Alidio kimberly (36 résultats)

Paperback. Etat : Good. Poetry. 'The exhausted object have no body of work, says one poem in Kimberly Alidio's AFTER PROJECTS THE RESOUND. But that's just surface. Ever lurking and in AL CAPS even are potential poems that would affirm, 'LOL AGENCY AND THE COURAGE TO SPEAK.' From the 'howling on YouTube' to 'Igorots at St. Louis' to the 'new sardonic' to 'a heart hit twice by shrapnel, ' the poems skitter over, infiltrate, radiate, revolt from, and apply 'karaoke studies' to interrogate both history and contemporary culture, especially cracks and what lurks within them. These poems are attuned to as many zeitgeists as reveal themselves. From Alidio's dissecting eyes and focused hands--the 'I who] can sense the space around objects in the room because I'm often unnoticed'--the Filipino trait of Kapwa (interconnectedness) enables poems to arise and they bespeak: 'This is exactly what gentleness is // dragging everything up whole--.' --Eileen R. Tabios The structure of this book and its embedded themes are angled through Alidio's queer, Filipina perspective; while elevated through the nature of the found language of the project, her clear and independent voice--whether tackling expression of a corruptively perceived identity, longing for the presence in the everyday of intimacy, understanding intention in today's landscape of technology, or appreciating the struggle of objectification through narrative--offers an extraordinary sensibility in a world of chaos.--Greg Bem, Rain Taxi.…

Paperback. Etat : Very Good. Poetry. 'The exhausted object have no body of work, says one poem in Kimberly Alidio's AFTER PROJECTS THE RESOUND. But that's just surface. Ever lurking and in AL CAPS even are potential poems that would affirm, 'LOL AGENCY AND THE COURAGE TO SPEAK.' From the 'howling on YouTube' to 'Igorots at St. Louis' to the 'new sardonic' to 'a heart hit twice by shrapnel, ' the poems skitter over, infiltrate, radiate, revolt from, and apply 'karaoke studies' to interrogate both history and contemporary culture, especially cracks and what lurks within them. These poems are attuned to as many zeitgeists as reveal themselves. From Alidio's dissecting eyes and focused hands--the 'I who] can sense the space around objects in the room because I'm often unnoticed'--the Filipino trait of Kapwa (interconnectedness) enables poems to arise and they bespeak: 'This is exactly what gentleness is // dragging everything up whole--.' --Eileen R. Tabios The structure of this book and its embedded themes are angled through Alidio's queer, Filipina perspective; while elevated through the nature of the found language of the project, her clear and independent voice--whether tackling expression of a corruptively perceived identity, longing for the presence in the everyday of intimacy, understanding intention in today's landscape of technology, or appreciating the struggle of objectification through narrative--offers an extraordinary sensibility in a world of chaos.--Greg Bem, Rain Taxi.…

Paperback. Etat : Very Good. Poetry. 'The exhausted object have no body of work, says one poem in Kimberly Alidio's AFTER PROJECTS THE RESOUND. But that's just surface. Ever lurking and in AL CAPS even are potential poems that would affirm, 'LOL AGENCY AND THE COURAGE TO SPEAK.' From the 'howling on YouTube' to 'Igorots at St. Louis' to the 'new sardonic' to 'a heart hit twice by shrapnel, ' the poems skitter over, infiltrate, radiate, revolt from, and apply 'karaoke studies' to interrogate both history and contemporary culture, especially cracks and what lurks within them. These poems are attuned to as many zeitgeists as reveal themselves. From Alidio's dissecting eyes and focused hands--the 'I who] can sense the space around objects in the room because I'm often unnoticed'--the Filipino trait of Kapwa (interconnectedness) enables poems to arise and they bespeak: 'This is exactly what gentleness is // dragging everything up whole--.' --Eileen R. Tabios The structure of this book and its embedded themes are angled through Alidio's queer, Filipina perspective; while elevated through the nature of the found language of the project, her clear and independent voice--whether tackling expression of a corruptively perceived identity, longing for the presence in the everyday of intimacy, understanding intention in today's landscape of technology, or appreciating the struggle of objectification through narrative--offers an extraordinary sensibility in a world of chaos.--Greg Bem, Rain Taxi.…

Paperback. Etat : Good. Poetry. 'The exhausted object have no body of work, says one poem in Kimberly Alidio's AFTER PROJECTS THE RESOUND. But that's just surface. Ever lurking and in AL CAPS even are potential poems that would affirm, 'LOL AGENCY AND THE COURAGE TO SPEAK.' From the 'howling on YouTube' to 'Igorots at St. Louis' to the 'new sardonic' to 'a heart hit twice by shrapnel, ' the poems skitter over, infiltrate, radiate, revolt from, and apply 'karaoke studies' to interrogate both history and contemporary culture, especially cracks and what lurks within them. These poems are attuned to as many zeitgeists as reveal themselves. From Alidio's dissecting eyes and focused hands--the 'I who] can sense the space around objects in the room because I'm often unnoticed'--the Filipino trait of Kapwa (interconnectedness) enables poems to arise and they bespeak: 'This is exactly what gentleness is // dragging everything up whole--.' --Eileen R. Tabios The structure of this book and its embedded themes are angled through Alidio's queer, Filipina perspective; while elevated through the nature of the found language of the project, her clear and independent voice--whether tackling expression of a corruptively perceived identity, longing for the presence in the everyday of intimacy, understanding intention in today's landscape of technology, or appreciating the struggle of objectification through narrative--offers an extraordinary sensibility in a world of chaos.--Greg Bem, Rain Taxi.…

Paperback. Etat : Very Good. WINNER OF THE 2024 LAMDA LITERARY AWARD FOR LESBIAN POETRYAn autohistoriography of felt time that arises from subversive hearing practices and the emotional prosody of a mother tongue one does not understand but activates in another poetic language.Comprised of three long poems, Teeter knows experimental forms can be as intimate as mothering; knows we can understand languages we do not speak. From ?Hearing?'s intensities of attention, to ?Ambient Mom??s familial Filipino immigrant soundscapes, to ?Histories?'s careful scrutiny of the socially-sanctioned narratives and trajectories to which we are meant to aspire, Teeter?s lessons in listening reverberate across career retrospectives and heritage languages, colonial histories and domestic intimacies, reattuning us to what we?ve neglected to notice in our efforts to create a life we can understand.…

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : As New. top right corner slightly bent through shipping.

Paperback. Etat : Very Good. WINNER OF THE 2024 LAMDA LITERARY AWARD FOR LESBIAN POETRYAn autohistoriography of felt time that arises from subversive hearing practices and the emotional prosody of a mother tongue one does not understand but activates in another poetic language.Comprised of three long poems, Teeter knows experimental forms can be as intimate as mothering; knows we can understand languages we do not speak. From ?Hearing?'s intensities of attention, to ?Ambient Mom??s familial Filipino immigrant soundscapes, to ?Histories?'s careful scrutiny of the socially-sanctioned narratives and trajectories to which we are meant to aspire, Teeter?s lessons in listening reverberate across career retrospectives and heritage languages, colonial histories and domestic intimacies, reattuning us to what we?ve neglected to notice in our efforts to create a life we can understand.…

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Etat : New.

Paperback. Etat : New. A collection of linked essays and poems concerned with the vitality of art and writing in the wake of grief. At the intersections of poetry, sonic/ visual text, nonfiction, and arts writing, Traceable Relation portrays a writer's practice within a lineage of aesthetic and practical sensibilities conveyed in the personal effects of her late father and the concrete tasks of communal mourning. In her ongoing practice of "speaking nearby" various works of film, sound installation and pop music, innovative, contemporary writing emerges from the diasporic arts of memory and survivance.…

Paperback or Softback. Etat : New. Traceable Relation. Book.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. A collection of linked essays and poems concerned with the vitality of art and writing in the wake of grief. At the intersections of poetry, sonic/ visual text, nonfiction, and arts writing, Traceable Relation portrays a writer's practice within a lineage of aesthetic and practical sensibilities conveyed in the personal effects of her late father and the concrete tasks of communal mourning. In her ongoing practice of "speaking nearby" various works of film, sound installation and pop music, innovative, contemporary writing emerges from the diasporic arts of memory and survivance.…

Paperback. Etat : new. Paperback. A collection of linked essays and poems concerned with the vitality of art and writing in the wake of grief. At the intersections of poetry, sonic/ visual text, nonfiction, and arts writing, Traceable Relation portrays a writers practice within a lineage of aesthetic and practical sensibilities conveyed in the personal effects of her late father and the concrete tasks of communal mourning. In her ongoing practice of "speaking nearby" various works of film, sound installation and pop music, innovative, contemporary writing emerges from the diasporic arts of memory and survivance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 126 pages. 6.00x4.00x5.90 inches. In Stock.

Paperback. Etat : Brand New. 126 pages. 6.00x4.00x5.90 inches. In Stock.

Etat : New. 2025. paperback. . . . . .

paperback. Etat : New. Special order direct from the distributor.

Etat : New.

Etat : New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. WINNER OF THE 2024 LAMDA LITERARY AWARD FOR LESBIAN POETRYAn autohistoriography of felt time that arises from subversive hearing practices and the emotional prosody of a mother tongue one does not understand but activates in another poetic language.Comprised of three long poems, Teeter knows experimental forms can be as intimate as mothering; knows we can understand languages we do not speak. From "Hearing"'s intensities of attention, to "Ambient Mom"'s familial Filipino immigrant soundscapes, to "Histories"'s careful scrutiny of the socially-sanctioned narratives and trajectories to which we are meant to aspire, Teeter's lessons in listening reverberate across career retrospectives and heritage languages, colonial histories and domestic intimacies, reattuning us to what we've neglected to notice in our efforts to create a life we can understand.…

Soft cover. Etat : Very Good. 1st Edition. inscribed and signed by the author on the half title page - very good condition. Inscribed by Author(s).

Paperback. Etat : Brand New. 128 pages. 9.25x8.25x0.50 inches. In Stock.

Etat : Very Good. Side-stapled 8.5 x 11 inch sheets bound in light tan card covers. Very Good with light wear to covers and no marks to text. C-64; 4to 11" - 13" tall.