Andrei nakov (226 résultats)

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Etat : Very Good. Minor edgewear, especially at corner tips. Small stain on spine. Small surface scratch on rear cover. Book rermains tightly bound with unmarked contents.

Softcover. Etat : Near Fine. Sturdy, still tightly bound softcover copy, minor to moderate wear of covers and text-block, but with neither underlining nor highlighting. Perfectly readable, usable copy. Glossy pictorial covers, Preface by Jacques Baron, and [6], 7-155 pp. French language text, and replete with black-and-white images and a dozen full-color, full-page reproductions of the work of the French Surrealist Georges Panaïot Papazoff (1894-1972). An apparent First Edition, though not so stated.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Paperback. Etat : As New. This is the PAPERBACK edition. Catalogue of an exhibition at the National Gallery of Canada. U.S. orders are shipped from N.Y. state.

Soft cover. Etat : Very Good. 1st Edition. A clean unmarked lightly worn copy. 119 pages.

Soft cover. Etat : Very Good. Some shelf rubbing to covers. Text in French.

Softcover, 336 pages; in French; good condition; backwards curl / bend to all pages along left edge; covers rubbed with sticker taped around spine; no internal marks. Foreign shipping may be extra.

Softcover, 96 pages; in English and French; poor condition; still bound pages detached from covers; pages yellowed; no internal marks. As is; fine reading copy. Foreign shipping may be extra.

Paperback. Etat : Near Fine. 1st. 1 volume, [c. 75] pages, illustrations (some colour); 24 cm. Published on the occasion of an exhibition at Annely Juda Fine Art, 2 July to 19 September, 1998. Firm binding, clean inside copy. Light shelfwear, age toning. *** Includes: Arp - Bill - Gabo - Hepworth - Kliun - Klucis - Kupka - Malevich - Moholy-Nagy - Mondrian - Moore - Nicholson - Popova - Rodchenko - Suetin - Tauber-Arp - Vantongerloo - Vordemberge-Gildewart. Size: 8vo. Collectible. …

Soft cover. Etat : Good. No Jacket. 1st Edition. Condition: original paper wrap in good + condition. Light scratch on cover, wear and rubbing on sides/edges/spine, some creases. Interior tight and clean w/no markings. 95 pages. With a lot of illustrations, partially in colour. Original softcover. (Title stamped). Oblong octavo. 18x24 cm. In English and French. Altman, Annenkov, Archipenko, Burliuk, Exter, Goncharova (Gontcharova), Kliun (Klioun), Klucis, Lissitzky, Malevich (Malévitch), Popova, Rodchenko (Rodtchenko), Stenberg, Suetin (Souétine) and Tatlin (Tatline). Andrei Nakov, born in 1941 in Sofia, Bulgaria, is a French-Bulgarian art historian engaged principally in research on Russian non-objective art, Cubo-futurism, Dada and Constructivism, where his work as a precursor in these areas gained him an authoritative reputation. He has published numerous theoretical studies, monographs and exhibition catalogues on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art. Since the publication of his critical edition of the writings of Malewicz (Malevich) by Champ Libre, Paris 1975, he has engaged in research on the work of this artist and has published the four-volume Kazimir Malewicz le peintre absolu in April 2007 (Thalia Édition, Paris). Part of this work's documentation comprising the catalogue raisonné of the artist's plastic work was published in 2002 (Éditions Adam Biro, Paris) under the title Kazimir Malewicz, Catalogue raisonné. In June 2013, Andréi Nakov Loses Moral Rights Over Alexandra Exter. Sprache: Englisch Gewicht in Gramm: 800. …

Paperback. Etat : Very Good. Very Good blue-stamped orange wraps. Used with NO markings in text. Pasadena's finest independent new and used bookstore.

Soft cover. Etat : Near Fine. Softcover, stiff wraps, 152 pp, 54 color illustrations, slight rubbing to covers, else a nice copy.

Couverture souple. Etat : Bon. 5 Continents Editions Srl collection , 2019. 1 volume broché(s) format In-8 bon.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Etat : Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft Cover. Etat : Near Fine. First Edition. Softcover 1st Ed exhibit catalog, profusely illus, wonderful copy which shows no markings & scant shelf / edge wear, quiet spine crease, else Fine; sm 4to; 120pp (text) + 150+pp plates.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Including the work of Arp, Schwitters, Picasso, Moholy-Nagy, Joostens and others. Near fine decorative stiff wraps with strong spine and clean text throughout. Profusely illustrated throughout. Tiny sticker price to front cover which bothers none of the text.

Stapled Soft Cover. Etat : Very Good.

hardcover. Etat : Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. …

Etat : New.

Hardback. Etat : New. A leading scholar of the Russian avant-garde reevaluates its most iconic artistKazimir Malewicz (Malevich; 1879-1935) is undoubtedly one of the most significant artists of the 20th century, famed for his Suprematist works such as the so-called "Black Square" and White on White. Incredibly, his art only received its due in the West in the late 1950s; three more decades passed before it could be accessible to the Russian public. In this critical study, Andrei Nakov dissembles some foundational myths about the artist's ethnic background, such as his Polish origins (hence the rendering of the artist's name here as "Malewicz"), his affinity for the religious iconography of Russia and his place in modern European art. The artist's concept of Suprematist forms is central to Nakov's study, which interrogates certain anti-modernist visual and cultural prejudices.Andrei Nakov (born 1941) has published numerous theoretical studies, monographs and exhibition catalogs on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art. …

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Softcover. Etat : Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Wraps. Etat : Good. Gray wraps. Oblong format. 95 pp. Black and white illustrations throughout. Text in English and French. A catalog to a 1976 exhibition of Russian artists who worked in the realm of non-objective painting, including Annenkov, Burliuk, Exter, Klucis, Popova, Tatlin and others. With short critical essays on the artists in the exhibition. GOOD condition. Minor fading, wrinkling, soiling and edgewear to the covers. Light foxing to the first and last few pages.…

Hardback. Etat : New. A leading scholar of the Russian avant-garde reevaluates its most iconic artistKazimir Malewicz (Malevich; 1879-1935) is undoubtedly one of the most significant artists of the 20th century, famed for his Suprematist works such as the so-called "Black Square" and White on White. Incredibly, his art only received its due in the West in the late 1950s; three more decades passed before it could be accessible to the Russian public. In this critical study, Andrei Nakov dissembles some foundational myths about the artist's ethnic background, such as his Polish origins (hence the rendering of the artist's name here as "Malewicz"), his affinity for the religious iconography of Russia and his place in modern European art. The artist's concept of Suprematist forms is central to Nakov's study, which interrogates certain anti-modernist visual and cultural prejudices.Andrei Nakov (born 1941) has published numerous theoretical studies, monographs and exhibition catalogs on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art. …

paperback. Etat : very good(-). Many color and b/w Illus. 4to, pr. wrs., wrappers slightly curled at corners, otherwise very good. Madrid: Ministerio de Cultura, 1989. Exhibition catalogue.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.