Adler tom (84 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hard Cover. Etat : Good. No Jacket. Boards rubbed with edgewear. Usual library/discard markings. Pages are clean, text has no markings, binding is sound. Size: 8vo - 7¾" - 9¾" Tall. Huffman, Tom (illustrateur). Ex Library.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. First Edition. First edition and first printing, hardcover in excellent, unmarked, unread condition (tight binding), with VG+ dust jacket (slight handling, hint of wear). Includes UNOPENED DVD in back pocket. 216 pages. [14oz]. Book.

First Edition. New book.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : Very Good. (2002), First Edition, Very Good to Fine/no dj, octavo, 179pp., glossy pictorial trade softcover, one crease bottom center of front cover, b&w ill's., binding tight, text unmarked.

Hardcover. Etat : Very Good-. Etat de la jaquette : Good+. Light wear to the spine edges and corners. The dust jacket has small chips and tears to the edges.; 8.25 X 0.75 X 10.75 inches; 208 pages.

library. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Huffman, Tom (illustrateur).

Hardcover. Etat : Used - Very Good. Snapshots from the moon: NASA photographs from the earliest manned space flights NASA's Apollo program landed the first humans on the moon in 1969. In the next three years, Apollo sent 10 more men to the moon in five subsequent missions. The first moon landing in particular is a legendarily well-documented event, representing one of those rare moments in which the world was united in awe, witnessing the feat together on their television screens. But each Apollo mission also generated hundreds of photographs, many of which have only recently been released by NASA. A selection of these images--shot by the astronauts themselves with suit-mounted and handheld Hasselblad cameras--are gathered in this beautifully designed, affordable volume. Many of the photographs, though shot originally for scientific, documentary purposes, have an extraordinary snapshot quality, boasting inadvertently artful compositions and effects: in one, a pair of astronaut's legs emerges upside down from the bottom of the frame; in another, a striding astronaut appears to glow against the black recesses of space. Contextualized with background information about the Apollo Missions and the role of photographic documentation in them, the photographs in The Moon 1968-1972 are fascinating documents of the majesty of outer space, but also record the surface of the moon as a landscape of wonder. This is the moon of which E.B. White wrote in the July 1969 issue of The New Yorker: 'The moon, it turns out, is a great place for men. One-sixth gravity must be a lot of fun, and when Armstrong and Aldrin went into their bouncy little dance, like two happy children, it was a moment not only of triumph but of gaity.' BEAUTIFUL COPY!!.…

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Good. Etat de la jaquette : Good. One very large dent at base end of front cover. Otherwise, save for some rubbing to cover surfaces, this book is in swell shape, with tight, square binding and clean, crisp pages with b/w prints throughout. Dust jacket is in similar condition, with moderate edge and corner wear.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good. 0. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Etat : Good. Tanned pages, some wear to cover edges, faint spine crease, slight lean, age browned inside covers. Steven Adler (illustrateur).

Trade Paperback. Etat : Used - Very Good. Disputes over free expression in the arts have always loomed as struggles between creativity and repression, transgression and outrage, candor and hypocrisy. But while high-profile shootouts at art museums and less visible skirmishes at schools, libraries, and theaters persist, overt censorship is no longer the only, or the most dire, threat to free expression. On the one hand, society has become more accepting of provocative imagery, with media conglomerates often leading the way in the depreciation of taboos. On the other hand, artists, while enjoying some unprecedented liberties, are hemmed in by new constraints that often fall beyond the range of First Amendment protection. The current terrain bears little resemblance to the culture wars of a decade ago, much less to what the First Amendment's Framers could have imagined. And since Sept. 11, 2001, the frontlines of the free-expression debate have been shifting once again. Based on a Columbia University conference organized by the National Arts Journalism Program, 'The New Gatekeepers' explores the reconfigured ranks of those who decide what the public gets to see, hear and read, from struggles over intellectual property and copyright, to continuing debates about acceptable and offensive content in the cultural marketplace, to the less visible biases of the arts funding system. This heavily illustrated book also includes a historical overview of censorship and contributions by 40 scholars, artists, experts and journalists from around the United States. Discussed and participating artists include Edouard Manet, Jake and Dinos Chapman, Robert Mapplethorpe, Richard Serra, Damien Hirst, Jeff Koons, Andres Serrano, Carolee Schneemann, Dread Scott, Gran Fury, Joel-Peter Witkin, Kara Walker, Jock Sturges, Chris Ofili, and Tom Sachs. Edited by Christopher W. Hawthorne, Mark Schapiro and Andras Szanto. Essays by Amy Adler, Carol Becker, Louis Menand, Roger Newman, Rochelle Gurstein, Charles Mann, Cass R. Sunstein, et al. Very nice clean, tight copy free of any marks. …

Etat : acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Paperback. 336p., 8.25x10.75 inches, LGBTQ yellow pages phone book, very good paperback in pictorial wraps. Also available on line.

Paperback. 336p., 8.25x10.75 inches, LGBTQ yellow pages phone book, very good paperback in pictorial wraps. Also available on line.

Hardcover. Etat : As New. First Edition. A NEAR FIRST IN PICTORIAL CLOTH.

Hardback. Etat : Good. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William Finnegan.

Hardcover. Etat : new. Hardcover. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William FinneganIf you were there, even just for some of itHawaii, California, surfing, the 70sthe memories and stories will flow freely from these photographs. Jeff Divine was there for all of it, and these images have been culled from an enormous personal archive. Divine was shooting for Surfer, the monthly magazine that was the bible of the scene. His photos from this archive show the precommercialized era in surfing when the hippie influence still held sway. Surfers had their own slang-infused language and were deep into a world of Mother Ocean, wilderness and a culture that mainstream society spurned. Surfboards were handmade in family garages, often made for a specific kind of wave or speed, for paddling, ease of turning, and featured all kinds of psychedelic designs. Some were even hollowed out to smuggle hash from Morocco.The color and black-and-white photographs collected here, taken throughout California on the coastlines at Baja, Dana Point, Laguna Beach, La Jolla, Malibu, San Clemente and Oahu, give a vivid image of this close-knit culture and the incredible athletic feats of its heroes and heroines.Raised in La Jolla, California, Jeff Divine (born 1950) started photographing the surfing world in 1966. He held jobs as photo editor for 35 years with Surfer magazine and Surfers Journal. His works have been displayed worldwide in museums and galleries, as well as in books, magazines and media. In 2019 he was inducted into the Huntington Beach Surfing Walk of Fame for his contribution to surf culture in a career lasting 50 years. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William Finnegan Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Etat : New.

Hardback. Etat : Good. A colorful, insider portrait of 70s surf culture, with a foreword by Pulitzer Prizewinning author William Finnegan.

Softcover. Etat : Very Good. First Edition. CrossCut Saw (Berkeley), c 1978, paperback, Very Good (minor coverwear), 111 pages, Inscribed by Sullivan inside the front cover dated Aug 1978, LITERATURE COUNTER CULTURE [file poe.]; E3070; Signed by One Author.

Soft cover. Etat : Very Good. 1st Edition. Original paperback, 308 pages, index, book is solid and square with light reading wear, rubbing to covers; some mild foxing to the outer page edges. Very good. k4.

Etat : New.