Akela reason (42 résultats)

Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Hardback--excellent condition--NO DUST COVER.

Hardcover. Etat : New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. Green cloth. Sharp crease runs down jacket's front inside flap. 255 x 175 mm. x, 238 pp. B&w illustrations. Book.

Etat : New. 2025. hardcover. . . . . .

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City's Civil War monuments In the decades following the Civil War, New York City built more monuments to the Union cause than any other city in the nation outside of Washington, DC. Ranging from simple standing soldiers to grand triumphal arches and temples, these monuments shaped commemorative aesthetics and iconography at the local and national levels. Unlike Confederate monuments, which were mostly initiated by private organizations, New York's soldiers' monuments were largely supported through city and state funding. These civic projects attracted the interest of competing groups, including artists, politicians, veterans, and the public, that all sought to influence the growing commemorative landscape. Works such as the Brooklyn Soldiers' and Sailors' Monument outside Prospect Park and the New York Soldiers' and Sailors' Monument in Riverside Park were created in a fractious political landscape and defined as much by municipal maneuvering as by artistic principle. Illuminating the historical context of Civil War soldiers' monuments in New York City, Akela Reason explores the complex and fascinating intersection of art, politics, and memory within these works, while also highlighting the ever-changing ways different constituencies have engaged with them in symbolic and physical terms. A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City's Civil War monuments Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : New.

Etat : new.

Hardback. Etat : New. A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City's Civil War monuments   In the decades following the Civil War, New York City built more monuments to the Union cause than any other city in the nation outside of Washington, DC. Ranging from simple standing soldiers to grand triumphal arches and temples, these monuments shaped commemorative aesthetics and iconography at the local and national levels. Unlike Confederate monuments, which were mostly initiated by private organizations, New York's soldiers' monuments were largely supported through city and state funding. These civic projects attracted the interest of competing groups, including artists, politicians, veterans, and the public, that all sought to influence the growing commemorative landscape. Works such as the Brooklyn Soldiers' and Sailors' Monument outside Prospect Park and the New York Soldiers' and Sailors' Monument in Riverside Park were created in a fractious political landscape and defined as much by municipal maneuvering as by artistic principle.   Illuminating the historical context of Civil War soldiers' monuments in New York City, Akela Reason explores the complex and fascinating intersection of art, politics, and memory within these works, while also highlighting the ever-changing ways different constituencies have engaged with them in symbolic and physical terms. …

Etat : As New. Unread book in perfect condition.

Etat : New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Etat : Brand New. 304 pages. 10.50x8.25x1.00 inches. In Stock.

hardcover. Etat : New.

Etat : New.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New. In English.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : NEW.

Hardcover. Etat : Brand New. 304 pages. 10.50x8.25x1.00 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : new. Hardcover. A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City's Civil War monuments In the decades following the Civil War, New York City built more monuments to the Union cause than any other city in the nation outside of Washington, DC. Ranging from simple standing soldiers to grand triumphal arches and temples, these monuments shaped commemorative aesthetics and iconography at the local and national levels. Unlike Confederate monuments, which were mostly initiated by private organizations, New York's soldiers' monuments were largely supported through city and state funding. These civic projects attracted the interest of competing groups, including artists, politicians, veterans, and the public, that all sought to influence the growing commemorative landscape. Works such as the Brooklyn Soldiers' and Sailors' Monument outside Prospect Park and the New York Soldiers' and Sailors' Monument in Riverside Park were created in a fractious political landscape and defined as much by municipal maneuvering as by artistic principle. Illuminating the historical context of Civil War soldiers' monuments in New York City, Akela Reason explores the complex and fascinating intersection of art, politics, and memory within these works, while also highlighting the ever-changing ways different constituencies have engaged with them in symbolic and physical terms. A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City's Civil War monuments Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …