Anna testar (23 résultats)

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Etat : Very Good. No Jacket. Presumed first printing with no other printings listed, hardcover, has a mild skew to the binding, bumps to the spine ends and corners, rubbing with smudging to the covers, and sunning with a few small scuffs and spots to the spine. Overall, this is a solid, internally crisp, Very Good copy. …

Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

hardcover. Etat : Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Oversized Hardcover. Etat : New.

hardcover. Etat : Very Good. A clean, tight copy. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Etat : new. Hardcover. Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition. AUTHORS: Stephen F. Eisenman is Professor of Art History at Northwestern University, Illinois, and author of The Cry of Nature: Art and the Making of Animal Rights (2013). Catherine Howe is Associate Lecturer at the Courtauld Institute of Art, London. Michael Peppiatt, who knew Bacon well, is an art historian and curator, and author of numerous books on the artist. Anna Testar is Curator at the Royal Academy of Arts. SELLING POINTS: . A major study of Francis Bacon's paintings of animals, to accompany an exhibition at the Royal Academy of Arts, London, 22 January to 12 April 2021 . Bacon's paintings of animals reveal much about the human condition 160 colour illustrations A major study of Francis Bacon's paintings of animals reveals his explorations of the human condition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardback. Etat : New. Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work - not least the human animal.Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: 'Bullfighting is like boxing,' Bacon once said. 'A marvellous aperitif to sex.' Twenty-two years later, a lone bull was to be the subject of his final painting.In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition.Images below, left to right:Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo MaertensFrancis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates LtdFrancis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates LtdAll images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.…

Hardback. Etat : New. Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work - not least the human animal.Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: 'Bullfighting is like boxing,' Bacon once said. 'A marvellous aperitif to sex.' Twenty-two years later, a lone bull was to be the subject of his final painting.In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition.Images below, left to right:Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo MaertensFrancis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates LtdFrancis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates LtdAll images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.…

Etat : New. In English.

Hardcover. Etat : Brand New. 160 pages. 11.25x9.50x0.75 inches. In Stock.

First edition, first printing. Fine paperback.

157 S. Hardcover. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Mit beiliegenden Textausschnitten zu Bacon. Sehr gut erhalten. Sprache: eng.

Hardback. Etat : New. Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work - not least the human animal.Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: 'Bullfighting is like boxing,' Bacon once said. 'A marvellous aperitif to sex.' Twenty-two years later, a lone bull was to be the subject of his final painting.In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition.Images below, left to right:Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo MaertensFrancis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates LtdFrancis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates LtdAll images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.…

Hardcover. Etat : new. Hardcover. Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition. AUTHORS: Stephen F. Eisenman is Professor of Art History at Northwestern University, Illinois, and author of The Cry of Nature: Art and the Making of Animal Rights (2013). Catherine Howe is Associate Lecturer at the Courtauld Institute of Art, London. Michael Peppiatt, who knew Bacon well, is an art historian and curator, and author of numerous books on the artist. Anna Testar is Curator at the Royal Academy of Arts. SELLING POINTS: . A major study of Francis Bacon's paintings of animals, to accompany an exhibition at the Royal Academy of Arts, London, 22 January to 12 April 2021 . Bacon's paintings of animals reveal much about the human condition 160 colour illustrations A major study of Francis Bacon's paintings of animals reveals his explorations of the human condition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Rilegato. Etat : nuovo. pp. 160; ill. a colori n.t.

Buch. Etat : Neu. Francis Bacon | Man and Beast | Anna Testar (u. a.) | Buch | Gebunden | Englisch | 2021 | Royal Academy of Arts | EAN 9781912520558 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Etat : New. Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work - not least the human animal.Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: 'Bullfighting is like boxing,' Bacon once said. 'A marvellous aperitif to sex.' Twenty-two years later, a lone bull was to be the subject of his final painting.In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition.Images below, left to right:Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo MaertensFrancis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates LtdFrancis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates LtdAll images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.…

HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. *BRANDNEW ISBN 9781912520220. Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, Léon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. 0 g.…

Etat : gut. FRANCIS BACON Man and beast. In englischer Sprache. pages.

HB, 300 x 250 mm, 196 pages, 180 colour illustrations, Nederlandstalige uitgave ISBN 9789462302754. Dit boek focust op de rol van dieren in het werk van Francis Bacon (1909-1992). Bacon schilderde vaak honden en paarden, en in 1969 voor het eerst een stierengevecht, een interactie tussen mens en dier die gevaarlijk en wreed is, maar ook verontrustend intiem. In deze publicatie identificeren deskundige auteurs Bacons inspiratiebronnen en bespreken ze zijn benadering van dieren in het onderzoek dat hij voerde naar de condition humaine. Tentoonstelling: Royal Academy, London: Jan- April 2021 Explore Francis Bacon's visceral paintings, where the line between human and animal is constantly blurred, reminding us that our primal instincts lie just below the surface. Irish-born artist Francis Bacon was the horse-breeder's son who became one of the most important painters of the 20th century. An openly gay man at a time when homosexuality was illegal, he was banished from his conservative family home by his father at 16. After that, he drifted through Berlin and Paris before establishing himself in London, with his formative years running parallel with some of the 20th century's most profoundly disturbing events. This powerful exhibition will focus on Bacon's unerring fascination with animals: how it both shaped his approach to the human body and distorted it; how, caught at the most extreme moments of existence, his figures are barely recognisable as either human or beast. It also explores how Bacon was mesmerised by animal movement, observing animals in the wild during trips to South Africa; filling his studio with wildlife books, and constantly referring to Eadweard Muybridge's 19th-century photographs of humans and animals in motion. Whether baboons or bulls, dogs or birds of prey, Bacon felt he could get closer to understanding the true nature of humankind by watching the uninhibited behaviour of animals. Spanning Bacon's 50-year career, highlights include some of Bacon's earliest works and his last-ever painting, alongside a trio of bullfight paintings which will be exhibited together for the first time. Seen together, these raw expressions of anxiety and instinct - both animal and human - feel poignantly relevant today. Exposition au Royal Academy, Londres, 22 janvier - 12 avril 2021 0 g.…

HB, 300 x 250 mm, 196 pages, 180 colour illustrations, English edition *new ISBN 9781912520558. Explore Francis Bacon's visceral paintings, where the line between human and animal is constantly blurred, reminding us that our primal instincts lie just below the surface. Irish-born artist Francis Bacon was the horse-breeder's son who became one of the most important painters of the 20th century. An openly gay man at a time when homosexuality was illegal, he was banished from his conservative family home by his father at 16. After that, he drifted through Berlin and Paris before establishing himself in London, with his formative years running parallel with some of the 20th century's most profoundly disturbing events. This powerful exhibition will focus on Bacon's unerring fascination with animals: how it both shaped his approach to the human body and distorted it; how, caught at the most extreme moments of existence, his figures are barely recognisable as either human or beast. It also explores how Bacon was mesmerised by animal movement, observing animals in the wild during trips to South Africa; filling his studio with wildlife books, and constantly referring to Eadweard Muybridge's 19th-century photographs of humans and animals in motion. Whether baboons or bulls, dogs or birds of prey, Bacon felt he could get closer to understanding the true nature of humankind by watching the uninhibited behaviour of animals. Spanning Bacon's 50-year career, highlights include some of Bacon's earliest works and his last-ever painting, alongside a trio of bullfight paintings which will be exhibited together for the first time. Seen together, these raw expressions of anxiety and instinct - both animal and human - feel poignantly relevant today. Exposition au Royal Academy, Londres, 22 janvier - 12 avril 2021 0 g.…

Etat : gut. FRANCIS BACON Mens en Beest In deutscher Sprache. pages.