Alessandro bratus (39 résultats)

Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
- Couverture souple
Vendeur : GreatBookPrices, Columbia, MD, Etats-UnisGreatBookPrices
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Paperback. Etat : New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.…

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Paperback. Etat : New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.…

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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-UnisGrand Eagle Retail
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Paperback. Etat : new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Cinéma and Cie. Fall 2018: To Each Their Own Pop. the Mediatization of Popular Music in Europe 1960-1979
Bratus, Alessandro (Editor)/ Locatelli, Massimo (Editor)/ Mera, Miguel (Editor)
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Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Paperback. Etat : Brand New. 160 pages. 9.25x6.50x0.25 inches. In Stock.

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Etat : New. 2019. Paperback. . . . . .

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Etat : New. In English.

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Etat : New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
- Couverture souple
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-UniGreatBookPricesUK
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Etat : New.

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Vendeur : Arca dei libri di Lorenzo Casi, Sansepolcro, AR, ItalieArca dei libri di Lorenzo Casi
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Brossura. Etat : Usato - Ottimo. Alessandro Bratus: Bob Dylan. Carocci, 2011pp. 166.

Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
- Couverture souple
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-UniGreatBookPricesUK
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Etat : As New. Unread book in perfect condition.

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- Édition originale
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brossura. Etat : in ottime condizioni. prima edizione. 40 anni di suoni e visioni. Collana Momenti Rock. Illustrazioni in nero. Copertina morbida. Formato in.8 (14x21 cm). Pagg. 253, 1. Ottimo stato.

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Vendeur : FIRENZELIBRI SRL, Reggello, FI, ItalieFIRENZELIBRI SRL
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Etat : NUOVO. Parma, Silva Editore cm.21,5x21,5, pp.168, numerose ill.a col.nt., brossura, cop.fig.a col.con bandelle.

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Taschenbuch. Etat : Neu. Neuware - Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organizations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.…

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Etat : NEW.

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Paperback. Etat : New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.…

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Kartoniert / Broschiert. Etat : New.

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Paperback. Etat : new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Vendeur : Rarewaves.com UK, London, Royaume-UniRarewaves.com UK
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Paperback. Etat : New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.…

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brossura flessibile. Etat : Fine. 1. Copertina plastificata. Tagli e pagine integri. Collana: "Momenti Rock". flessibile 253 9788835956679 Ottimo (Fine) .

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Etat : As New. Unread book in perfect condition.

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Etat : New.

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Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
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Etat : New. In English.

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Hardback. Etat : New. In Mediatization in Popular Music Recorded Artifacts: Performance on Record and on Screen, the relationship between performance, technological mediation, and the sense of live presence is investigated through a series of case studies related to popular music products. Alessandro Bratus explores technological mediation as a process of authentication that involves a chain of interconnected instances that have their roots in the cultural context in which the media products are designed to be marketed, and that also shape its recording technique and post-production. The book analyzes posthumous records, a peculiar case of the organization of recorded tracks made in absentia of their original performers that puts forward the possibility of an "otherworldly" collaboration between the living and the dead. Bratus also argues that the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences reverberates in the audiovisual construction of the filmed concert, in which the spectator is put in the position of a witness rather than an active participant. …