Barker perry (44 résultats)

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

single_issue_magazine. Etat : Good. No writing or tears; library sticker on cover.

Etat : New.

Hardcover. Etat : Used - Very Good. Tuttle, Morehouse & Taylor Co., 1914. (103) pages. Halftones: church, parsonage, portraits. 9 x 6", cloth. Cover foredges nibbled, else clean, tight, VG.

SingleIssueMagazine. Etat : Good. Vol. 93, No. 6. Edited by Howard V. L. Bloomfield. Cover art by Hubert Rogers. Includes "Huroc the Avenger" (pt. 1 of 6) by Gordon Young; "Gross Fire" (novelette) by Robert E. Pinkerton; "Flight Leader" by Bourke Lee; "Nobody's Horses" by S. Omar Barker; "No Help Needed" by Mody C. Boatright; "The Spider" (novelette) by Major George Fielding Eliot; "Brother of Lions" (fact story) by Wynant Davis Hubbard; "Surprise Attack" by Perry Adams. Features: "The Camp-Fire"; "Ask Adventure"; "The Trail Ahead". Illustrated by V. E. Pyles, I. Hazleton, and N. O'Keefe. Standard wear and tear; tears at heel; dust foiled; foxing; tanning; pencil marks on front and rear. Book.…

Comic. [36p] includes covers, 8x11.25 inches, newsprint guts, color covers, good underground comic book in stapled pictorial wraps with light edgewear. Special issue, a satirical report on the Nasty Tales #1 obscenity trial. Contributions by many UK and USA comic artists and writers, Germaine Greer and others.…

Paperback. Etat : New. Print on Demand. This book presents a detailed account of experiments conducted by the US Geological Survey to discover whether local coals could replace pricey gas coals sourced from Pennsylvania. These experiments explore the chemical processes of gas manufacturing and test the suitability of coals from different regions. The experiments provide valuable insights into the composition of various coals and the products they yield when processed for gas production. The author emphasizes the importance of testing coals in different conditions and at varying temperatures to obtain accurate results. The book includes tables and illustrations summarizing the data collected during the experiments, making it a valuable resource for researchers and professionals in the gas industry. The experiments conducted have practical implications for optimizing gas production processes and reducing reliance on imported coal sources. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Etat : Very Good to near fine. First Edition. All six issues are in very good to near fine condition some issues have light soiling and rusted staples, one has three small binding holes along the left side, two issues have wrappers separated along the spine and one has a one inch chip.

Gebunden. Etat : New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Paper Back. Etat : Very Good. Includes CD. 127 pages with colour and b/w photographs. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size C: 6"-7" Tall (151-177mm). Barker, Johnny (Images) (illustrateur).

Hardcover. Etat : Very Good condition. No jacket. First Printing of the First Edition. New Brunswick, New Jersey: Rutgers University Press, 1955. This is the 1955 hardcover first edition -- not a cheaply-made modern reprint. Very Good condition. NOT a library discard. Square and tight. Corners are NOT bumped. Hinges are perfect. NO owner's name. NOT a remainder. Pages are crisp and creamy white. NO underlining. NO highlighting. NO margin notes. Illustrated with diagrams in the text and two plates. Includes technical papers as well as a few historical papers. Arranged into 3 parts: The Microbe as a Living System; Metabolism of Microorganisms; Microorganisms and Higher Forms of Life. Among 16 contributors are H. A. Barker, Bernard D. Davis, Harry Eagle, Jackson W. Forster, Michael Heidelberger, Frank L. Horsfall, Lewis Webster Jones, Albert J. Kluyver, Joshua Lederberg, Andre Lwoff, Robert L. Starkey, Perry Wilson, etc. The editor, the American microbiologist Selman Abraham Waksman (1888-1973) was awarded the 1952 Nobel Prize in medicine for his discovery of streptomycin, the first antibiotic effective against tuberculosis. Bound in the original rust-colored cloth, stamped in black and shiny gold on the spine and front cover. First Printing of the First Edition. Hardcover. Very Good condition/No jacket. 8vo. x, 220pp.…

Brossura. Etat : come nuovo. Etat de la jaquette : ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Hardcover. Etat : Fine condition. No jacket. First Printing of the First Edition. New Brunswick, New Jersey: Rutgers University Press, 1955. This is the 1955 hardcover first edition -- not a cheaply-made modern reprint. Near Fine condition. NOT a library discard. Bright, clean, square and tight. Sharp corners. Hinges are perfect. NO owner's name. NOT a remainder. Pages are crisp and creamy white. NO underlining. NO highlighting. NO margin notes. Illustrated with diagrams in the text and two plates. Includes technical papers as well as a few historical papers. Arranged into 3 parts: The Microbe as a Living System; Metabolism of Microorganisms; Microorganisms and Higher Forms of Life. Among 16 contributors are H. A. Barker, Bernard D. Davis, Harry Eagle, Jackson W. Forster, Michael Heidelberger, Frank L. Horsfall, Lewis Webster Jones, Albert J. Kluyver, Joshua Lederberg, Andre Lwoff, Robert L. Starkey, Perry Wilson, etc. The editor, the American microbiologist Selman Abraham Waksman (1888-1973) was awarded the 1952 Nobel Prize in medicine for his discovery of streptomycin, the first antibiotic effective against tuberculosis. Bound in the original rust-colored cloth, stamped in black and shiny gold on the spine and front cover. First Printing of the First Edition. Hardcover. Fine condition/No jacket. 8vo. x, 220pp. …

Soft cover. Etat : Very Good. 1st Edition. FIRST EDITION. Octavo (25 x 20cm), pp.112. Publisher's printed card wraps. Cover illustration and a folding colour plate by Graham Sutherland. The Allen Ginsberg flexi disc loosely inserted. Lightly toned to covers and edges. Fine. Edited by Tambimuttu, a short lived revival of the earlier Poetry London magazine.…

paperback. Etat : Good. Cover and some pages corner creased. Spine uncreased. Text unmarked. Ships Next Business Day.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : New.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. pp. xviii + 845.

Etat : New. pp. xviii + 845 9th Edition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 9th edition. 864 pages. 3.30x2.00x1.40 inches. In Stock.

Etat : New.

Etat : As New. Unread book in perfect condition.