Achille devéria (147 résultats)

Etat : New.

Etat : New.

Loose Leaf. Etat : New. Reproduction. Original title: Young woman in her underdress German: Junge Frau in ihrem Unterkleid French: Jeune femme sous-vêtue Spanish: Mujer joven en su ropa interior High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1831). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Woman colors a picture German: Frau färbt ein Bild French: La femme colore une image Spanish: La mujer colorea una imagen High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1830). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: Mercy of the collector German: Barmherzigkeit des Sammlers French: Miséricorde du collectionneur Spanish: Misericordia del coleccionista High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1835). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Self-Portrait German: Selbstporträt French: Autoportrait Spanish: Autorretrato High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1835). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: James Parry German: James Parry French: James Parry Spanish: James Parry High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (1828). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Portrait of Maria Ruthven German: Porträt von Maria Ruthven French: Portrait de Maria Ruthven Spanish: Retrato de María Ruthven High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1832). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Young woman pulls brodequin out German: Junge Frau zieht Brodequin aus French: Une jeune femme sort brodequin Spanish: Mujer joven saca brodequin High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1831). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. In English.

Pas de couverture. Etat : Très bon. Gravure ancienne en couleur,format 24 x 32 cm avec les marges,vers 1930,très bon état,pas de rousseurs et sur beau papier.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. x, 396 pp., [8] pp. of plates : illustrated ; 25 cm. ; LCCN: 88-21919 ; OCLC: 18191403 ; grey and mauve cloth with silver lettering, in pictorial dustjacket ; 1st ed., 1st printing ; crease to back dustjacket flap ; VG/VG. Book. …

No Binding. Etat : Good. First Edition. 33.8 X 23.8 Cm. Dampstaining In Upper Right Corner, Small Intrusion Into The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.…

Etat : New.

Soft cover. Etat : Good. Exhibition catalogue for Achille Deve?ria (painter and lithographer), te?moin du romantisme parisien, 1800-1857: Muse?e Renan-Scheffer, Paris, 18 Juin-29 Septembre 1985 (French Edition)Back cover a little faded otherwise in good condition. Black and white illustrations and colour plates depicting the people and fashions of PAris in this poeriod.…

Maße: ca. 20 x 14 cm. -- Seltene Lithographie. -- leicht fleckig, sonst gut erhalten. || Rare lithograph. -- slightly stained, otherwise in good condition. -- Under the Restoration, the Extinguisher was a caricature motif very popular in liberal circles. The editors of the newspaper Le Nain Jaune (1814-1815) imagined ridiculing the men in power and the supporters of the clergy by awarding them the Order of the Extinguisher, denouncing the obscurantism and blindness of royalist circles. This lithograph is one of the rare works by Devéria with an anticlerical and satirical spirit. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.…

Etat : Good. Lithograph. 23 x 30 cm. From magazine publication "Le Charivari"; printed text on verso. Signed A. D. and Lith. de Benard in the plate. VG.

Demi Toile. Etat : Bon. Christian HOUEL ENCYCLOPEDIE DE L'AMOUR - MAROC : MARIAGE, ADULTERE, PROSTITUTION, ANTHOLOGIE 1912, Paris, Edition H. Daragon, publié sous la direction de Marius Boisson Format : In-8 (21,5 x 14 cm), relié, 202 pages Reliure demi-toile percaline rouge à coins, dos lisse titré doré orné illustré d'une gravure en frontispice d'après le dessin d'Achille DEVERIA Etat : une coiffe écorchée, reliure solide poids : 800g. Achille DEVERIA (illustrateur).…

rigide. Etat : Assez bon. 150 Vignettes par Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Édouard May, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un Catalogue complet des Romans, Drames, Poésies, ornés de vignettes, de 1825 à 1840, 1 vol. in-4 reliure demi-vélin à coins, reliure signée de Paul Vié, E. Dentu, Libraire-Éditeur. Paris, 1883,VIII-438 pp. Etat très satisfaisant (reliure un peu frottée avec 2 petits accrocs en dos, rouss., bon état par ailleurs) Langue: Français.…

No Binding. Etat : Good. First Edition. 34.7 X 27.8 Cm. Dampstaining In Lower Right Corner, Outside The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.…

Kein Einband. Etat : Gut bis sehr gut. Kein Schutzumschlag. Lithographie (1843) von Achille Devéria (1800-1857) aus dem Journal des Demoiselles. Rolandssage: Karl der Große vergibt seiner Schwester Bertha. Verso Montagespuren, Altersspuren. Darstellung (15.3 x 11.5cm) auf Papier (18.3 x 12.5cm) Lithograph (1843) by Achille Devéria (1800-1857) from Journal des Demoiselles. Roland legend: Charlemagne forgives his sister Bertha. Verso traces of mounting, signs of age. Image (15.3 x 11.5cm) on paper (18.3 x 12.5cm)# Jahr: 1843 Frankreich France Frankreich France Mythologie Mythology Achille Devéria, Lithographie, lithograph, Rolandssage, legend of Roland, Karl der Große, Charlemagne, Frankreich, France, 19. Jahrhundert, 19th century, Romantik, romanticism. …

Kein Einband. Etat : Gut bis sehr gut. Kein Schutzumschlag. Lithographie von Achille Devéria (18001857) aus dem 'Journal des Demoiselles'. Verso NS-Stempel. Darstellung (10.8 x 15.7cm) auf Papier (13.6 x 17.4cm) Lithograph by Achille Devéria (18001857) from the 'Journal des Demoiselles'. Verso Nazi stamp. Image (10.8 x 15.7cm) on paper (13.6 x 17.4cm)# Jahr: 1838 Frankreich France Aristokratie Aristocracy Lithographie, lithograph, Achille Devéria, 19. Jahrhundert, 19th century, Damen, ladies, Mode, fashion, Gesellschaft, society.…

'LES FEUX DE CUISINE'A detailed and finely executed French erotic engraving from around 1900, after Achille Devéria. This intimate and playful scene takes place in a rustic kitchen setting, where a male cook and a woman engage in a passionate embrace near a wooden counter. The kitchen is filled with household objects, including a fireplace, hanging pots, and scattered utensils, contributing to the lively and humorous character of the scene. Devéria, known for his expertise in depicting intimate and sensual moments, created numerous works in the Romantic and libertine genre, using techniques such as engraving and mezzotint.Made by an anonymous engraver after Achille Deveria.Medium: Engraving and aquatint etching on wove (vellin) paper.Sheet size: 26.8 x 23.2 cm (10.55 x 9.13 inch). Image size: 24.5 x 19 cm. (9.65 x 7.48 inch).ACHILLE DEVÉRIA, EROTIC PRINT, FRENCH ENGRAVING, 19TH-CENTURY ART, LIBERTINE, BOUDOIR SCENE, INTIMATE ILLUSTRATION, ROMANTICISM, SENSUALITY, KITCHEN SCENE | PCO-E21-47BACKGROUND INFORMATIONEarly 20th-century reproduction based on an original 19th-century design by Deveria.Biography artist: Achille Deveria (1800-1857) was a 19th-century French artist, famous for his lithographic portraits of writers and artists, as well as his erotically themed engravings and illustrations. His works are considered emblematic of the Romantic era. Condition: very good, given age. Light age-toning and minor foxing, but well-preserved overall with crisp details. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Achille Deveria (illustrateur).…

'J'AURAIS FAIT A L'INSTANT, MADAME!'Another fine example of an erotic French engraving from around 1900, after Achille Deveria. The scene unfolds in an intimate boudoir setting, where a well-dressed gentleman eagerly engages with a partially undressed woman seated on a couch. Her expression suggests playful resistance. A second woman peeks through a partially open door in the background, adding to the intrigue of the composition. The refined interior, complete with delicate wallpaper, a side table with scattered objects, and a carefully placed painting on the wall, enhances the sense of private domesticity. Devéria was known for his masterful ability to depict sensual and provocative moments with a touch of humor and elegance.Made by an anonymous engraver after Achille Deveria.Medium: Engraving and aquatint etching on wove (vellin) paper.Sheet size: 26.8 x 23.2 cm (10.55 x 9.13 inch). Image size: 24.5 x 19 cm. (9.65 x 7.48 inch).ACHILLE DEVERIA, EROTIC PRINT, FRENCH ENGRAVING, 19TH-CENTURY ART, LIBERTINE, BOUDOIR SCENE, INTIMATE ILLUSTRATION, ROMANTICISM, SENSUALITY, SEDUCTION | PCO-E21-47BACKGROUND INFORMATIONEarly 20th-century reproduction based on an original 19th-century design by Deveria.Biography artist: Achille Deveria (1800-1857) was a 19th-century French artist, famous for his lithographic portraits of writers and artists, as well as his erotically themed engravings and illustrations. His works are considered emblematic of the Romantic era. Condition: very good, given age. Light age-toning and minor foxing, but well-preserved overall with crisp details. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Achille Deveria (illustrateur).…

Reliure signée. Etat : Bon. VIII + 398 pp. + 443 pp. + 452 pp. + 470 pp. + 468 pp., 5 volumes in-8, demi-basane havane, dos 4 nerfs avec titre et tomaison dorés, filets dorés, tranches jaspées. Reliure signée CHAPIN. Contes orientaux traduits du turc, du persan et de l'arabe par Petis-de-la-Croix, Galland, Cardonne, Chawis et Cazotte, etc. Avec une notice par M. Collin de Plancy. 10 gravures hors-texte en noir par Achille DEVERIA. Mors du second plat du tome I fendu, quelques épidermures et frottements sur les plats, papier et gravure d'une belle fraicheur. Bon ensemble. DEVERIA, Achille (illustrateur). …

reliure signée. Etat : Très bon. edition originale. Louis-Pierre-Marie-François BAOUR-LORMIAN. Légendes, ballades et fabliaux. 1829, Delangle Frères, Paris. 1 vol. petit in-12 (16 x 11 cm) relié de 242 (1) et 237 pages (2 tomes reliés en un volume). Reliure de l'époque demi veau glacé grenade réalisée et signée à l'or fin sur le dos ORFMAT. Dos à 5 nerfs orné de filets, frises, fleurons, et titre, frappés à l'or fin, larges fleurons noirs estampés à froid, deux pièces de titre en maroquin vert bouteille. Bon état, somptueuse reliure, infime mouillure en bas du second plat, côté peau, intérieur frais. Rare édition originale illustrée de 25 vignettes d'Achille Devéria gravées Sur Bois par Henri Porret. Exemplaire enrichi d'une belle lettre manuscrite dépliante signée de l'auteur adressée au Docteur Paul AUBRY, montée sur onglet, in-fine, avec son enveloppe cachetée. Exemplaire du Docteur Paul Aubry (ex-libris estampé à froid en relief en haut de page de titre). Achille Devéria (illustrateur). Dédicacé par l'auteur.…

Couverture rigide. Louis Janet | Paris 1929 | 14.50 x 22 cm | relié | Edition originale collective. Reliure en demi veau olive, dos lisse orné de motifs décoratifs romantiques dorés, un petit accroc en tête du dos, plats de papier marbré, coins inférieurs émoussés, gardes et contreplats de papier à la cuve, tranches marbrées, reliure romantique de l'époque. Ouvrage illustré d'un portrait de l'auteur en frontispice. Quelques rousseurs. | [ENGLISH DESCRIPTION FOLLOWS] First collected edition. Half olive calf binding, smooth spine decorated with gilt romantic decorative motifs, small tear at head of spine, marbled paper boards, lower corners slightly bumped, marbled endpapers and pastedowns, marbled edges, contemporary romantic binding. Work illustrated with a portrait of the author as frontispiece. Some foxing. *.…