Arty nelson (68 résultats)

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Etat : Fair.

Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Etat : Fair.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good +. Etat de la jaquette : Very Good +. First Edition. Hard Cover. Very Good +/Very Good +. First Edition. 8vo - over 7¾" - 9¾" tall.

Hardcover. Etat : Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Etat : New. Etat de la jaquette : Fine. 1st Edition. NEW YORK: Warner (1995). First edition, first printing (with full number line down to the 1). Hardbound. Fine in a fine dust jacket. A tight, clean copy, new and unread. NOT price clipped. Blurn by the incomprable Eve Babitz.

Hardcover. Etat : Good. Very new looking book. Like new -new. Clean and unclipped dust jacket. Gift quality.

Hard Cover. Etat : Very Good +. Very Good +. First Edition. (1995), 204pp, light foxing to pg edges, light rubbing to dj, contents clean & unmarked.

softcover. Etat : Very Good. Advance Reader's Copy.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Etat : Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Hardcover. Etat : Very Good. 1st/1st, first edition, first printing with full number line. Book and pages in very good condition, dust jacket in good condition. Hardcover with dust jacket. Earthlight Books is a family owned and operated, independent bookstore serving Walla Walla, Washington since 1973.…

Hardcover. Etat : Very Good. Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Etat : good.

hardcover. Etat : Good.

Hardcover. Etat : NF. 1st Printing. Stated first printing. A near fine copy in a fine dust jacket. Dust so iling to the edges of the book's upper page block.

First edition. A tidy copy in tight binding Used - Very Good. VG hardback in VG dustjacket Used - Very Good. VG hardback in VG dustjacket.

hardcover. Etat : Very Good.

Hardcover. Etat : Near Fine. Near Fine. First Edition; First Printing. Stiff unamrked book in barely rubbed dust jacket.; 7.60 X 5.20 X 0.90 inches; 204 pages.

First printing. The author's first novel - described as the first "slacker" novel: a literary portrait of a disaffected generation at the end of the century. F/F.

Hardcover. Etat : Like New. Publisher: Warner, NYC., 1995. First Edition, First Printing. FINE hardcover book in FINE dust-jacket. PRISTINE. As New. Unread. NOT marked. NOT price-clipped. NOT remainder marked. NOT faded. NOT a book club edition. NOT an ex-library copy. All of our books with dust-jackets are shipped in fresh, archival-safe mylar protective sleeves.…

Hardcover. First Edition. Very Good in Very Good dust jacket; DJ is worn at edges. ; Jimi, a twenty-three-year-old Generation X-er, struggles for a sense of identity and an understanding of the world as he travels to London and Paris while under the influence of drugs, alcohol, and tumultuous sex. ; 204 pages. …

dj. First Edition. Remainder mark. .First Edition. Very Good book in a Very Good dust jacket.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. US1ST.EDITION.1ST.IMPRESSION./A FINE HARDBACK IN A FINE DUSTWRAPPER.AN UNREAD COPY. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

First Edition ~1st Printing Hardcover creases on top of dj, else VG/VG.

Hardback. Etat : New. When most people think of Los Angeles, a sprawling city steeped in diversity and multi-culturalism, trees are rarely the first things to spring to mind. But the city landscape is virtually defined by its trees--all 150 officially approved varieties. Although Angelinos take pride in their trees, they also can take them for granted. Not so for George Haas. If passers-by notice a Date Palm through the corner of their eyes, Haas is more apt to focus on it and redefine the world by shifting attention from the activity of human beings to the activity of trees. Not merely content to capture images through his lens, however, Haas as artist and philosopher bends, stretches, and blurs reality into what we perceive it to be, transforming the raw data of the world into his personal point of view. In the 80 images throughout this book, Haas has forced Nature to do his bidding. Still, Haas's trees are portraits of Los Angeles in all its complexity and quirkiness, and his views of individual trees reveal much about their surroundings and the humans with whom they share their habitat. For Haas, L.A.--like the entire world--is a Garden of Eden, replete with bountiful flora and fauna and, of course, danger. Living in an environment molded by and for humans, each tree precariously presides in a fearful symmetry among the highways, telephone poles, and nondescript buildings. Forcing Nature is a testament to Haas as a photographer, but also as an architect, visionary, prankster, ecologist, and, in his method of reproduction, something of an alchemist. The reader will surely come away looking at the familiar and not merely seeing it. George Haas studied film, photography, and sculpture at Columbia College and The Art Institute of Chicago before moving to New York. His photographs have appeared in numerous exhibitions, including The School of Art Institute of Chicago, The Bergman Gallery, The Soho Photo Gallery and Club 57. His photographic and written work has appeared in numerous publications, including The New York Times, The Village Voice, Seventeen, Detour, NME, and Spy Magazine. His stage work has been performed in New York, Boston and Chicago, including No Entiendes and Doris and Inez Speak the Truth. He wrote and directed the feature film Friends and Lovers, starring Robert Downey, Jr., Stephen Baldwin and Claudia Schiffer, distributed by Lion's Gate Films. Photographs from this series have been added to the permanent collection of American Photographers at the Library of Congress in Washington, D.C and to The Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles. Mr. Haas currently lives in the Historic Filipinotown district of Los Angeles.…