Anna teekell guinn batten (32 résultats)

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Paperback. Etat : New. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlín Dubh Ní Chonaill, Caoineadh Airt Uí Laoghaire (The Lament for Art O'Leary); Eiléan Ní Chuilleanáin, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ní Churreáin, "The Secret" and "Weir View"; Nuala Ní Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ní Ghríofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Éire"; The Táin (anonymous); and W. B. Yeats, "The Rose Tree.".…

Paperback. Etat : new. Paperback. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlin Dubh Ni Chonaill, Caoineadh Airt Ui Laoghaire (The Lament for Art O'Leary); Eilean Ni Chuilleanain, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ni Churreain, "The Secret" and "Weir View"; Nuala Ni Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ni Ghriofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Eire"; The Tain (anonymous); and W. B. Yeats, "The Rose Tree." Modern Irish poetry is reimagined by examining cultural identities, economic shifts, and a broad spectrum of themes from trauma to queer and animal poetics. It challenges standard courses through global perspectives, creative pedagogy, and vibrant discussions of both celebrated and emerging poetic voices. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Etat : Brand New. 308 pages. 6.00x0.90x8.90 inches. In Stock.

Etat : New. 2026. paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Etat : new. Paperback. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlin Dubh Ni Chonaill, Caoineadh Airt Ui Laoghaire (The Lament for Art O'Leary); Eilean Ni Chuilleanain, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ni Churreain, "The Secret" and "Weir View"; Nuala Ni Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ni Ghriofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Eire"; The Tain (anonymous); and W. B. Yeats, "The Rose Tree." Modern Irish poetry is reimagined by examining cultural identities, economic shifts, and a broad spectrum of themes from trauma to queer and animal poetics. It challenges standard courses through global perspectives, creative pedagogy, and vibrant discussions of both celebrated and emerging poetic voices. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Taschenbuch. Etat : Neu. Teaching Modern Irish Poetry | Anna Teekell (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Modern Language Association of America | EAN 9781603297349 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Hardback. Etat : New. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlín Dubh Ní Chonaill, Caoineadh Airt Uí Laoghaire (The Lament for Art O'Leary); Eiléan Ní Chuilleanáin, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ní Churreáin, "The Secret" and "Weir View"; Nuala Ní Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ní Ghríofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Éire"; The Táin (anonymous); and W. B. Yeats, "The Rose Tree.".…

Etat : New. 2026. hardcover. . . . . .

Paperback. Etat : new. Paperback. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlin Dubh Ni Chonaill, Caoineadh Airt Ui Laoghaire (The Lament for Art O'Leary); Eilean Ni Chuilleanain, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ni Churreain, "The Secret" and "Weir View"; Nuala Ni Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ni Ghriofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Eire"; The Tain (anonymous); and W. B. Yeats, "The Rose Tree." Modern Irish poetry is reimagined by examining cultural identities, economic shifts, and a broad spectrum of themes from trauma to queer and animal poetics. It challenges standard courses through global perspectives, creative pedagogy, and vibrant discussions of both celebrated and emerging poetic voices. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Etat : New. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlín Dubh Ní Chonaill, Caoineadh Airt Uí Laoghaire (The Lament for Art O'Leary); Eiléan Ní Chuilleanáin, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ní Churreáin, "The Secret" and "Weir View"; Nuala Ní Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ní Ghríofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Éire"; The Táin (anonymous); and W. B. Yeats, "The Rose Tree.".…

Hardcover. Etat : new. Hardcover. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlin Dubh Ni Chonaill, Caoineadh Airt Ui Laoghaire (The Lament for Art O'Leary); Eilean Ni Chuilleanain, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ni Churreain, "The Secret" and "Weir View"; Nuala Ni Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ni Ghriofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Eire"; The Tain (anonymous); and W. B. Yeats, "The Rose Tree." Rethinking the traditional Yeats-to-Heaney course, the volume redefines modern Irish poetry amid shifting cultural and economic landscapes. Essays probe themes of trauma, animal and queer poetics, and Black Irish voices, inspiring fresh teaching approaches and reinterpretations of both classic and emerging works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Hardcover. Etat : Brand New. 308 pages. 5.98x0.79x9.02 inches. In Stock.

Hardback. Etat : New. Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, "Mise Eire," "The Singers," and "That the Science of Cartography Is Limited"; Colette Bryce, "Don't Speak to the Brits, Just Pretend They Don't Exist"; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, "Belfast Confetti" and "Hamlet"; Ailbhe Darcy, "Jellyfish"; Aubrey de Vere, "Desolation of the West"; Nidhi Zak/Aria Eipe, "Ama de Casa"; Chiamaka Enyi-Amadi, "When"; Leontia Flynn, "Belfast"; Seamus Heaney, "Punishment"; Nandi Jola, "Black Irish"; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, "Belfast"; Derek Mahon, "The Snow Party" and "A Disused Shed in Co. Wexford"; Paula Meehan, "The Statue of the Virgin at Granard Speaks"; Eibhlín Dubh Ní Chonaill, Caoineadh Airt Uí Laoghaire (The Lament for Art O'Leary); Eiléan Ní Chuilleanáin, "Pygmalion's Image," "Translation," and "Old Roads"; Annemarie Ní Churreáin, "The Secret" and "Weir View"; Nuala Ní Dhomhnaill, The Fifty Minute Mermaid and "Ceist na Teangan"; Doireann Ní Ghríofa, "In Albumen, in Pixels, in Bricks"; Lianne O'Hara, "Bench"; Patrick Pearse, "Mise Éire"; The Táin (anonymous); and W. B. Yeats, "The Rose Tree.".…

Buch. Etat : Neu. Neuware - Modern Irish poetry beyond Yeats and HeaneyInterpreting modern Irish poetry within a network of national and cultural identities and in the context of economic and demographic changes of the past fifty years, this volume looks at Irish poetry anew and offers instructors guidance on refashioning the standard Yeats-to-Heaney survey course for the contemporary classroom.Essays address topics such as poetry and trauma, animal poetics, queer poetry, and Black Irish writers and approach teaching Irish poetry in different places, from Mexico to Belfast; to Irish-language learners; with creative writing pedagogy; and alongside classical and medieval poetry. The range of topics and approaches represented here will inspire teachers to explore new poets and poems and to reconsider familiar ones.This volume contains discussion of the following works: Eavan Boland, 'Mise Eire,' 'The Singers,' and 'That the Science of Cartography Is Limited'; Colette Bryce, 'Don't Speak to the Brits, Just Pretend They Don't Exist'; Kimberly Campanello, MOTHERBABYHOME; Ciaran Carson, 'Belfast Confetti' and 'Hamlet'; Ailbhe Darcy, 'Jellyfish'; Aubrey de Vere, 'Desolation of the West'; Nidhi Zak/Aria Eipe, 'Ama de Casa'; Chiamaka Enyi-Amadi, 'When'; Leontia Flynn, 'Belfast'; Seamus Heaney, 'Punishment'; Nandi Jola, 'Black Irish'; Patrick Kavanagh, Lough Derg; Thomas Kinsella, Butcher's Dozen: A Lesson for the Octave of Widgery; Edna Longley, Poetry in the Wars; Louis MacNeice, 'Belfast'; Derek Mahon, 'The Snow Party' and 'A Disused Shed in Co. Wexford'; Paula Meehan, 'The Statue of the Virgin at Granard Speaks'; Eibhlín Dubh Ní Chonaill, Caoineadh Airt Uí Laoghaire (The Lament for Art O'Leary); Eiléan Ní Chuilleanáin, 'Pygmalion's Image,' 'Translation,' and 'Old Roads'; Annemarie Ní Churreáin, 'The Secret' and 'Weir View'; Nuala Ní Dhomhnaill, The Fifty Minute Mermaid and 'Ceist na Teangan'; Doireann Ní Ghríofa, 'In Albumen, in Pixels, in Bricks'; Lianne O'Hara, 'Bench'; Patrick Pearse, 'Mise Éire'; The Táin (anonymous); and W. B. Yeats, 'The Rose Tree.'.…