Bachmann holger (79 résultats)
From Federation to Communion: The History of the World Lutheran Federation
Edited by Jens Holger Schjorring, Prasanna Kumari, and Norman Hjelm; Coordinated by Viggo Mortensen; Forwarded by Ishmael Noko; Contributors: Emmanuel Abraham, Andre Appel, Mercia Bachmann, Iris Benesch, Eugene Brand, Risto Cantell, Yadessa Daba, Helmut Edelmann, Dennis Frado, James Greig, Bernhardur Gudmundsson, Udo Hahn, Bela Harmati, Gunnar Heiene, Stewart Herman, Michel Hoeffel, Howard Hong, Anneli Janhonen, Musimbi Kanyoro, Arthur Allchin, Ivar Asheim, E. Theodore Bachmann, Gottfried Brakemeier, Reinhard Brandt, James Crumley, Martin Dreher, Julius Filo, Hendrik Frederik, Eric Gritsch, Karoly Hafenscher, Holger Bernt Hansen, Wolf-Dieter Hauschild, Christa Held, Hans-Volker Herntrich, Heinrich Holze, Andrew Hsiao, Mikko Juva, Peter Kjes
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Hardcover. Etat : Excellent condition. dj. xxiv, 552 pp. Published in cooperation with the Lutheran World Federation, Department of Theology and Studies. Dustjacket. LCC: 9716506.
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Paperback or Softback. Etat : New. Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear. Book.
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Paperback. Etat : New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the rela…tion between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.
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Etat : New. 2002. Paperback. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, product…ion, and contemporary reception of the film. Editor(s): Minden, Michael; Bachmann, Holger. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 344 pages, 1, black & white illustrations. BIC Classification: APFA; DSBH. Category: (P) Professional & Vocational. Dimension: 162 x 228 x 19. Weight in Grams: 504. Cinematic Visions of Technology and Fear. Series: Studies in German Literature, Linguistics, and Culture. 344 pages, 1, black & white illustrations. Editor(s): Minden, Michael; Bachmann, Holger. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, production, and contemporary reception of the film. Cateogry: (P) Professional & Vocational. BIC Classification: APFA; DSBH. Dimension: 162 x 228 x 19. Weight: 504. . . . . .
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Paperback. Etat : New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the rela…tion between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.
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Paperback. Etat : new. Paperback. Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the cons…truction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides a broad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introduction that furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews the solutions to these problems as proposed by later generations of critics. The first part of the book proper includes selected contemporary reviews, commentary by Fritz Lang and others involved in the making of the film, and extracts from Thea von Harbou's original novel.In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appeal to students of German, film, cultural and intellectual history, and social theory.Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received his Ph.D. from Cambridge on Arthur Schnitzler and film. A collection of essays on the German expressionist film, Metropolis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Etat : New. 2002. Paperback. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, product…ion, and contemporary reception of the film. Editor(s): Minden, Michael; Bachmann, Holger. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 344 pages, 1, black & white illustrations. BIC Classification: APFA; DSBH. Category: (P) Professional & Vocational. Dimension: 162 x 228 x 19. Weight in Grams: 504. Cinematic Visions of Technology and Fear. Series: Studies in German Literature, Linguistics, and Culture. 344 pages, 1, black & white illustrations. Editor(s): Minden, Michael; Bachmann, Holger. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, production, and contemporary reception of the film. Cateogry: (P) Professional & Vocational. BIC Classification: APFA; DSBH. Dimension: 162 x 228 x 19. Weight: 504. . . . . . Books ship from the US and Ireland.
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Paperback. Etat : New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the rela…tion between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.
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Langue : anglais
Edité par Rochester, NY/Woodbridge, Suffolk, Camden House, 2000
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Etat : Gut. Oktav. XI, 326 S. Ill. OPb.OU. Umschlag leicht berieben, Aufkleber auf Vorsatz, sonst guter Zustand. Studies in German literature, linguistics, and culture.
Fritz Lang\ s Metropolis
Michael Minden|Holger Bachmann|Alan Williams|Andreas Huyssen|Andrew J. Webber
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Etat : New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Über den AutorMICHAEL MINDEN is University Lecturer in German at Cambridge University and a fell.
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paperback. Etat : New. In shrink wrap. Looks like an interesting title.
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Etat : Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Theodor Storms Novelle 'Zur Chronik von Grieshuus' und ihre Verfilmung durch die Ufa 1925. Die Studie behandelt systematisch am Beispiel 'Grieshuus' den Übergang von Literatur zu Film im geistesgeschichtlichen und filmhistorischen Kontext. Ausgehend von der Novelle und i…hrer Rezeption wird die Attraktivität für die Ufa dargestellt, wobei konsequent die einschneidenden Verfälschungen aufgezeigt und als Folge der ideologischen Ausrichtung der Autorin Thea von Harbou interpretiert werden. Gleichzeitig würdigt die Untersuchung jedoch auch die filmästhetische Leistung des Regisseurs Arthur von Gerlach, aus der eine Diskrepanz von ideologischem Gehalt und künstlerischer Ausgestaltung resultiert. Basierend auf zahlreichen zeitgenössischen Kritiken wird schließlich die Vermarktung und Aufnahme des Films im In- und Ausland dargestellt. 207 Seiten und 10 Tafeln, broschiert (Theater, Film und Fernsehen in der Blauen Eule; Band 6/Verlag Die Blaue Eule 1996). Früher EUR 20,50. Gewicht: 290 g - Softcover/Taschenbuch.
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