Baker kelley (169 résultats)

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: first ] Publisher: CreateSpace Independent Publishing Platform Pub Date: 2/4/2017 Binding: Paperback Pages: 328 first edition.

Paperback. Etat : Good. Motion picture audio is one of the least understood parts of filmmaking and is neglected by many film students and filmmakers alike. It's boring, scary, too technical and not considered important by most filmmakers. Until they get into the editing room and realize that by not paying attention to audio earlier they are screwed. Over the years tons of false information has spread through the independent film world, and most students and filmmakers don't want to deal with sound. If they do it is usually done incorrectly through ignorance and at a huge financial expense. This book is intended to shatter the myths and mysteries around film audio and give both students and experienced filmmakers the knowledge and tools so that their films will sound like they have come from the Hollywood studios without huge Hollywood budgets. I have assembled a lineup of some pretty amazing people in all areas of audio production for film and television. This group consists of location recordists, sound designers, picture editors, sound editors, re-recording mixers, and post-production supervisors. This all-star cast has won Oscars and Emmys in addition to awards from various film industries worldwide. In the book's interviews, Gary Rydstrom, Tom Johnson, Jim LeBrecht, Ron Eng, Harry B Miller III, Peter Kurland, Lee Haxall, Ken Karman, David A. Cohen and a host of others discuss their methods and secrets. Sound is an excellent carrier of emotion. And film is about emotion. - Gary Rydstrom, sound designer - Saving Private Ryan, Jurassic Park (winner of 7 Academy Awards) Sound is NOT the enemy - Lee Haxall, editor Crazy Stupid Love I'm capturing a performance, and that performance is only going to happen one time the way they want it, in the environment, with everybody in the mood. - Peter Kurland, location recordist - No Country For Old Men In my mind, dialog is king, if you can't understand what they're saying then the movie is a waste of time. - David A. Cohen, dialog editor - Lost In Translation A good dialog editor can figure out a way to make nearly every line of dialog usable. Milly Iatrou, dialog editor - Walk The Line I would rather see no music than music used improperly. - Ken Karman, music editor - Forrest Gump We're like the ugly evil stepchildren in the basement. - Jana Vance, foley artist - Toy Story When I look at a film or look at a script I think of what I'm gonna need to make that world. Jane Tattersall - sound effects editor - Naked Lunch I like off beat stuff, weird sounding films and subtle sound tracks as compared to bombastic. - Ron Eng, supervising sound editor - Mulholland Drive Sound is kind of invisible, but when it's wrong we know it immediately. - Jim LeBrecht, sound designer - The Singing Detective Good sound goes unnoticed, bad sound ruins a film. - Dan Olmstead, re-recording mixer - Cecil B. Demented The rule of thumb for good sound is: does it tell or promote the emotional content of the scene, does it support and/or reveal the story. - Tom Johnson, re-recording mixer - Alice In Wonderland (winner of 2 Academy Awards) If you want to see what the future of storytelling looks like then check out Kelley Baker. Brian David Johnson, Futurist, filmmaker, author If you read only one book on sound, this is the one, and, after you've read it, you'll never, ever, ever say, We'll fix it in post. William M. Akers, author of Your Screenplay Sucks.…

Hardcover. Etat : Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Good. The Angry Filmmaker's Survival Guide Part One: Making the Extreme No Budget Film When it comes to independent filmmaking Kelley Baker is the real thing. His experience, observations and practical advice reveals the raw truth about an important art form that has been hijacked, over-romanticized and betrayed by everyone from the mainstream media to its very own champions. This book is about real filmmaking. If you are thinking about making an independent film, you must read this book. Brian Johnson, author, screenwriter, and director Angry or not, Kelley Baker knows his stuff, and he tells it all in this book that's part indie film war story, part instructional manual for true independents, and part furious rant. It's always entertaining, and it might just tick you off, but - most important - the advice contained within these pages will help you get your film made. Anyone reading this book can tell Baker truly wants to help passionate wannabe filmmakers realize their creative visions without going bankrupt or making the kinds of mistakes they can't afford to make. Chris Hansen, Writer/Director The Proper Care and Feeding of an American Messiah. & Endings. Kelley Baker is the Angry Filmmaker. But his independent films are not angry, they're honest. He's angry at the state of independent film. For Baker, it's about telling the story, not what actors are starring in it. From making award winning short films to the trials and tribulations of making three independent features with tiny budgets and no financial backing. Kelley lays it all out. Dealing with the Independent Film World and the lies they tell. His films have been seen all over the world and no one has ever guessed his budgets or the struggles of making them look as good as they do. This book takes you step by step through making films on very little money, interspersed with tales of how the business really operates and the frustrations of being a Real Independent Filmmaker. Like any good survivalist, Kelley Baker doesn't beat around the bush - he gets right down to the nitty-gritty heart of the matter right way. His 12 chapter Survival Guide is a compact, no-holds-barred 12-step program to creating what Baker calls The Extreme No-Budget Film. Baker is on fire about making films. You will be too after reading this brutally honest compilation of personal stories and practical advice from the front lines of independent filmmaking. Morrie Warshawski, Consultant and Author (Shaking the Money Tree: The Art of Getting Grants and Donations for Film and Video - 3rd Edition) Read this book and you will not only SURVIVE but you will SUCCEED. One of the best books on making your way through the independent filmmaking jungle with justifiably-angry filmmaker Kelley Baker as your top-notch guide: Funny, profane and committed to telling the unblemished truth. Don't make your next movie until you've read this terrific book. John Gaspard, Author, Digital Filmmaking 101, Fast, Cheap and Under Control, and Fast, Cheap and Written That Way. This is a killer book. It tells you what your teachers can't, because they haven't done it. It tells you what your friends can't, for the same reason. Jammed with tons of useful advice, Baker's book is an invaluable think before you shoot guide for beginning filmmakers, as well as people who've been around the block, but need a refresher course. William M. Akers, author of Your Screenplay Sucks 100 Ways To Make It Great Finally, a film resource that tells it like it is As a film festival director, I watch hundreds (if not thousands) of films a year - some good, many flawed. I wish I could afford to send copies of Survival Guide: Part 1 to every director I encounter, to help them identify and correct potential issues before they roll the camera. Jon Gann, Director, DC Shorts Film Festival Here, with all his attitude, is the wisdom of an Angry Filmmaker, gained the hard way, through experience. …

Etat : As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Etat : very_good. Book has little sign of wear or use.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : good. Signs of wear and consistent use.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good. Motion picture audio is one of the least understood parts of filmmaking and is neglected by many film students and filmmakers alike. It's boring, scary, too technical and not considered important by most filmmakers. Until they get into the editing room and realize that by not paying attention to audio earlier they are screwed. Over the years tons of false information has spread through the independent film world, and most students and filmmakers don't want to deal with sound. If they do it is usually done incorrectly through ignorance and at a huge financial expense. This book is intended to shatter the myths and mysteries around film audio and give both students and experienced filmmakers the knowledge and tools so that their films will sound like they have come from the Hollywood studios without huge Hollywood budgets. I have assembled a lineup of some pretty amazing people in all areas of audio production for film and television. This group consists of location recordists, sound designers, picture editors, sound editors, re-recording mixers, and post-production supervisors. This all-star cast has won Oscars and Emmys in addition to awards from various film industries worldwide. In the book's interviews, Gary Rydstrom, Tom Johnson, Jim LeBrecht, Ron Eng, Harry B Miller III, Peter Kurland, Lee Haxall, Ken Karman, David A. Cohen and a host of others discuss their methods and secrets. Sound is an excellent carrier of emotion. And film is about emotion. - Gary Rydstrom, sound designer - Saving Private Ryan, Jurassic Park (winner of 7 Academy Awards) Sound is NOT the enemy - Lee Haxall, editor Crazy Stupid Love I'm capturing a performance, and that performance is only going to happen one time the way they want it, in the environment, with everybody in the mood. - Peter Kurland, location recordist - No Country For Old Men In my mind, dialog is king, if you can't understand what they're saying then the movie is a waste of time. - David A. Cohen, dialog editor - Lost In Translation A good dialog editor can figure out a way to make nearly every line of dialog usable. Milly Iatrou, dialog editor - Walk The Line I would rather see no music than music used improperly. - Ken Karman, music editor - Forrest Gump We're like the ugly evil stepchildren in the basement. - Jana Vance, foley artist - Toy Story When I look at a film or look at a script I think of what I'm gonna need to make that world. Jane Tattersall - sound effects editor - Naked Lunch I like off beat stuff, weird sounding films and subtle sound tracks as compared to bombastic. - Ron Eng, supervising sound editor - Mulholland Drive Sound is kind of invisible, but when it's wrong we know it immediately. - Jim LeBrecht, sound designer - The Singing Detective Good sound goes unnoticed, bad sound ruins a film. - Dan Olmstead, re-recording mixer - Cecil B. Demented The rule of thumb for good sound is: does it tell or promote the emotional content of the scene, does it support and/or reveal the story. - Tom Johnson, re-recording mixer - Alice In Wonderland (winner of 2 Academy Awards) If you want to see what the future of storytelling looks like then check out Kelley Baker. Brian David Johnson, Futurist, filmmaker, author If you read only one book on sound, this is the one, and, after you've read it, you'll never, ever, ever say, We'll fix it in post. William M. Akers, author of Your Screenplay Sucks.…

Paperback. Etat : Good. The Angry Filmmaker's Survival Guide Part One: Making the Extreme No Budget Film When it comes to independent filmmaking Kelley Baker is the real thing. His experience, observations and practical advice reveals the raw truth about an important art form that has been hijacked, over-romanticized and betrayed by everyone from the mainstream media to its very own champions. This book is about real filmmaking. If you are thinking about making an independent film, you must read this book. Brian Johnson, author, screenwriter, and director Angry or not, Kelley Baker knows his stuff, and he tells it all in this book that's part indie film war story, part instructional manual for true independents, and part furious rant. It's always entertaining, and it might just tick you off, but - most important - the advice contained within these pages will help you get your film made. Anyone reading this book can tell Baker truly wants to help passionate wannabe filmmakers realize their creative visions without going bankrupt or making the kinds of mistakes they can't afford to make. Chris Hansen, Writer/Director The Proper Care and Feeding of an American Messiah. & Endings. Kelley Baker is the Angry Filmmaker. But his independent films are not angry, they're honest. He's angry at the state of independent film. For Baker, it's about telling the story, not what actors are starring in it. From making award winning short films to the trials and tribulations of making three independent features with tiny budgets and no financial backing. Kelley lays it all out. Dealing with the Independent Film World and the lies they tell. His films have been seen all over the world and no one has ever guessed his budgets or the struggles of making them look as good as they do. This book takes you step by step through making films on very little money, interspersed with tales of how the business really operates and the frustrations of being a Real Independent Filmmaker. Like any good survivalist, Kelley Baker doesn't beat around the bush - he gets right down to the nitty-gritty heart of the matter right way. His 12 chapter Survival Guide is a compact, no-holds-barred 12-step program to creating what Baker calls The Extreme No-Budget Film. Baker is on fire about making films. You will be too after reading this brutally honest compilation of personal stories and practical advice from the front lines of independent filmmaking. Morrie Warshawski, Consultant and Author (Shaking the Money Tree: The Art of Getting Grants and Donations for Film and Video - 3rd Edition) Read this book and you will not only SURVIVE but you will SUCCEED. One of the best books on making your way through the independent filmmaking jungle with justifiably-angry filmmaker Kelley Baker as your top-notch guide: Funny, profane and committed to telling the unblemished truth. Don't make your next movie until you've read this terrific book. John Gaspard, Author, Digital Filmmaking 101, Fast, Cheap and Under Control, and Fast, Cheap and Written That Way. This is a killer book. It tells you what your teachers can't, because they haven't done it. It tells you what your friends can't, for the same reason. Jammed with tons of useful advice, Baker's book is an invaluable think before you shoot guide for beginning filmmakers, as well as people who've been around the block, but need a refresher course. William M. Akers, author of Your Screenplay Sucks 100 Ways To Make It Great Finally, a film resource that tells it like it is As a film festival director, I watch hundreds (if not thousands) of films a year - some good, many flawed. I wish I could afford to send copies of Survival Guide: Part 1 to every director I encounter, to help them identify and correct potential issues before they roll the camera. Jon Gann, Director, DC Shorts Film Festival Here, with all his attitude, is the wisdom of an Angry Filmmaker, gained the hard way, through experience. …

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : very_good. Pages are clean with no markings. May show minor signs of wear or cosmetic defects marks, cuts, bends, or scuffs on the cover, spine, pages, or dust jacket. May have remainder marks on edges.

Etat : very_good. Very good condition. Light Wear.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Paperback. Etat : As New. A Clean and sturdy copy. There is slight edge and shelf wear along with some little marks at the bottom.A great looking copy nonetheless.RB.

paperback. Etat : Like New. Ships in a BOX from Central Missouri! Like Brand NEW. No tears, highlighting or writing because it's never been used! May have minor shelf wear. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback or Softback. Etat : New. From Arrah Wanna to Mule Shoe: Misfit Stories from Misspent Lives. Book.

Etat : New.

Etat : As New. Unread book in perfect condition.