baackmann (20 résultats)

paperback. Etat : Very Good.

Paperback. Etat : Very Good+. Text clean and tight; Cultural Memories, 18; 8vo 8" - 9" tall; 242 pages.

Softcover, 23 cm. Etat : Sehr gut. XIV, 228 pp. A very good copy. - Summary: The child is never just a child. While the image, voice and gaze of the victimized child is a universal symbol of a failing world, it can be an equally potent aesthetic screen for historical obfuscation. Analysing selected works by Dieter Forte, Günter Grass, Gisela Elsner, Hans-Ulrich Treichel and Rachel Seiffert, Writing the Child considers the evolution of German cultural memory concerning wartime trauma and victimhood. In these works, the aesthetically conceived child comes into view as a memory icon, animated as much by collective fantasies as shaped by specific historical moments. Whose suffering has gained importance after the end of World War II? Who claims innocence or responsibility at the time and over time as the Nazi legacy reverberates into the future? Who remains implicated in the legacy of perpetration? In dialogue with the voices of German war children, the Kriegskinder, the texts echo but also contest exculpatory victimologies that have shaped German memory frameworks from the 1940s up to the post-1989 present. - Table of Contents: Introduction: Fictions of Memory -- PART I: The War and Kriegskind Generations -- CHAPTER 1. Kriegskinder Politics: Abiding Victimologies -- CHAPTER 2. The Myth of Knowing Innocence: Dieter Forte's Der Junge mit den blutigen Schuhen -- CHAPTER 3. Performing Childhood: Günter Grass's Die Blechtrommel -- CHAPTER 4. 'The Disgrace of an Untimely Birth': Gisela Elsner's Fliegeralarm -- PART II: The Kriegsenkel Generation -- CHAPTER 5. 'The past does not want to disappear': Hans-Ulrich Treichel's Der Verlorene -- CHAPTER 6. 'Lore', or the Implicated Subject: Rachel Seiffert's Postmemory Work -- EPILOGUE. Memory in a Moment of Danger. ISBN 9781787077225 Sprache: Englisch Gewicht in Gramm: 1075.

Etat : As New. Unread book in perfect condition.

softcover. Etat : very good. First edition. Softcover. 219pp. Signed and inscribed by author to previous owner. Bump to edges of back cover near spine. Cultural Memories Vol. 18.

kart. Etat : Sehr gut. Dt. Orig.-Ausg., 1. Aufl. 223 S. ; 19 cm Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER s-166d-0824 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

Etat : New. In.

Etat : New.

Paperback. Etat : New.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - The child is never just a child. While the image, voice and gaze of the victimized child is a universal symbol of a failing world, it can be an equally potent aesthetic screen for historical obfuscation. Analysing selected works by Dieter Forte, Günter Grass, Gisela Elsner, Hans-Ulrich Treichel and Rachel Seiffert, Writing the Child considers the evolution of German cultural memory concerning wartime trauma and victimhood. In these works, the aesthetically conceived child comes into view as a memory icon, animated as much by collective fantasies as shaped by specific historical moments. Whose suffering has gained importance after the end of World War II Who claims innocence or responsibility at the time and over time as the Nazi legacy reverberates into the future Who remains implicated in the legacy of perpetration In dialogue with the voices of German war children, the Kriegskinder, the texts echo but also contest exculpatory victimologies that have shaped German memory frameworks from the 1940s up to the post-1989 present.

Taschenbuch. Etat : Neu. Writing the Child | Fictions of Memory in German Postwar Literature | Susanne Baackmann | Taschenbuch | 242 S. | Englisch | 2022 | Peter Lang | EAN 9781787077225 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Etat : New.

Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The child is never just a child. While the image, voice and gaze of the victimized child is a universal symbol of a failing world, it can be an equally potent aesthetic screen for historical obfuscation. Analysing selected works by Dieter Forte, Günter Grass, Gisela Elsner, Hans-Ulrich Treichel and Rachel Seiffert, Writing the Child considers the evolution of German cultural memory concerning wartime trauma and victimhood. In these works, the aesthetically conceived child comes into view as a memory icon, animated as much by collective fantasies as shaped by specific historical moments. Whose suffering has gained importance after the end of World War II Who claims innocence or responsibility at the time and over time as the Nazi legacy reverberates into the future Who remains implicated in the legacy of perpetration In dialogue with the voices of German war children, the Kriegskinder, the texts echo but also contest exculpatory victimologies that have shaped German memory frameworks from the 1940s up to the post-1989 present. 242 pp. Englisch.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Writing the Child considers the evolution of German cultural memory concerning wartime trauma and victimhood. In dialogue with the voices of German war children, the Kriegskinder, the texts analysed echo but also contest exculpatory victimologies .

Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -The child is never just a child. While the image, voice and gaze of the victimized child is a universal symbol of a failing world, it can be an equally potent aesthetic screen for historical obfuscation. Analysing selected works by Dieter Forte, Günter Grass, Gisela Elsner, Hans-Ulrich Treichel and Rachel Seiffert, Writing the Child considers the evolution of German cultural memory concerning wartime trauma and victimhood. In these works, the aesthetically conceived child comes into view as a memory icon, animated as much by collective fantasies as shaped by specific historical moments. Whose suffering has gained importance after the end of World War II Who claims innocence or responsibility at the time and over time as the Nazi legacy reverberates into the future Who remains implicated in the legacy of perpetration In dialogue with the voices of German war children, the Kriegskinder, the texts echo but also contest exculpatory victimologies that have shaped German memory frameworks from the 1940s up to the post-1989 present.Books on Demand GmbH, Überseering 33, 22297 Hamburg 242 pp. Englisch.