heuvel, Johnny the Selfkicker, Piet van Steenbergen, Toon Verstappen, Ruud van Aarsen, Berten de Bels, Jim van de Herik, Marijke, Johan Sonneville, Hans de Vries, and Herman de Vries. A few contributions of note include two typestract concrete poems by Hans Clavin, two typestract concrete poems by Paul de Vree, three pieces by Robert Joseph, including a hand-colored piece of artwork with a strip of medical bandage tape affixed over letterforms, a concrete poem by G. J. de Rook titled 'knalpoëzie,' which roughly translates to 'pop poetry' consisting of small words on paper applied to a red balloon next to a pin, an abstract geometric composition made of connected lines by Herman de Vries that's signed on the back by the artist, a typescript five-page speech titled 'Componeren met afgewend gellat' which was delivered by Maarten Beks at Herman de Vries' exhibition 'Rationele Structuren van Herman de Vries,' a typescript three-page essay titled 'De Grafkelder' by Ruud van Aarsen, a poem printed on a label by Berten de Beis, a folded sheet promoting 'TELEPOËZI,' a poetry event where listeners could call in to hear prerecorded poems by established and up-and-coming poets alikethe editorial staff for this new-fangled technology included poets Meindert Bijlsma, Josse de Haan, Reinder R. v. d. Leest, Meta van Ijzer, and Pier van Dijk, whose name has been added in ink by hand in place of Geart van der Zwaag, and two A4 collages made with silver paper and appropriated magazine advertisements of green peas by Hans de Vries. A complete example except for the work by Ad Gerritsen, which has not been identified. The assumption is that it's the small sheet attached to the inside cover, which in other examples has the word 'bloknoot' stenciled on it. In this example the small sheet of paper is blank. Lastly, and not listed in the colophon, is the printed glassine envelope by Hans Clavin affixed to inside lower flap. It originally contained an edible poem which often stained adjacent works in other examples seen. In this example, the bottom of the empty glassine envelope is torn, so it's presumed the edible portion was present at one point, but is now lacking. The idea of Clavin's poem, however, remains. Artifact Vibration Standard Score: 8.5. Contents with age toning, bumps to corners, and rust to staples which have also caused indents to a few adjacent pages. The red balloon has deteriorated and crumbled over time, with some of the balloon material offsetting onto two adjacent contributions. Very good. Folder with bumps to corners, age toning, a 5 cm (2") closed tear along lower left spine, several small blank white stickers affixed to upper half of left spine to reinforce it, and a small 1.5 cm (0.75") closed tear along lower front cover margin resulting in the cover print and folder being torn simultaneously. Top-right corner of colophon has been torn diagonally from the cover, but is still attached at remaining three corners. Good only. Ref. Perneczky, Géza, ed.: 'ASSEMBLING MAGAZINES 19692000.' Budapest, Árnyékkötök Foundation, 2007, p. 181.

First edition of 150 of which this is no. 31. Side-stapled 4to in blue wrappers printed in black with black book cloth covering spine. Pages printed on various paper types, some of which are mimeographed, others offset printed, and some rubber-stamped. Includes several tipped in items, among them two small envelopes one containing a photo, the other with small torn pieces of paper, three gatefolds printed on high-gloss paper, and an appropriated postcard. To which is added a folded 10 x 21.5 cm (3.93 x 8.46") exhibition catalogue which unfolds to 61.5 x 43 cm (24 x 16.9") printed in black on recto. Text mostly in Dutch, some English and German. Three contributions signed in pen or pencil, with five additional contributions signed in plate. One of the earliest assembling publications edited by Ruud van Aarsen, Robert joseph, and G. J. de Rook. This issue with contributions by Theo van Doesburg, Til Brugman, Juan Carlos Romeno, Carlos Ginzburg, Luis Pazos, Edgardo-Antonio Vigo, Petr Stembera, Michael J. Philips, Mary Harding, Ubbo-Derk Hakholt, Michael Gibbs, Hans Clavin, Hans Eykelboom, Miroljub Todorovic, Klaus Groh, Marc Bruynseraede, Herman Damen, Robert Joseph, Antonio Claudio Carvalho, Jirí Valoch, Ulises Carrión, Hans van der Heijden, Janos Urban, U. G. Stikker, Joerg Daumeter, Toon Verstappen, Paul de Vree, Maurizio Nannucci, Szentjóby Tamás, Charles Amirkhanian, Jirí Hynek (J. H.) Kocman, Gábor Tóth, Prospet Zucotti, Pier van Dijk, and G. J. de Rook. A few contributions of note include early sound poems typescript in Dutch titled 'Soldaten,' 'De Fabriek,' and 'De Vlinder' by Theo van Doesburg, 'violence the human cross, the culture of happiness, 12 appointment' by Juan Carlos Romeno, Carlos Ginzburg, Luis Pazos, and Edgardo Antonio Vigo, a typestract concrete poem titled 'The Way of Life' by Michael Gibbs, the 'Lunar Sign' project by Miroljub Todorovic, two typestract concrete poems by Carvalho, a poem by Jirí Valoch, 'Argument 12' and 'Argument 18' by Ulises Carrión, two concrete poems by Paul de Vree, 'Motion Phases' by Gábor Tóth, a typestract concrete poem titled 'ay man ray' by Hans Clavin, a page with two rubber stamps by J. H. Kocman which is also signed by the artist, a small hand-colored piece of artwork Robert Joseph, a glassine envelope small torn pieces of paper inside it G. J. de Rook, and a group exhibition catalogue in the form of a folded poster titled 'visuele poëzie' featuring the work of Hans Clavin, Herman Damen, Robert Joseph, and G. J. de Rook, which was a traveling exhibition showcasing their visual and concrete poetry held the same year. Artifact Vibration Standard Score: 8.5. Handling creases to covers and bumps to corners, including a closed 2 cm (0.75") tear at upper right margin which has been mended with cellophane tape from the inside. Laminated spine covering beginning to split at heel and crown. Darkening and age toning along margins and text block extremities, including light foxing to a few pages. With additional toning to contributions printed on more inferior paper, including darkening to glassine envelope. Very good. Ref. Perneczky, Géza, ed.: 'ASSEMBLING MAGAZINES 19692000.' Budapest, Árnyékkötök Foundation, 2007, p. 181.

First edition of 150 of which this is no. 16. Side-stapled 4to in green wrappers printed in black with black book cloth covering spine. Pages printed on various paper types, some of which are mimeographed, others offset printed, and some rubber stamped. Includes several tipped in items, among them a stapled in blank postcard, a printed envelope containing a blank sheet of edible paper, an appropriated advertisement, and a small glassine envelope containing a folded sheet of printed paper. Unpaginated. Text mostly in Dutch and English, some German. Three contributions signed in pen or pencil, with eight additional contributions signed in plate. One of the earliest assembling publications edited by Ruud van Aarsen, Robert joseph, and G. J. de Rook. This issue with contributions by David mayor, Hans-Werner Kalkmann, U. G. Stikker, Toon Verstappen, Janos Urban, Bernd Löbach, Peter Finch, Petr Stembera, Clemente Padín, Bertus Mulder, Klaus Groh, Robin Crozier, Jirí Valoch, Pier van Dijk, Geert-Jan Buitenhuis, Ubbo-Derk Hakholt, Oey Tjeng Sit, Erik Slagter, Humphrey Ottenhof, Robert joseph, Ruud van Aarsen, G. J. de Rook, and Wim Kröber. A few contributions of note include a typescript performance piece documenting a walk between the front doors of Stanley Brouwn and Siggi (Sigurdur) Gudmundsson by David Mayor, a 'minimal monument' paper sculpture consisting of a four-sided pyramid with the word 'merde' printed on three of the four sides meant to be cut out and assembled by Jirí Valoch, a typescript three-page essay in Dutch on visual and concrete poetry by Erik Slagter, a glassine envelope with a printed and folded piece of paper inside it by G. J. de Rook, a page from de Rook's artists' book 'dutch railway system' published one year earlier in 1971, a tipped in envelope containing a sheet of edible paper with two photographs printed on the front of the envelope depicting the artist eating a sheet of paper by Robert Joseph, and a photo essay titled 'waterval' also by Robert Joseph. Artifact Vibration Standard Score: 8.5. Darkening and age toning along margins and text block extremities, including light foxing to a few pages. With additional toning to contributions printed on more inferior paper, including darkening to glassine envelope, a few instances where tape has been used to affix an item which has toned adjacent pages, and rust to staples on pages where items have been stapled in which also have caused discoloration and indents to adjacent pages. Very good. Ref. Perneczky, Géza, ed.: 'ASSEMBLING MAGAZINES 19692000.' Budapest, Árnyékkötök Foundation, 2007, p. 181.