Alan drabble (17 résultats)

Paperback. Etat : New. SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma's award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject - Julia Kristeva's theory of the psychoanalytic, intimate abject, and Georges Bataille's societal equivalent - with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or 'the other', atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn't exist. After all, we can never be wholly free of that which belongs to us.…

Paperback. Etat : Very Good. Tog This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . …

Paperback. Etat : New. SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma's award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject - Julia Kristeva's theory of the psychoanalytic, intimate abject, and Georges Bataille's societal equivalent - with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or 'the other', atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn't exist. After all, we can never be wholly free of that which belongs to us.…

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Etat : Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Brand New. 290 pages. 7.75x5.00x0.75 inches. In Stock.

Colour Illustrated Paperback. Etat : NEAR FINE (NEAR BRAND NEW). No Jacket. First Edition 9th Printing. FEEL FREE TO E-MAIL FOR PHOTOGRAPHS AND FURTHER DETAILS. POSTED AT OUR STANDARD RATES AND FULLY INSURED! FROM A DEALER WHO TELLS YOU WHO THEY ARE AND WHAT THEIR TELEPHONE AND ADDRESS CONTACT DETAILS ARE! Size: 12mo - over 6¾" - 7¾". Cover Illustration By Alan Adler (illustrateur). Not Signed or Inscribed.…

Paperback. Etat : Brand New. 152 pages. 9.00x6.00x0.38 inches. In Stock.

Hardcover. Etat : Very good condition. Etat de la jaquette : Very good. Fifth edition. xi, 1155 pp.

Hardcover. Etat : Very good condition. Etat de la jaquette : Very good. xi, 1155 pp. New Edition, incorporating corrections from 1985 printing of Fifth Edition.

Paperback. Etat : New. SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma's award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject - Julia Kristeva's theory of the psychoanalytic, intimate abject, and Georges Bataille's societal equivalent - with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or 'the other', atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn't exist. After all, we can never be wholly free of that which belongs to us.…

Etat : New. Following the success of Comma s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject - Julia Kristeva s theory of the psychoanalytic, intimate abject, and Georges Bataille s societal .

Hardcover. Etat de la jaquette : Very good. Sixth Edition. viii, 1172 pp. Very good condition; name of previous owner on inside of front cover.

Paperback. Etat : New. SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma's award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject - Julia Kristeva's theory of the psychoanalytic, intimate abject, and Georges Bataille's societal equivalent - with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or 'the other', atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn't exist. After all, we can never be wholly free of that which belongs to us.…

Original Wraps. Etat : Near Fine. No Jacket, as Issued. First Edition. First impression of the true first edition, published as a paperback original [PBO]. ***Near fine in illustrated glossy card wrappers. The wrappers are clean with just very slight handling marks, and without any tears or creases. No reading creases to the spine. Internally near fine with no paper creases. Very slight fading to the red colour near to the spine on the front and rear covers. There is a name, place and date in pencil to the top of the half-title page 'Harriet Garnett, Islington Town Hall, 5th July 1972 - with a very light 'Withdrawn' stamp, indicating that the book was once held in Islington Council's reference library. No other inscriptions. Spine tight. ***157 pages including five pages of author bibliographies, plus a two-page publisher's competition at the rear. 205 mm x 135 mm. ***'Bryan Stanley William Johnson (5 Feb 1933 - 13 Nov 1973) was an English experimental novelist, poet and literary critic. He also produced television programmes and made films. Johnson led and associated with a loose circle of "experimental" authors in Sixties Britain, who included Alan Burns, Eva Figes, Rayner Heppenstall, Ann Quin, Stefan Themerson and Wilson Harris, among others. Many of them contributed to London Consequences, a novel consisting of a palimpsest of chapters passed between a range of participating authors, edited by Margaret Drabble and Johnson. Johnson also made numerous experimental films, published poetry, and wrote reviews, short stories and plays. For many years he was the poetry editor of Transatlantic Review. [Wiki] ***'London Consequences is a 1972 group novel written by twenty writers published for the Festivals of London that year. ***Margaret Drabble and B. S. Johnson conceived and edited the novel "London Consequences". The editors wrote the first and last chapters together, and gave the other novelists involved a brief outline of the two main characters. Each author would write his or her chapter, then pass the accumulating manuscript onto the next author. The interior chapters are by Rayner Heppenstall, Eva Figes, Gillian Freeman, Jane Gaskell, Wilson Harris, Olivia Manning, Adrian Mitchell, Paul Ableman, John Bowen, Melvyn Bragg, Vincent Brome, Peter Buckman, Alan Burns, Barry Cole, Julian Mitchell, Andrea Newman, Piers Paul Read and Stefan Themerson. The published book did not identify authors' individual contributions. The G.L.A.A. (Greater London Arts Association) offered a prize of £100 to anyone who correctly identified each chapter's author. Entry forms appeared at the back of the book. Readers had until 11 Aug 1972 to enter.' [Wiki] ***First impression of the true first edition, published as a paperback original. A scarce item, and of particular interest to collectors of the experimental literary work of B. S. Johnson. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. …