anders edstroem (33 résultats)

Paperback. Etat : New. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in "light, form, and texture" - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a "bend sinister," a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, "caressing" details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.

Paperback. Etat : New. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in "light, form, and texture" - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a "bend sinister," a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, "caressing" details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.

Paperback. Etat : new. Paperback. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format.Loops is Anders Edstroems narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesnt look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy.Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in light, form, and texture to use E. H. Gombrichs words from his essay on15th century paintings north and south of the Alps.In Loops, they are the creative investigations during this chronology. In Vladimir Nabokovs Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a bend sinister, a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, caressing details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition.Anders Edstroem was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edstroem has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research.- Jeff Rian Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New.

Paperback. Etat : new. Paperback. The zine is "a collection of drawings, paintings, and mixed-media works by Suspriya Lele Supriya Lele SS24London, Barbican CentreLimited edition zine - Stab-stitched, envelopePhotographs by Anders EdstroemDesign and Art Direction by Jonny Lu Studio Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Produced in collaboration with Japanese label COSMIC WONDER, these quiet portraits and meditative cityscapes were captured in Kyoto, Japan between 2011 and 2012, and are complimented by an extended essay by Tokyo based critic and editor CAMERON ALLAN McKEAN.Edstroem began his career working closely with MARTIN MARGIELA and shooting for the earliest incarnations of PURPLE, SELF SERVICE and DAZED & CONFUSED. He has produced several books, his work having been exhibited at such venues as the National Museum of Modern Art (Paris), Centre Georges Pompidou (Paris), the Institute of Contemporary Art (Boston), Centre Nationale de la Photographie (Paris), Tokyo Metropolitan Museum of Photography (Tokyo)In 2001, he collaborated with Jeff Rian on the book Buckshot Lexicon (Purple Books). In 2004, Steidl/Mack published two monographs of his work: Spidernets Places and a Crew and Waiting Some Birds a Bus a Woman. Anders has made several films with C. W. Winter, they include One Plus One 2 (2003), a collaboration with avant-garde guitarist Derek Bailey, and a narrative feature film, The Anchorage (2009). The Anchorage won a Golden Leopard Prize in Locarno International Film Festival 2009 and was named Best Independent/Experimental Film of 2009 by the Los Angeles Film Critics Association. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : New. 2010. paperback. . . . . . Books ship from the US and Ireland.

Etat : New.

Etat : New.

Paperback. Etat : new. Paperback. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format.Loops is Anders Edstroems narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesnt look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy.Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in light, form, and texture to use E. H. Gombrichs words from his essay on15th century paintings north and south of the Alps.In Loops, they are the creative investigations during this chronology. In Vladimir Nabokovs Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a bend sinister, a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, caressing details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition.Anders Edstroem was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edstroem has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research.- Jeff Rian Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : New. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in "light, form, and texture" - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a "bend sinister," a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, "caressing" details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.

Paperback. Etat : new. Paperback. Produced in collaboration with Japanese label COSMIC WONDER, these quiet portraits and meditative cityscapes were captured in Kyoto, Japan between 2011 and 2012, and are complimented by an extended essay by Tokyo based critic and editor CAMERON ALLAN McKEAN.Edstroem began his career working closely with MARTIN MARGIELA and shooting for the earliest incarnations of PURPLE, SELF SERVICE and DAZED & CONFUSED. He has produced several books, his work having been exhibited at such venues as the National Museum of Modern Art (Paris), Centre Georges Pompidou (Paris), the Institute of Contemporary Art (Boston), Centre Nationale de la Photographie (Paris), Tokyo Metropolitan Museum of Photography (Tokyo)In 2001, he collaborated with Jeff Rian on the book Buckshot Lexicon (Purple Books). In 2004, Steidl/Mack published two monographs of his work: Spidernets Places and a Crew and Waiting Some Birds a Bus a Woman. Anders has made several films with C. W. Winter, they include One Plus One 2 (2003), a collaboration with avant-garde guitarist Derek Bailey, and a narrative feature film, The Anchorage (2009). The Anchorage won a Golden Leopard Prize in Locarno International Film Festival 2009 and was named Best Independent/Experimental Film of 2009 by the Los Angeles Film Critics Association. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. The zine is "a collection of drawings, paintings, and mixed-media works by Suspriya Lele Supriya Lele SS24London, Barbican CentreLimited edition zine - Stab-stitched, envelopePhotographs by Anders EdstroemDesign and Art Direction by Jonny Lu Studio Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Svenska Dagbladet, Stockholm 1990. 272 sidor. Förlagsband med skyddsomslag. Gott skick.

Paperback. Etat : New. New Book, Direct from Publisher.

Paperback. Etat : New. Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström's narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn't look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in "light, form, and texture" - to use E. H. Gombrich's words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov's Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a "bend sinister," a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, "caressing" details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian.

Etat : Sehr gut - gebraucht. Gebundene Ausgabe 247 S. Sehr guter Zustand, ohne Namenseintrag, gebrauchter Original-Schutzumschlag Ake Beckérus, Anders Edström, Dt. von Romeo Baumbach Zustand: 6, Sehr gut - gebraucht, Gebundene Ausgabe Econ-Verlag , 1990 247 S. , Wirtschafts-Wikinger. Neue Erfolgsstrategien schwedischer Unternehmer, Ake Beckerus, Anders Edström, Dt. von Romeo Baumbach, 3430112524, BU383737.

First edition,. zahreiche sehr gute Fotos, ohne Seitenzahlen Sprache: Englisch; Zustand: erstklassige, neuwertige Exemplare. Minimaler Berieb des weißen Schubers. Sprache: Englisch Gewicht in Gramm: 1250 27,5 x 21,0 cm, gebundene Ausgabe, graues und hellgrünes Leinen mit Silberprägung, weißer Kartonschuber.

Etat : sehr gut - gebraucht. Gebundene Ausgabe Sehr guter Zustand, ohne Namenseintrag, Original-Schutzumschlag Zustand: 2, sehr gut - gebraucht, Gebundene Ausgabe Econ Executive Verlag. , 1990 , Wirtschafts-Wikinger. Neue Erfolgsstrategien schwedischer Unternehmer, BECKERUS, AKE & Anders Edström.

Paperback. Etat : New.

Taschenbuch. Etat : Neu. Neuware - The zine is 'a collection of drawings, paintings, and mixed-media works by Suspriya Lele.

Ln. / cloth. Etat : Sehr gut. 128 p. ISBN: 9783865210326 Sprache: Englisch Gewicht in Gramm: 1018.

Hardcover. Etat : VG. White boards, white & color illus. dust jacket, 247 pp., many BW & color illus. Majority of text is in Swedish, with a general English summary at the rear. Considers the appearance of daguerreotypes and photography in the Swedish region of Östergötland, from the mid-19th century until today. Supplies many examples of people and places frozen in time. Nice!

Hardcover. 247 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. AE-1342 9789185908950 sv Gewicht in Gramm: 550.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

247 S., Gebraucht, sehr gut. T 17236 Sprache: Deutsch Gewicht in Gramm: 394 14,5 x 2,2 x 22 cm, Gebundene Ausgabe.

Couverture souple. Etat : bon. RO40050276: Mai 2022. In-8. Broché. Etat du neuf, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages environ augmentées de nombreuses photos en couleurs dans et hors texte. . . . Classification Dewey : 97.2-Dédicace, envoi.

224 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall/Winter 2002 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma coleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Purple Special," by Claude Lévêque; "Révolution 14," by Olivier Zahm; "Ann-Sofie Back / Sonia Rykiel," by Anders Edström; "Charles Anastase / Emilio Pucci," by Cécile Bortoletti; "Cosmic Wonder/Helmet Lang," by Chikashi Suzuki; "Civil Disobedience," by Angela Hill; "Gucci/Wendy & Jim," by Takashi Homma; "Lutz/Prada," by Viviane Sassen; "Balenciaga/Commes des Garçons," by Ola Rindal; "Colin de Land," interviewed by Gareth James; "Wendy & Jim," interviewed by Nakako Hayashi; "Trees and Wheels," by Cédrick Eymenier; "Cape Town," by Viviane Sassen; "Souveniers From Erevan," by Elein Fleiss; "Le Casino d'Allevard," by Laetitia Benat; "La Factory du Kremlin," by Pierre Leguillon / Matthieu Orléan; "Five Drawings," by Leane Shapton; "Lifestyle," by Henry Roy; "Cinq histoires courtes," by Alain Lacroix; "Super Bien Total," by Adrian Jenkins; "Anna Thompson, Hôtel Saint-Germain," by Serge Leblon and "Week-ends," by Vava Ribeiro. With drawings by Laetitia Benat. Good / Very Good. Yellowing of cover edges and light rubbing of cover edges. Additional light handling wear. Includes folded poster. Contents clean and unmarked.