Andreas broeckmann (98 résultats)

Paperback. Etat : Gut. [78] S. : zahlr. Ill. ; 12 x 14 cm, Ex.-Libr., Good condition. Cover with marks from removed label. Sprache: Englisch Gewicht in Gramm: 230.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New.

Paperback or Softback. Etat : New. 30 Years After Les Immateriaux: Art, Science, and Theory. Book.

Etat : New.

Paperback. Etat : Very Good. Pap. Minor shelf wear. Else a bright, clean copy. An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. "Machine art" is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift. .…

Paperback. Etat : Very Good. Pap. Minor shelf wear. Else a bright, clean copy. An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. "Machine art" is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift. .…

Etat : New.

Paperback or Softback. Etat : New. 30 Years After Les Immat�riaux: Art, Science and Theory. Book.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New. In English.

Etat : New.

Paperback. Etat : Used: Very Good. None as Issued. Almost as new but has very light shelfwear and one page corner folded, trade paperback Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Brand New. 276 pages. 9.37x6.06x0.79 inches. In Stock.

Paperback. Etat : Gut. 1., Aufl. 96 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden (Broschur berieben) Sprache: Englisch Gewicht in Gramm: 211.

Paperback. Etat : New.

kart., Broschiert. Etat : Sehr gut. 398 S. : Ill., graph. Darst., Kt., 21 cm. Einband leicht berieben/angeschmutzt, ansonsten sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 590.

kart. Etat : Neu. 111 S. : zahlr. Ill. ; 22 cm. Originalverschweißt. ISBN: 9783868281347 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Deutsch Gewicht in Gramm: 420.

gebunden. Etat : Neu. Neu -Die Monografie über das Museum Ostwall widmet sich der Neupräsentation der städtischen Kunstsammlung und enthält neben Beiträgen zur Museologie und Vermittlungsarbeit Texte und Bildmaterial über die Sammlung, die Architektur sowie die 60-jährige Geschichte des Museums. Deutsch. …

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Taschenbuch. Etat : Neu. Neuware - Die Publikation widmet sich dem Thema des Krieges im Zeitalter des Web 2.0, in dem Realität zunehmend medial vermittelt erfahren wird. Zwölf künstlerische Positionen setzen sich mit realen oder medial vermittelten Kriegserlebnissen auseinander. Die Arbeiten, interaktive Installationen, Videos, Skulpturen und Fotografien, suchen nach Möglichkeiten der direkten Anteilnahme in einer globalisierten Welt, in der Kriege mittlerweile zum Alltagsgeschehen gehören.Diese Publikation erscheint im Rahmen der Ausstellung 'MyWar. Partizipation in Kriegszeiten', einem Gemeinschaftsprojekt zwischen FACT (Foundation for Art and Creative Technology) und dem Edith-Ruß-Haus für Medienkunst.Künstler: Phil Collins, Joseph DeLappe, Dunne & Raby, Harun Farocki, Harrell Fletcher, Knowbotic Research, Oliver Laric, Renzo Martens, Swamp, Thomson & Craighead, Milicia Tomic, Sarah Vanagt. …

Hardcover. 17 x 14,5 cm. Schwarz-weißer Original-Pappband. Wendebuch mit 81 / 291 Seiten, farbig und einfarbig bebildert. Mit DVD. Sauberer, guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Dunkler Herbst, gemütliche Lesezeit. Interessante Bücher finden Sie bei uns! -- Wir kaufen Ihre werthaltigen Bücher! K12419.…

Buch. Etat : Neu. Neuware - Die Publikation TRUST untersucht das intuitive Vertrauen, mit dem wir Maschinen und Medien begegnen. Unser Verhältnis gegenüber Technologie und technischen Medien ist oft von Zweifel und Misstrauen bestimmt. Andererseits bleibt trotz aller Abgeklärtheit der Wunsch, den Simulakren immer wieder Glauben zu schenken, den Apparaten zu vertrauen. Die Publikation zur Ausstellung folgt den ästhetischen Fluchtlinien dieses Vertrauens, stellt es in Frage, und sucht die Besucher im Dortmunder U zugleich zu verunsichern und ihnen Mut zu machen, in einen reflektierten Dialog mit technischen und medialen Systemen einzutreten.…