Bartolini chantal (16 résultats)

Etat : New. 2011. hardcover. . . . . . Books ship from the US and Ireland.

Etat : New. 2011. hardcover. . . . . .

Hardcover. Etat : Fine. No Jacket (as issued). 1st Edition. Profusely illustrated in color. Text in German and English. From the 2012-2014 exhibitions. Color inlay illustration on front cover. Clean and unmarked.

Hardcover. Etat : Acceptable. Heavy water damage. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Etat : Very Good. No Dust Jacket. Text in English, French, and German. 223pp, color illus. Binding tight and sturdy; text very good+. Green boards clean and square. NO DJ (perhaps as issued). NOT ex-lib. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.…

Hardcover. Etat : Very Good+. Etat de la jaquette : No Dust Jacket As Issued. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 224 pages.

Hardcover. Etat : New. Etat de la jaquette : New. Book is still in the original shrinkwrap.

Hardcover. Etat : Near Fine. Etat de la jaquette : No Dust Jacket As Issued. A book that looks almost new without dustjacket as issued; 11.26 X 10.47 X 1.02 inches; 204 pages.

rilegato hardcover. Etat : Ottimo (Fine). 2011;  Lingia inglese, francese e tedesca.Opera con copertina rigida e sovraccoperta. Numerose illustrazioni a colori nt e ft.pp. 224FRN15. Book.

hardcover. Etat : Very Good. Artiveras, 5 Continents, c.2011, 11-1/4"x10-1/2", cloth, 224pp., VG $.

Hardcover. Etat : New in shrinkwrap. Olive green cloth boards with inlaid color illustration and stamped lettering. 223 pp. Mainly color illustrations. Text in French, English, and German."This one-of-a-kind book brings the work of German Expressionist artist Friedrich Karl Gotsch (19001984) to a larger, well-deserved audience. Gotsch, whose paintings are in the collections of the Brooklyn Museum and the Museum of Modern Art in New York, trained at the Dresden School of Fine Arts in the early 1920s and was inspired by the works of Oskar Kokoschka and Edvard Munch. While his early paintings follow a straightforward Expressionist style, he truly came into his own after World War II, when his work became distinct and easily recognizable: The energy, contrasting primary colors, vivid outlines, and free brushwork combine to produce powerful, spellbinding images. In addition to stunning color reproductions of his work, this book includes essays on Gotsch's art and life, illuminating the artist's creative development and the cultural milieu and influences that inspired him." -FirstSearch.…

1st edition. Fine copy in the original decorated cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Literally as new. Physical description; 223 pages: illustrations (chiefly color); 27 x 29 cm. Notes; Published on the occasion of an exhibition held at Artvera's Gallery, Geneva, Sept. 16, 2011-Feb. 18, 2012; some works will also be shown at the Kitzbu?hel Museum, Dec. 3, 2011-Feb. 19, 2012 and at the Kunstsammlung im Stadtmuseum Jena, Dec. 7, 2013-Feb. 23, 2014. Includes bibliographical references (page 191). Text in French, English and German. Contents; Pre?face / Sofia Kornarova -- Friedrich Karl Gotsch, expressionniste, romantique et solitaire / Marion Leuba -- Friedrich Karl Gotsch: "aucun vent ne souffle dans nos voiles" / Re?gine Bonnefoit -- Friedrich Karl Gotsch. La seconde ge?ne?ration expressionniste / Chantal Bartolini -- Un Artiste d'Allemagne du Nord, proche de la culture scandinave -- Les anne?es de formation -- Une enfance dans le Schleswig-Holstein -- Le premier enseignement d'Hans Ralfs a? Kiel -- Un jeune peintre tre?s bien informe? -- L'e?cole des beaux-arts de Dresde -- Ralfs, Munch, Die Bru?cke, Kokoschka quelles influences chez Gotsch? -- En pre?ambule -- L'apport d'Hans Ralfs -- L'apport d'Edvard Munch -- L'apport d'Oskar Kokoschka -- L'apport de Die Bru?cke -- La France: le gou?t de la ge?ome?trie et de la construction -- L'incertitude des anne?es 1930 -- 1945, une re?flexion sur la trage?die du nazisme -- La Renaissance d'apre?s-guerre -- Quelques anne?es de transition -- L'apothe?ose de l'art de Gotsch -- Le probable encouragement moral du mouvement CoBrA -- Ge?ome?trie libre: des pointes et des triangles -- La multiplication des petites formes a? l'inte?rieur d'un plus large ensemble -- L'inspiration africaine -- Mythologie et relectures d'oeuvres ce?le?bres -- Une abstraction construite -- Une abstraction lyrique -- Postlude: aquarelles et monotypes -- Gotsch, le second souffle de l'expressionnisme allemand. Summary; This book presents the work of Friedrich Karl Gotsch, an artist from the second gener-ation of Expressionists, who trained at the Dresden School of Fine Arts in the early 1920s. Influenced by Die BrUcke in his approach to form, he in fact owed the full flow-ering of his individuality and the release of his creative talent to Kokoschka. Gotsch's art enjoyed a new lease of life after the Second World War, reaching the peak of its popularity in the fifties and sixties. Starting in a straightforwardly Expressionist style, his work soon became highly individual and instantly recognisable: the energy, contrasting primary colours, vivid outlines and free brushwork combine to produce particularly powerful, spellbinding paintings. This sumptuous book-cum-catalogue includes an introductory essay on Gotsch's art by Marion Leuba, curator for the Beaune museums, followed by a further illustrated essay by the art historian Chantal Bartolini, who highlights the various stages in the artist's development over his long creative life and the cultural milieux and influences which helped forge them. These two contributions are followed by a catalogue of full-page colour plates. This retrospective of Gotsch's painting provides an opportunity to discover or rediscover an artist of the first rank within the Expressionist movement whose influence stretched beyond the borders of Schleswig-Holstein, where the Gotsch Foundation is situated, and indeed was not confined to Germany itself. Subjects; Gotsch, Friedrich Karl 1900-1984 - Exhibitions. Gotsch, Friedrich Karl 1900-1984. Expressionism (Art) - Germany - 20th century - Exhibitions. Painting, German - 20th century - Exhibitions. Wood-engraving, German - 20th century - Exhibitions. Expressionism; Painting & paintings; Individual artists. ART / Individual Artists / General. ART / History / General. 1 Kg.…

1st edition. Fine copy in the original decorated cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Literally as new. Physical description; 223 pages: illustrations (chiefly color); 27 x 29 cm. Notes; Published on the occasion of an exhibition held at Artvera's Gallery, Geneva, Sept. 16, 2011-Feb. 18, 2012; some works will also be shown at the Kitzbu?hel Museum, Dec. 3, 2011-Feb. 19, 2012 and at the Kunstsammlung im Stadtmuseum Jena, Dec. 7, 2013-Feb. 23, 2014. Includes bibliographical references (page 191). Text in French, English and German. Contents; Pre?face / Sofia Kornarova -- Friedrich Karl Gotsch, expressionniste, romantique et solitaire / Marion Leuba -- Friedrich Karl Gotsch: "aucun vent ne souffle dans nos voiles" / Re?gine Bonnefoit -- Friedrich Karl Gotsch. La seconde ge?ne?ration expressionniste / Chantal Bartolini -- Un Artiste d'Allemagne du Nord, proche de la culture scandinave -- Les anne?es de formation -- Une enfance dans le Schleswig-Holstein -- Le premier enseignement d'Hans Ralfs a? Kiel -- Un jeune peintre tre?s bien informe? -- L'e?cole des beaux-arts de Dresde -- Ralfs, Munch, Die Bru?cke, Kokoschka quelles influences chez Gotsch? -- En pre?ambule -- L'apport d'Hans Ralfs -- L'apport d'Edvard Munch -- L'apport d'Oskar Kokoschka -- L'apport de Die Bru?cke -- La France: le gou?t de la ge?ome?trie et de la construction -- L'incertitude des anne?es 1930 -- 1945, une re?flexion sur la trage?die du nazisme -- La Renaissance d'apre?s-guerre -- Quelques anne?es de transition -- L'apothe?ose de l'art de Gotsch -- Le probable encouragement moral du mouvement CoBrA -- Ge?ome?trie libre: des pointes et des triangles -- La multiplication des petites formes a? l'inte?rieur d'un plus large ensemble -- L'inspiration africaine -- Mythologie et relectures d'oeuvres ce?le?bres -- Une abstraction construite -- Une abstraction lyrique -- Postlude: aquarelles et monotypes -- Gotsch, le second souffle de l'expressionnisme allemand. Summary; This book presents the work of Friedrich Karl Gotsch, an artist from the second gener-ation of Expressionists, who trained at the Dresden School of Fine Arts in the early 1920s. Influenced by Die BrUcke in his approach to form, he in fact owed the full flow-ering of his individuality and the release of his creative talent to Kokoschka. Gotsch's art enjoyed a new lease of life after the Second World War, reaching the peak of its popularity in the fifties and sixties. Starting in a straightforwardly Expressionist style, his work soon became highly individual and instantly recognisable: the energy, contrasting primary colours, vivid outlines and free brushwork combine to produce particularly powerful, spellbinding paintings. This sumptuous book-cum-catalogue includes an introductory essay on Gotsch's art by Marion Leuba, curator for the Beaune museums, followed by a further illustrated essay by the art historian Chantal Bartolini, who highlights the various stages in the artist's development over his long creative life and the cultural milieux and influences which helped forge them. These two contributions are followed by a catalogue of full-page colour plates. This retrospective of Gotsch's painting provides an opportunity to discover or rediscover an artist of the first rank within the Expressionist movement whose influence stretched beyond the borders of Schleswig-Holstein, where the Gotsch Foundation is situated, and indeed was not confined to Germany itself. Subjects; Gotsch, Friedrich Karl 1900-1984 - Exhibitions. Gotsch, Friedrich Karl 1900-1984. Expressionism (Art) - Germany - 20th century - Exhibitions. Painting, German - 20th century - Exhibitions. Wood-engraving, German - 20th century - Exhibitions. Expressionism; Painting & paintings; Individual artists. ART / Individual Artists / General. ART / History / General. 1 Kg.…

Hardcover. Etat : Brand New. multilingual edition. 224 pages. French language. 11.26x10.47x1.02 inches. In Stock.

Hardcover. Etat : As New. First Edition. As New condition, a fine artist exhibition catalogue devoted to Gotsch, Friedrich Karl, and in First Edition state. 224 pp., bound attractively in a dark green cloth over boards, with inset full-color paper illustration, blind-stamped lettering to spine. "This book accompanies the exhibition 'Fredich Karl Gotsch. The Second Expressionist Generation' presented at the Artvera's Gallery in Geneva from 16th September 2011 to 18th February 2012." Long Introduction by Chantal Bartolini. Double-column, bilingual texts in French and English.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Hardcover. Etat : New. This one-of-a-kind book brings the work of German Expressionist artist Friedrich Karl Gotsch (1900â"1984) to a larger, well-deserved audience. Gotsch, whose paintings are in the collections of the Brooklyn Museum and the Museum of Modern Art in New York, trained at the Dresden School of Fine Arts in the early 1920s and was inspired by the works of Oskar Kokoschka and Edvard Munch. While his early paintings follow a straightforward Expressionist style, he truly came into his own after World War II, when his work became distinct and easily recognizable: The energy, contrasting primary colors, vivid outlines, and free brushwork combine to produce powerful, spellbinding images. In addition to stunning color reproductions of his work, this book includes essays on Gotschâs art and life, illuminating the artistâs creative development and the cultural milieu and influences that inspired him.…