Asim mohammad (183 résultats)

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Hardcover. Etat : As New. Contents: 1. Under Western Eyes: Deconstructing the Colonial representations in Qaisra Shahraz's The Holy Woman/Sana Imtaiz and Shirin Zubair Haider. 2. Readings of The Holy Woman from a Western Female Perspective/Karin Vogt. 3. Qaisra Shahraz's Typhoon: Amuslim Perspective on Adultery-Angelika Hoff. 4. Shariah, Psychology and Modernity in the Novels of Qaisr Shahraz/Masoodul Hasan. 5. Recontextualization of Muslim society and modernity in Qaisra Shahraz's The Holy Woman/Abdur Raheem Kidwai. 6. Batting Orthdox eugenics: Reading A Pair of Jeans' in Rabat, Morocco/Mohammed Exroura. 7. Reading Qaisra Shahraz's A Pair of Jeans with German Students/Liesel Hermes. 8. Representing Culture: A Comparative study of Qaisra Shahraz's Typhoon and Chinua Achebe's Things Fall Apart/Md. Sajidul Islam. 9. The Acrid Candy of sainthood in The Holy Woman by Qaisra Shahraz/Nazia Hasan. 10. Sin, Suffering and salvation in Qaisra Shahraz's The Holy Woman/Shahla Ghauri. 11. The Political or the Social?: Quaisra Shahraz and the Present Pakistani Writings in English/Mohammad Asim Siddiqui. 12. A Critical appraisal of Love's Fury/Attia Abid. 13. Cultural Narratology in Quaisra Shahraz's Novels/Seemin Hasan. 14. Grace under Pressure: An exploration of female worlds in Qaisra shahraz's Short Stories/Sami Rafiq. 15. Qaisra Shahraz: The Novelist of the New Era/Sheirn Sherwani. 16. Circulation of Zarri Bano from one Man to another/Akbar Joseph A. Syed. 17. The Memsahib Complex Collision and Collusion of Identity in Qaisra Shahraz's A Pair of Jeans/Shuby Abidi. Qaisra Shahraz was born in Pakistan and brought up in Manchester, England, from the age of nine. She studied English and Classical civilization at the Univeristy of Manchester and went on to gain two Masters Degrees at the University of Salford in English and European Literature and in Scriptwriting for Television and Radio. She is a Fellow of the Royal Society of Arts and a member of the Royal Society of Literature. As a freelance journalist, she has contributed features and articles to various magazines and newspapers. Several of her short stories are published in the UK and abroad, in particular in schools anthologies in Germany. One of her short stories, Perchanvah, won the Ian St. James Award in 1994. she has appeared at several international literary festivals and written plays for radio and television, including a screenplay adaptation of her first novel. Her award-winning drama serial Dil Hee To Hai (The Heart Is It) was broadcast internationally. Qaisra Shahraz is the author of two novels The Holy Woman (2001) and Typhoon (2003) translated into numerous languages. The first is a powerful love story, introducing the reader to the traditions of a vibrant world of four Muslim countries. It was awarded the title Best Book of the Month by Waterstones. Typhoon is a sequel set in the fictitious village of Chiraghpur. She has recently completed a third novel, a volume of short stories and co-authored a literary textbook for German teachers entitled Emerging India. Qaisra Shahraz has another successful career in education, as a consultant, teachertrainer and college inspector for Ofsted. She was shortilisted for the Asian Women of Achievement Awards in 2002 and for the Muslim News Awards for Excellence in 2003. She lives with her family in Manchester.…

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Taschenbuch. Etat : Neu. Comparative Study of Antipyretic Activity | Of Crude and Whole Extract of Gule Ghaafis in Experimental Animals | Mohammad Asim Khan | Taschenbuch | 100 S. | Englisch | 2019 | LAP LAMBERT Academic Publishing | EAN 9783330054691 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.…

Etat : New. Mohammad Asim Siddiqui is Professor of English at Aligarh Muslim University, Aligarh, India. A critic, translator and reviewer, his recent publications include Shahryar (2021), A History of Aligarh Muslim University 1920-2020 (co-a.

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Taschenbuch. Etat : Neu. Neuware - This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, and linguistic - and their realisation in cinematic form.The book assesses the changing perceptions of Muslim identity, beginning from the historical films of the 1940s to the more recent films which often address the current stereotypical notions of Muslim identity in the post-9/11 world and in particular, analyses films which treat the problematic of 'global Muslim identity'. It argues that genre, language, and various sign systems create understandings and mediate notions of identity. Offering a close reading of films belonging to different genres - Muslim social, action thriller, gangster, biopic, and many others - the book interrogates concepts of social diversity, tokenism, marginality, and their reflection and consolidation in Hindi films. It critically looks at the representation of Muslim women characters and the politics of interfaith romances in many films. The book also reads many films which probe Partition violence, communal riots and the international discourse on terror. It also touches on the evolution of the language of Hindi films and its role in creating a lingua franca uniting diverse and variegated groups of people in India. Drawing insights from new critical close reading, deconstruction, semiotic and discourse analysis, the book also offers a close reading of a few films in each chapter, which offer important insights into Hindi cinema.This book offers a unique and comprehensive analysis of the political and representational aspects of Hindi cinema, portrayal of Muslims in popular arts, and the debates and politics over the use of Hindustani in India and its identification with religious and communitarian identity. It will be of interest to researchers studying world cinema, Hindi cinema, sociology and Asian studies.…

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