andy warhol paul morrissey stephen (14 résultats)

Paperback. Etat : Poor. 1st edition. unpaginated quarto, missing the following inserts: red accordion, Lou Reed record, balloon, all big surprise tabs, noses, Chelsea Girls ad is loose Tight binding, heavy wear to the wraps, creased corners, stains to the left and top edge of back cover, functional pop-up pages & fold-outs, clean throughout, second to last page has been, two short strip of tape to top and bottom edges of one page, split at mid-gutter,

Random House's "First Printing" statement upon title page. Unpaged - 56 pages plus covers. Paperback: H 27.75cm x L 21.5cm. Silver and black paper covers; strong surface abrasion/flaking to covers' and spine coloration; peel off yellow price sticker still affixed at front cover's top right. Several leaves fractionally pulled with slight edge-wear; three tears to pages 29-30. *** Only six of the ten inserts/features are present. MISSING FOUR: the large pop-up castle; the harmonic red accordion; Hunt s Tomato Can pop-up; the twelve-sided geodesic sphere sculpture/mobile lacking but its remnant black sting still present between pages 28-29. *** PRESENT SIX: pop-up bi-plane present between pages 12-13; spring-loaded circular paper cut-out "Andy Warhol's The Chelsea Girls . . ." affixed to page 14; Lou Reed picture record between pages 30-31; rainbow and black noses large foldout between pages 40-41; tab sheet (six of the original ten tabs present) tipped-in at page 51; usual unfortunate melting to the balloon between pages 52-53 causing those two pages to be adhered along a swath of their respective spine gutter margin areas. *** Binding is firm. Only a good copy of a book which is notorious for being found incomplete and worn but remains an iconic artifact of Warhol's pop art concepts and issued when Warhol was experimenting in multimedia productions and, of course, was managing The Velvet Underground. Jpeg images emailed upon request. {Art-Shelf#1}.

Soft cover. Etat : Fair. 1st Edition. Fair copy in softcover. Covers and pages have some waving. Signature with pop-up and accordion have detached and are laid-in. Bi-plane, Chelsea Girls, polyhedron on string, Lou Reed Record, nose foldout, tomato can, warm water sheet all present. Balloon is adhered between last two pages making them un-openable.

paperback. Etat : Very Good. Hardcover. No dust jacket. Little cover wear. Clean unmarked text. Tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Etat : Fair. NY: Random House, Inc., 1967. 1st Printing. Sm 4to Paperback. Unpaginated. B/W photos and many folding plates and pop-ups. Reading Copy. Black and silver gilt decorative covers. Light edgewear. Light scratches to the covers. One pop-up detached, but pieces present. Last photo pages stuck together at pop-up. (art, photography, pictorial) Inquire if you need further information.

Soft cover. Etat : Very Good. First Edition. First Printing" stated. Card stock covers. Unpaginated. B&W photos. Front joint started, hinge cracked. Novelty items include: (1) Castle pop-up. Main part works but smaller part is torn. (2) Red accordion still squeaks! (3) Biplane pop-up is intact. (4) Chelsea Girls disc present but detached. (5) Dodecahedron missing. (6) Velvets 45 rpm flexi-disc detached. (7) Fold-out with dual nose overlays intact. (8) Hunt's Tomato Paste pop-up intact. (9) Small sheet with eight moisture-sensitive tabs missing. (10) Latex balloon present but stuck to last pages as usual.

STIFF WRAPS silver&black. Etat : GOOD+. First American. direct from Warhol's Factory; unusual, mechanical, toy-book filled with pop ups and other strange items. Original black and silver 3D illustrated boards, titles to spine in silver. Book has general wear, worn extremities, rubbed covers, a few of the pages are somewhat age-toned, no marking or bookplates, the page that has the string attached to it has a 1" tear in the bottom edge very light foxing to very few pages, overall in good condition. Inventory of unusual items include the following (from beginning to end): Large Medieval Pop-Up Castle; the Harmonic accordion within folded page which sounds when fold is opened (NOT working); Pop-Up Airplane; Paper Disc labeled "Chelsea Girls, etc." that is attached with a spring; the Illusive Rubber Band that is inside the Duodecahedron attached to black string; the 45 R.P.M. flexi-disc with portrait of Lou Reed on playing surface; the 3 page fold-out illustration of a nose with two multi-colored overlays; the Pop-up of Hunt's Tomato Paste can; and the balloon which has bonded the pages together concealing the balloon between the pages. DATE PUBLISHED: 1967 EDITION: First American.

Soft cover. Etat : Good. No Jacket. Wrappers. All enclosures present, none detached. Missing balloon, but all the better, as it hasnt melted and all the pages can be viewed. Endpapers starting to peel away from the covers. Binding is cracked.

Stiff Wraps. Etat : G/No Dustjacket. Black & White Photographs (illustrateur). First Printing. New York, NY: Random House. G/No Dustjacket. 1967. First Printing. Stiff Wraps. 4to., unpaginated, water tab and lacks record, ballon has melted and stuck two pages together, rubbed, partially removed sticker on front cover, .

Etat : Used - Very Good. 1967. Orig. illus. wraps. Unpaginated. Profusely illustrated, and adorned with inclusions, inserts, pop-ups and other ingenious devices. Some edge-wear to wraps, but quite sound overall. There are several common condition issues: the balloon, as expected, has deteriorated and stuck two leaves together where it was inserted (they can be opened most of the way, however). The phonographic record with Lou Reed's image is present but has been detached from its perforations. The pop-up trapezoid, however, is missing; only its string remains. Other inclusions, such as the pop-up castle, the biplane, and the accordion, are in excellent shape.

28.0 x 22.0cms unpagined b/w illusts with 7 of the original 10 coloured pop-ups clean paperback with no markings. Loose hinge which can be easily repaired. The silver and black cover has bubbled in places. This pop-art book is llustrated throughout with monochrome reproduction photographic plates and inserted multiples including: 1) a castle pop-up (complete) 2) a red accordion (complete but does not sound) 3) a bi-plane pop-up (complete and in excellent condition) 4) the Chelsea girls disk (present with the spring) 5) string is attached with circular label and the geodysic construction 6) the record is missing 7) the double image of nose (complete and in excellent condition) 8) the Hunt''s tomato can pop-up (complete and in excellent condition) 9) the postcard is missing 10) the balloon is missing.

Paperback. Etat : Very Good.

4to, unpaginated. Colour and black & white illustrations, fold-outs, inserts and pop-ups. A good copy in reflective silver and black illustrated card covers with minor wear to extremities. Binding solid but cracked. Balloon has disintegrated and stuck to page with a little attendant loss, as is common. Four of eight tabs present.

"With assistance of Stephen Shore, Paul Morrissey, Ondine, Nico, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa and particularly David Paul. Several photographs by Nat Finkelstein. Factory fotos by Billy Name. New York: Random House, 1967. Quarto, First edition, silver card 'tinfoil' wrappers (a few handling creases, front free endpaper beginning to 'unglue' from upper panel, text block shaken), pp. [76], with various movable parts. The book was printed with two variant bindings : a hardcover with lenticular cover and a softcover, of which this is a good, complete example. 'Index may be regarded as both a component of and a reflection on one of the most daring and experimental phases of Warhol's career, running from the May 1965 announcement of his 'retirement' from painting to the February 1968 abandonment of the East 47th Street Factory for offices on Union Square - a period that, as a whole, has also remained surprisingly overlooked within art history . Appearing to reviewers as "an index to all his thoughts", Index encapsulates the full range of Warhol's contemporary endeavours, from the temporarily abandoned silkscreen paintings and sculptures to silver pillows, cow wallpaper, films, video experiments, audiotape projects . photography, fashion, music and the Exploding Plastic Inevitable (EPI), the multimedia spectacle surrounding Velvet Underground concerts.Index presents Warhol simultaneously at his most populist and his most uncompromising, eschewing the camp appropriation of mainstream commercial projects in favor of a remarkably candid foregrounding of homosexuality, transvestism, sadomasochism and illicit drugs' - Branden W. Joseph,White light / white noise, contained inAndy Warhol : From A to B and Back Again, Whitney Museum of American Art, New York, 2018, p. 43. Index includes ten inserts or feature pages designed by Warhol with the intent of makingIndexan adult book of childlike wonder. The special features include: